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Pior que o melhor de dois Better than the best of two 00:10
Melhor do que sofrer depois Better than suffering afterward 00:13
Se é isso que me tem ao certo If that’s what’s really keeping me 00:17
A moça de sorriso aberto The girl with the open smile 00:19
Ingênua de vestido assusta Naive in her dress, she’s startling 00:23
Afasta-me do ego imposto Keeps me away from the ego pushed on me 00:26
Ouvinte claro, brilho no rosto Clear listener, shining face 00:28
Abandonada por falta de gosto Abandoned for lack of taste 00:29
Agora sei não mais reclama Now I know, no more complaining 00:35
Pois dores são incapazes Because pain is powerless 00:38
E pobre desses rapazes And poor are these young men 00:41
Que tentam lhe fazer feliz Who try to make you happy 00:44
Escolha feita, inconsciente Choice made, unconsciously 00:48
De coração não mais roubado Heart no longer stolen 00:54
Homem feliz, mulher carente Happy man, lonely woman 00:59
A linda rosa perdeu pro cravo The beautiful rose lost to the clove 01:05
01:11
Pior que o melhor de dois Better than the best of two 01:21
Melhor do que sofrer depois Better than suffering afterward 01:24
Se é isso que me tem ao certo If that’s what’s really keeping me 01:27
A moça de sorriso aberto The girl with the open smile 01:30
Ingênua de vestido assusta Naive in her dress, she’s startling 01:34
Afasta-me do ego imposto Keeps me away from the ego pushed on me 01:36
Ouvinte claro, brilho no rosto Clear listener, shining face 01:39
Abandonada por falta de gosto Abandoned for lack of taste 01:42
Agora sei não mais reclama Now I know, no more complaining 01:45
Pois dores são incapazes Because pain is powerless 01:48
E pobre desses rapazes And poor are these young men 01:51
Que tentam lhe fazer feliz Who try to make you happy 01:53
Escolha feita, inconsciente Choice made, unconsciously 01:59
De coração não mais roubado Heart no longer stolen 02:04
Homem feliz, mulher carente Happy man, lonely woman 02:10
A linda rosa perdeu pro cravo The beautiful rose lost to the clove 02:16
Homem feliz, mulher carente Happy man, lonely woman 02:21
A linda rosa perdeu pro cravo The beautiful rose lost to the clove 02:27
02:32

Linda Rosa – Bilingual Lyrics Portuguese/English

By
Maria Gadú
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Lyrics & Translation

[Portuguese]
[English]
Pior que o melhor de dois
Better than the best of two
Melhor do que sofrer depois
Better than suffering afterward
Se é isso que me tem ao certo
If that’s what’s really keeping me
A moça de sorriso aberto
The girl with the open smile
Ingênua de vestido assusta
Naive in her dress, she’s startling
Afasta-me do ego imposto
Keeps me away from the ego pushed on me
Ouvinte claro, brilho no rosto
Clear listener, shining face
Abandonada por falta de gosto
Abandoned for lack of taste
Agora sei não mais reclama
Now I know, no more complaining
Pois dores são incapazes
Because pain is powerless
E pobre desses rapazes
And poor are these young men
Que tentam lhe fazer feliz
Who try to make you happy
Escolha feita, inconsciente
Choice made, unconsciously
De coração não mais roubado
Heart no longer stolen
Homem feliz, mulher carente
Happy man, lonely woman
A linda rosa perdeu pro cravo
The beautiful rose lost to the clove
...
...
Pior que o melhor de dois
Better than the best of two
Melhor do que sofrer depois
Better than suffering afterward
Se é isso que me tem ao certo
If that’s what’s really keeping me
A moça de sorriso aberto
The girl with the open smile
Ingênua de vestido assusta
Naive in her dress, she’s startling
Afasta-me do ego imposto
Keeps me away from the ego pushed on me
Ouvinte claro, brilho no rosto
Clear listener, shining face
Abandonada por falta de gosto
Abandoned for lack of taste
Agora sei não mais reclama
Now I know, no more complaining
Pois dores são incapazes
Because pain is powerless
E pobre desses rapazes
And poor are these young men
Que tentam lhe fazer feliz
Who try to make you happy
Escolha feita, inconsciente
Choice made, unconsciously
De coração não mais roubado
Heart no longer stolen
Homem feliz, mulher carente
Happy man, lonely woman
A linda rosa perdeu pro cravo
The beautiful rose lost to the clove
Homem feliz, mulher carente
Happy man, lonely woman
A linda rosa perdeu pro cravo
The beautiful rose lost to the clove
...
...

