Lyrics & Translation
Embark on an emotional journey with Kygo and Valerie Broussard's 'Think About You.' This poignant EDM track offers a unique blend of melancholic lyrics and an upbeat tropical house sound, making it perfect for understanding expressions of lingering love and heartbreak in English. Listen closely to Valerie Broussard's evocative vocals to grasp how English conveys deep feelings, and explore how the song's narrative unfolds to reveal the enduring power of memory. Its catchy hooks and relatable theme of reminiscing about a past relationship make it a compelling song for language learners to connect with English emotions and storytelling.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
quiet /ˈkwaɪ.ət/ A2 |
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|
try /traɪ/ A1 |
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years /jɪəz/ A1 |
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part /pɑːt/ A2 |
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hope /hoʊp/ B1 |
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|
time /taɪm/ A1 |
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cut /kʌt/ A1 |
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tree /triː/ A1 |
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grow /ɡroʊ/ A1 |
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know /noʊ/ A1 |
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carve /kɑːrv/ B2 |
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name /neɪm/ A1 |
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place /pleɪs/ A1 |
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think /θɪŋk/ A1 |
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hometown /ˈhoʊm.taʊn/ B2 |
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autopilot /ˈɔːtəʊˌpaɪlət/ C1 |
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phone /foʊn/ A1 |
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silent /ˈsaɪ.lənt/ B1 |
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call /kɔːl/ A1 |
|
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Key Grammar Structures
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We been quiet
➔ Informal omission of the auxiliary verb *have* in the present perfect
➔ In the phrase ""We *have* been quiet"", the auxiliary *have* is dropped, a common spoken shortcut.
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Said we'd try it
➔ Past simple + modal *would* + bare infinitive (reported speech)
➔ The clause ""Said *we would* try it"" uses *would* as the past form of *will* to report a future intention from a past perspective.
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If you see me, if I see you
➔ Zero conditional – present simple in both if‑clause and main clause
➔ The repeated structure ""If *you see* me"" and ""if *I see* you"" follows the zero conditional pattern, expressing a general truth or habitual situation.
-
A part of me hopes that we do, no
➔ Present simple + *that*-clause as object of a verb of hope
➔ In ""A part of me *hopes* "*that we do*"", the *that*-clause functions as the direct object of *hopes*.
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I cut the tree down that we grew
➔ Relative clause with past simple verb *grew* modifying a noun
➔ The phrase ""the tree down *that we grew*"" contains a relative clause *that we grew* describing which tree is meant.
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You know the one we carved our names into?
➔ Relative clause with preposition *into* stranded at the end (informal style)
➔ The clause "*we carved our names into*" ends with the preposition *into*, a common spoken construction where the preposition is stranded after the relative pronoun *one*.
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I can't go back to the places we knew
➔ Modal *can't* + infinitive *go*; past simple *knew* in a relative clause
➔ The construction "*can't go*" uses the modal *can* in its negative form, followed by the base verb *go*. The relative clause *that we knew* (here shortened to *we knew*) modifies *places*.
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they ask me if I still think about you
➔ Indirect yes‑no question introduced by *if*; present simple in the embedded clause
➔ In "*they ask me if I still think about you*", the clause *if I still think about you* is an indirect question that functions as the object of *ask*.
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My phone's on silent
➔ Contraction *'s* for *is*; prepositional phrase *on silent* as a state description
➔ The contraction *phone's* stands for *phone is*, and the prepositional phrase *on silent* tells us the phone's current setting.
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