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You were a brand-new blue jean, picket on the front lawn 00:10
A reason just to get off the floor 00:16
From a friend to a stranger 00:21
A simple re-arranger 00:23
Should I even open that door? 00:27
It was a Sunday morning hanging by a shoelace 00:31
Felt like you were starting a war 00:36
Now you're changing and moving, I'll take my ass to Houston 00:42
'Cause I don't think you love me anymore 00:47
It's alright 00:57
I was a headache some days, but surely no one's perfect 01:13
See, loving me's like doing a chore 01:18
But you told me you'd hold me 01:23
Forget the matrimony 01:26
I don't think I love you anymore 01:29
And if this is my goodbye 01:35
It's been the longest of my life 01:40
I see my shoes have been filled 01:44
And still, all I can hope is that he's treating you nice 01:48
I see the new man you're holding 01:55
The bar is finally closing 01:59
I don't know what I'm bugging you for 02:01
Between the silence and the mileage 02:06
The feelings you were hiding 02:10
I don't think you love me anymore 02:13
And I don't think I love you anymore 02:18
But I don't think I'll ever be so sure 02:24
02:35

The Longest Goodbye – English Lyrics

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By
ROLE MODEL
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Lyrics & Translation

Dive into the raw emotions of 'The Longest Goodbye' by ROLE MODEL, a song that beautifully articulates the pain and eventual acceptance of a relationship's end. Through its heartfelt lyrics and melancholic melodies, this track offers a unique window into the nuances of English expression related to love, loss, and personal growth. You can learn how to articulate complex feelings and understand poetic imagery in English while experiencing a deeply relatable narrative of moving on.

[English]
You were a brand-new blue jean, picket on the front lawn
A reason just to get off the floor
From a friend to a stranger
A simple re-arranger
Should I even open that door?
It was a Sunday morning hanging by a shoelace
Felt like you were starting a war
Now you're changing and moving, I'll take my ass to Houston
'Cause I don't think you love me anymore
It's alright
I was a headache some days, but surely no one's perfect
See, loving me's like doing a chore
But you told me you'd hold me
Forget the matrimony
I don't think I love you anymore
And if this is my goodbye
It's been the longest of my life
I see my shoes have been filled
And still, all I can hope is that he's treating you nice
I see the new man you're holding
The bar is finally closing
I don't know what I'm bugging you for
Between the silence and the mileage
The feelings you were hiding
I don't think you love me anymore
And I don't think I love you anymore
But I don't think I'll ever be so sure
...

Key Vocabulary

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Vocabulary Meanings

blue

/bluː/

A1
  • adjective
  • - of the color whose hue is that of the clear sky

friend

/frend/

A1
  • noun
  • - a person whom one knows and with whom one has a bond of mutual affection

stranger

/ˈstreɪndʒər/

A2
  • noun
  • - a person whom one does not know or with whom one is not familiar

morning

/ˈmɔːrnɪŋ/

A1
  • noun
  • - the period of time between sunrise and noon

war

/wɔːr/

B1
  • noun
  • - a state of armed conflict between different nations or groups

headache

/ˈhedeɪk/

B1
  • noun
  • - a continuous pain in the head

chore

/tʃɔːr/

B2
  • noun
  • - a routine task, especially a household one

hold

/hoʊld/

A2
  • verb
  • - to grasp and support

goodbye

/ˌɡʊdˈbaɪ/

A1
  • noun
  • - an instance of saying goodbye

life

/laɪf/

A1
  • noun
  • - the condition that distinguishes organisms from inorganic matter

shoes

/ʃuːz/

A1
  • noun
  • - a covering for the foot

man

/mæn/

A1
  • noun
  • - an adult male human being

silence

/ˈsaɪləns/

B1
  • noun
  • - the state of not speaking

mileage

/ˈmaɪlɪdʒ/

B2
  • noun
  • - the number of miles traveled or covered

sure

/ʃʊr/

A2
  • adjective
  • - confident in what one thinks or knows

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Key Grammar Structures

  • You were a brand-new blue jean, picket on the front lawn

    ➔ Use of simile. (comparing to a "brand-new blue jean")

    ➔ The line creates an image of something new and desirable, implying the person was initially exciting and appealing. The simile emphasizes the newness and perhaps the conventionality of the person.

  • Should I even open that door?

    ➔ Modal verb "should" for asking advice/questioning an action

    "Should" expresses doubt and uncertainty about the action of opening the door, implying potential negative consequences or regret. It's a rhetorical question suggesting hesitation.

  • Felt like you were starting a war

    ➔ Past continuous tense in a subordinate clause ("were starting") after "felt like".

    ➔ The past continuous emphasizes the ongoing, disruptive nature of the other person's actions, highlighting the feeling of conflict and unease.

  • I'll take my ass to Houston

    ➔ Informal language and idiom ("take my ass to...") for emphasis and emotional expression

    ➔ This is a colloquial expression meaning to leave or go somewhere. The use of "ass" adds a blunt, almost defiant tone, suggesting the speaker is hurt and determined to remove themselves from the situation.

  • Loving me's like doing a chore

    ➔ Gerund phrase used as the subject of the sentence ("Loving me") compared using a simile.

    ➔ The gerund "loving" transforms the verb into a noun phrase, allowing it to act as the subject. The simile suggests that loving the speaker is perceived as unpleasant and burdensome.

  • Forget the matrimony

    ➔ Imperative used to reject an idea. (expressing sarcasm or bitterness)

    ➔ The imperative "Forget" is used here not as a command but as a dismissive rejection of the idea of marriage, indicating disillusionment and the end of the relationship.

  • It's been the longest of my life

    ➔ Superlative adjective "longest" used with the present perfect tense "It's been" to emphasize the duration and significance of the goodbye.

    ➔ The present perfect "It's been" connects the goodbye to the present, highlighting its lasting impact. The superlative "longest" emphasizes the extreme length and emotional toll of the goodbye.

  • I see my shoes have been filled

    ➔ Passive voice in the present perfect tense ("have been filled").

    ➔ The passive voice shifts the focus from who filled the shoes to the fact that they *are* filled. In this context, it implies someone else has taken the speaker's place in the relationship. Using the present perfect emphasizes the completed action and its current relevance.