Key Vocabulary

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Vocabulary Meanings

melhor

/meˈlɔʁ/

A2
  • adjective
  • - better

sofrer

/soˈfɾeʁ/

B1
  • verb
  • - to suffer

sorriso

/soˈʁizu/

A1
  • noun
  • - smile

brilho

/ˈbɾiʎu/

B1
  • noun
  • - brightness

ego

/ˈeɡu/

B2
  • noun
  • - self-esteem or self-importance

abandonada

/abɐ̃dʒoˈnada/

B2
  • adjective
  • - abandoned

dores

/ˈdoɾes/

B1
  • noun
  • - pains

feliz

/feˈliz/

A1
  • adjective
  • - happy

escolha

/esˈkoʎɐ/

B1
  • noun
  • - choice

coração

/koɾaˈsɐ̃w/

A2
  • noun
  • - heart

linda

/ˈlĩdɐ/

A1
  • adjective
  • - beautiful

rosa

/ˈʁoza/

A1
  • noun
  • - rose

cravo

/ˈkɾavu/

B2
  • noun
  • - clove (also refers to a type of flower)

Key Grammar Structures

  • Pior que o melhor de dois

    ➔ Comparative of inequality (pior que)

    ➔ Uses "pior que" to express something is worse than something else. It demonstrates a comparison of inequality, indicating that the first element is inferior to the second.

  • Melhor do que sofrer depois

    ➔ Comparative of inequality (melhor do que)

    ➔ Employs "melhor do que" signifying 'better than'. It makes a comparative statement, suggesting a preferred choice or outcome over another. The implied subject is something assumed from context.

  • Se é isso que me tem ao certo

    ➔ Conditional clause with 'se' and indirect object pronoun ('me')

    ➔ This sentence uses the conditional conjunction "se" (if) to introduce a hypothetical situation. The pronoun "me" acts as an indirect object, indicating that the subject ('isso' - this) has something affecting the speaker ('me'). The phrase "ao certo" adds emphasis to the certainty or sureness of the statement.

  • Ingênua de vestido assusta

    ➔ Adjective + prepositional phrase acting as an adverbial modifier.

    "Ingênua" (naive) is an adjective describing the subject (implied 'she'). "De vestido" (in a dress) functions as an adverbial modifier, describing *how* she startles. The whole phrase suggests that the naivety combined with the appearance of wearing a dress is what is startling.

  • Afasta-me do ego imposto

    ➔ Imperative mood with a reflexive pronoun (Afasta-me) and prepositional phrase.

    "Afasta-me" is an imperative verb form with the reflexive pronoun "me" attached, indicating a request or command for someone to distance the speaker. "Do ego imposto" is a prepositional phrase indicating what the speaker wants to be distanced *from* - the imposed ego. The imperative mood gives it a strong, direct tone.

  • Pois dores são incapazes

    ➔ Causal conjunction ('Pois') followed by a simple declarative sentence.

    "Pois" functions as a causal conjunction, similar to 'because' or 'since', providing a reason for a previous statement. The sentence states a general truth or observation about pain. It indicates a reason for something previously mentioned.

  • E pobre desses rapazes

    ➔ Exclamatory sentence with adjective 'pobre' and demonstrative pronoun ('desses').

    ➔ This is an exclamatory sentence expressing pity or concern for the "rapazes" (boys/guys). "Pobre" (poor) is used as an adjective to describe them. "Desses" (of these) is a demonstrative pronoun referring to a specific group of guys, likely those trying to make the girl happy. It suggests a feeling of sadness or sympathy for their situation.

  • A linda rosa perdeu pro cravo

    ➔ Simple past tense (perdeu) with 'pro' (short for 'para o'), personification of abstract concepts.

    ➔ This sentence uses the simple past tense "perdeu" (lost) to describe a past event. "Pro" is a colloquial contraction of "para o" (to the). The key element is the personification. The "linda rosa" (beautiful rose) and "cravo" (carnation) are used as metaphors for people or situations. It implies that the 'beautiful rose' (representing someone delicate or traditionally beautiful) was defeated by the 'carnation' (potentially representing someone more assertive or traditionally less favored).