Lyrics & Translation
Dive into the world of modern English pop with Freya Skye's 'petty.' This song is a fantastic way to learn colloquial expressions and slang related to relationships and emotions, all wrapped in a catchy, high-energy melody that makes language learning feel like a party.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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petty ˈpɛti A2 |
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calculated ˈkælkjəleɪtɪd B1 |
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automated ˈɔːtəmеɪtɪd B1 |
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two-faced tuːˈfeɪst A2 |
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overrated ˌoʊvərˈreɪtɪd B1 |
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dodgin' ˈdɒdʒɪn A2 |
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hot-headed ˌhɒtˈhɛdɪd A2 |
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Armageddon ˌɑːrmaˈɡɛdən B2 |
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pretendin' prɪˈtɛndɪn A2 |
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gently ˈdʒɛntli A1 |
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actin' ˈæktɪn A2 |
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Smilin' ˈsmaɪlɪn A1 |
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knife naɪf A1 |
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collapse kəˈlæps B1 |
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laugh læf A1 |
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Key Grammar Structures
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You had it out from the moment you met me
➔ preposition of time “from the moment”
➔ The phrase **“from the moment”** introduces the point in time when something starts.
-
You let me down, so I'll let you down gently
➔ coordinating conjunction “so” for cause‑effect
➔ The word **“so”** links the first clause (cause) with the second clause (result).
-
We could be friends, but you're way too—
➔ modal verb “could” for possibility
➔ The modal **“could”** suggests a hypothetical or possible state: *We **could** be friends*.
-
You're a queen bee without the hive
➔ preposition “without” expressing lack
➔ The preposition **“without”** shows that something is missing: *queen bee **without** the hive*.
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Two‑faced, you sing my songs but call them overrated
➔ verb + object + object complement
➔ In **“call them overrated”**, *call* is the verb, *them* the object, and *overrated* the object complement describing *them*.
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I'm so done with your lies, no tears fall when you cry
➔ zero conditional (present + present) for general truth
➔ The clause **“no tears fall when you cry”** uses present simple in both parts, a zero conditional meaning it’s always true.
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This is a losing game, and frankly I don't wanna play
➔ negative present simple with contraction “don't”
➔ The speaker uses **“don't”** (do + not) to form a negative present‑simple statement: *I **don't** wanna play*.
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Clearly you have somethin' to say, then say, say it right now
➔ imperative mood for giving a direct command
➔ The repeated **“say”** is an imperative verb, instructing the listener to speak: *say it right now*.
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I keep dodgin' all the mines, pretendin' like it's fine
➔ verb + keep + ‑ing (continuous action)
➔ The structure **“keep +‑ing”** shows that the speaker is continuously *dodging* and *pretending*.
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