Lyrics & Translation
Learning a language through music can be a deeply rewarding experience, and José Madero's “Literatura Rusa” offers a beautiful opportunity to delve into the emotional nuances of Spanish. The song's introspective and poetic lyrics about waiting and longing can help you connect with the language on a more profound level. Its clear and melodic delivery makes it a great song for learners to follow along and appreciate the expressive power of Spanish.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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espera /esˈpeɾa/ A2 |
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dame /ˈda.me/ A2 |
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oportunidad /o.por.tu.niˈðað/ B1 |
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montaña /monˈtaɲa/ B1 |
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fantasía /fantaˈsi.a/ B2 |
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palabras /paˈla.βɾas/ A2 |
|
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cerca /ˈseɾ.ka/ A2 |
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cabeza /kaˈβe.θa/ A2 |
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dolor /doˈloɾ/ B1 |
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vacío /βaˈθi.o/ B2 |
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vida /ˈβi.ða/ A2 |
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Key Grammar Structures
-
Creo que el cuatro nunca espera al tres
➔ Subjunctive after expressions of belief/doubt/thinking (Creo que)
➔ Although "creo que" often indicates certainty, in this case it's used to introduce a subjective thought or opinion. However, since the verb in the subordinate clause (“espera”) is in the indicative mood, it indicates that the speaker believes what they are saying is true. If it was in subjunctive ("creo que... espere"), it would indicate more doubt.
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Supongo el tres nunca ha esperado al dos
➔ Present Perfect tense (ha esperado)
➔ The present perfect ("ha esperado") is used to describe an action that started in the past and continues to have relevance in the present. Here, it emphasizes the lack of expectation that continues until the present moment.
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La diferencia que aquí, yo te espero
➔ Emphasis with adverbial phrase + pronoun
➔ The sentence structure is slightly inverted and uses 'aquí, yo' to emphasize the speaker's position of waiting, contrasting with the previously mentioned lack of waiting.
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La vida ya me prestó de más
➔ Preterite of *prestar* + *de más* (more than enough)
➔ "De más" means more than enough. It implies that the speaker has already lived longer than expected, or perhaps had more opportunities than they deserved.
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Hasta el peor, creo, se la dan
➔ Reflexive verb with indirect object pronoun ("se la dan")
➔ "Se la dan" refers to “una oportunidad” (an opportunity). "Se" is the reflexive pronoun, and "la" represents the direct object pronoun (the opportunity). The construction implies that even the worst person eventually gets a chance.
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Ser él es mi fantasía, pues sus palabras son mías
➔ Use of "pues" as causal conjunction.
➔ "Pues" introduces the reason why being him is the speaker's fantasy - because his words are the same as the speaker's, implying a deep connection and understanding.
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Como montaña, las montañas no sienten
➔ Simile using "como" followed by a generalization
➔ The speaker compares himself to a mountain to illustrate a state of emotional numbness or resilience. The generalization reinforces the mountain's (and therefore the speaker's) supposed lack of feeling.
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Realmente creo merecerla
➔ Use of an adverb to intensify
➔ "Realmente" intensifies the verb "creo" (I believe). It indicates a strong conviction on the part of the speaker.
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