Lyrics & Translation
Discover the emotive and soulful 'Somebody's Pleasure' by Aziz Hedra, a song that beautifully articulates the universal feelings of loneliness and the quest for sincere connection. Through its honest lyrics, you can learn to express complex emotions in English, making it a special and relatable song for language learners who appreciate heartfelt storytelling in music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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busy /ˈbɪzi/ B1 |
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ignore /ɪˈɡnɔːr/ A2 |
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happy /ˈhæpi/ A1 |
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serenity /səˈreɪnɪti/ C1 |
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company /ˈkæmpəni/ A2 |
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sin /sɪn/ A1 |
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pressure /ˈpreʃər/ B1 |
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love /lʌv/ A1 |
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pure /pʃʊə/ A1 |
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make /meɪk/ A1 |
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sure /ʃʊə/ A1 |
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pleasure /ˈplɛʜə/ A1 |
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pretend /prɪˈtend/ B1 |
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lying /laɪɪŋ/ B1 |
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empty /ˈempti/ B1 |
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unhappy /ʌnˈhæpi/ A1 |
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figure /ˈfɪɡər/ B2 |
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escape /ɪˈskēp/ A2 |
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away /ˈeɪweɪ/ A1 |
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sadness /ˈsædnəs/ B1 |
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confess /kəˈfɛs/ B2 |
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“busy, ignore, happy” – got them all figured out?
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Key Grammar Structures
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I've been so busy, ignoring, and hiding
➔ Present Perfect Continuous + Gerunds
➔ The "Present Perfect Continuous" ("I've been so busy") describes an action or state that started in the past and continues up to the present, emphasizing its duration. The "gerunds" ("ignoring," "hiding") are verb forms ending in -ing that function as complements describing the state of being busy.
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About what my heart actually say
➔ Noun Clause (Wh-clause as object of preposition)
➔ A "noun clause" (what my heart actually say) functions like a noun and is introduced by a wh-word. Here, it acts as the object of the preposition "about". Note that grammatically, it should be "says" (third person singular), but "say" is often used informally or poetically.
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Stay awake while I'm drowning on my thoughts
➔ Imperative + Conjunction 'while' + Present Continuous
➔ The "imperative" ("Stay awake") is used to give commands or instructions. The conjunction "while" connects two actions happening simultaneously, with "I'm drowning" being in the "Present Continuous" tense, indicating an ongoing action.
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Even if I've got a lot of company
➔ Concessive Clause ('Even if') + 'Have got' for possession
➔ The "concessive clause" starting with "Even if" introduces a condition that does not prevent the main clause's outcome, expressing a contrast. "I've got" is an informal way of saying "I have," indicating possession.
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Running to end all the sin
➔ Gerund as a participle + Infinitive of Purpose
➔ The "gerund" ("Running") functions here as a present participle, describing an ongoing action or manner. The "infinitive of purpose" ("to end") explains why the action of running is taking place.
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Gotta have to always make sure
➔ Informal 'Gotta' (Have got to/Have to) + Infinitive for Obligation
➔ "Gotta" is an informal contraction of "got to" or "have got to," which, along with "have to," expresses necessity or obligation. It is followed by the "infinitive" form of the verb ("make sure").
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That I'm not just somebody's pleasure
➔ Noun Clause (introduced by 'that')
➔ A "noun clause" introduced by "that" functions as a noun, often as the object of a verb (like 'make sure' in the preceding line, even if not explicitly stated here). It provides specific information about the main verb's action.
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Like I'm used to feel empty
➔ 'Be used to' + Gerund (acclimatization)
➔ The phrase "be used to" means to be accustomed to something. It is always followed by a "gerund" (verb-ing). The lyric uses "feel," which is grammatically incorrect; it should be "feeling" to denote being accustomed to the state of feeling empty.
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When will I got the love that is so pure?
➔ Future Simple (interrogative) + Relative Clause
➔ The "Future Simple" tense (When will I get...) is used here in an interrogative form to ask about a future event. The phrase "that is so pure" is a "relative clause" modifying "the love," providing more information about it. Note that grammatically, "got" should be "get" for the future tense.
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Stitch all my wounds, confess all the sins
➔ Imperative Mood + Parallelism
➔ The "imperative mood" is used to give direct commands or instructions. "Parallelism" is a rhetorical device where parts of a sentence are grammatically similar or identical in construction, creating a sense of balance and rhythm.
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