Display Bilingual:

Close 00:02
Sharing our drinks 00:04
And our clothes 00:05
I hate to admit 00:07
It was not that serious 00:08
You're delirious, oh 00:10
Fall 00:15
Walks in the park 00:17
Always call 00:18
But you're reading into 00:19
Something different 00:21
Think you're missing it all, ah-ah-ah 00:23
Guess I understand 00:28
That's just how you feel 00:30
I ruined your plans 00:31
But you're leaving me no way out 00:33
You're making me let you down 00:36
God you're so unfair 00:40
You know how I feel 00:42
You ruined it all 00:44
And you're leaving me no way out 00:46
You're making me let you down 00:49
Let you down 00:51
Ah-ah, ah-ah, let you down 00:58
You're making me let you down 01:05
Strange 01:09
Things didn't need to have changed 01:10
But you put yourself first 01:13
I don't wish you the worst 01:15
But it's still gonna hurt all the same 01:16
Oh, why does it end the same way every time 01:20
Oh, it's such a shame that the innocent things 01:25
Always lead to such painful goodbyes (ah-ah-ah) 01:29
I guess I understand 01:34
That's just how you feel 01:36
I ruined your plans 01:37
But you're leaving me no way out 01:39
You're making me let you down (oh-oh) 01:42
God you're so unfair 01:47
You know how I feel 01:48
You ruined it all 01:50
And you're leaving me no way out 01:52
You're making me let you down 01:55
Let you down 01:58
And there goes what I wanted 02:04
And there goes what we had 02:07
You took the key and tossed it 02:10
You're locked into my past 02:14
I gave you all the warnings 02:17
And honestly, I'm glad 02:20
'Cause right now I know better 02:23
(And I guess I understand) 02:26
Guess I understand 02:28
That's just how you feel 02:29
I ruined your plans 02:31
But you're leaving me no way out 02:32
I don't want to let you down 02:36
02:40

That’s Just How You Feel – English Lyrics

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By
Sofia Camara
Album
HARD TO LOVE
Viewed
13,918
Language
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Lyrics & Translation

[English]
Close
Sharing our drinks
And our clothes
I hate to admit
It was not that serious
You're delirious, oh
Fall
Walks in the park
Always call
But you're reading into
Something different
Think you're missing it all, ah-ah-ah
Guess I understand
That's just how you feel
I ruined your plans
But you're leaving me no way out
You're making me let you down
God you're so unfair
You know how I feel
You ruined it all
And you're leaving me no way out
You're making me let you down
Let you down
Ah-ah, ah-ah, let you down
You're making me let you down
Strange
Things didn't need to have changed
But you put yourself first
I don't wish you the worst
But it's still gonna hurt all the same
Oh, why does it end the same way every time
Oh, it's such a shame that the innocent things
Always lead to such painful goodbyes (ah-ah-ah)
I guess I understand
That's just how you feel
I ruined your plans
But you're leaving me no way out
You're making me let you down (oh-oh)
God you're so unfair
You know how I feel
You ruined it all
And you're leaving me no way out
You're making me let you down
Let you down
And there goes what I wanted
And there goes what we had
You took the key and tossed it
You're locked into my past
I gave you all the warnings
And honestly, I'm glad
'Cause right now I know better
(And I guess I understand)
Guess I understand
That's just how you feel
I ruined your plans
But you're leaving me no way out
I don't want to let you down
...

Key Vocabulary

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Vocabulary Meanings

feel

/fiːl/

A2
  • verb
  • - to experience an emotion or sensation

plans

/plænz/

B1
  • noun
  • - a detailed proposal for doing or achieving something

understand

/ˌʌndərˈstænd/

B1
  • verb
  • - to perceive the intended meaning of words, language, or a speaker

ruined

/ˈruːɪnd/

B1
  • verb
  • - to damage or spoil irreparably

unfair

/ʌnˈfeər/

B1
  • adjective
  • - not just or reasonable

hurt

/hɜːrt/

A2
  • verb
  • - to cause pain to
  • noun
  • - physical or emotional pain

strange

/streɪndʒ/

B1
  • adjective
  • - unusual or surprising

changed

/tʃeɪndʒd/

A2
  • verb
  • - made or become different

warnings

/ˈwɔːnɪŋz/

B1
  • noun
  • - a statement alerting someone to danger or difficulty

key

/kiː/

A2
  • noun
  • - a small metal instrument used to open or close a lock

past

/pæst/

A2
  • noun
  • - time or events that have gone by

glad

/ɡlæd/

A2
  • adjective
  • - pleased or happy

better

/ˈbetər/

A2
  • adjective
  • - of a higher standard

lead

/liːd/

B1
  • verb
  • - to guide or direct

way

/weɪ/

A1
  • noun
  • - a method or direction

tossed

/tɒst/

B1
  • verb
  • - to throw something lightly

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Key Grammar Structures

  • Close

    ➔ Adjective as an adverb (ellipsis)

    ➔ The adjective "close" is used as an adverb, implying proximity or intimacy. Ellipsis is used, as the full sentence might be "We are close [to each other]"

  • Sharing our drinks

    ➔ Gerund as subject's complement

    ➔ The gerund "sharing" acts as the subject's complement. This completes the action and describes a state or activity.

  • I hate to admit

    ➔ Infinitive of purpose (to admit)

    ➔ The infinitive "to admit" expresses the purpose of the action "hate".

  • You're delirious, oh

    ➔ Adjective (delirious)

    ➔ The adjective "delirious" describes the subject "you".

  • Think you're missing it all, ah-ah-ah

    ➔ Present continuous tense for emphasis or to describe a current action and its continuity.

    ➔ The present continuous tense "are missing" can emphasize a current ongoing action with the perception of its continuity.

  • That's just how you feel

    ➔ Cleft sentence (emphasizing a feeling)

    ➔ The sentence uses a cleft structure to put emphasis on "how you feel", making it the focal point.

  • You ruined your plans

    ➔ Past simple tense (completed action)

    ➔ The past simple "ruined" indicates a completed action in the past.

  • You're making me let you down

    ➔ Causative structure (make + object + infinitive without to)

    ➔ The sentence uses the causative verb "making" followed by an object pronoun "me" and the bare infinitive "let". It expresses that the subject is causing the speaker to experience a negative outcome.

  • You're locked into my past

    ➔ Passive voice with prepositional phrase.

    ➔ The passive voice "are locked" emphasizes the state of being locked, while the prepositional phrase "into my past" specifies the location or context.

  • I don't want to let you down

    ➔ Use of the modal verb "want" with the infinitive 'to let'.

    ➔ Modal verb "want" combined with infinitive of purpose 'to let' to express a desire.