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And the peaches and the mangos that you could sell for me 00:09
What do you think my brain is made for? 00:15
Is it just a container for the mind? 00:19
This great, grey matter 00:23
00:27
Sensei replied, "What is your woman? 00:31
Is she just a container for the child?" 00:35
That soft, pink matter 00:39
Cotton candy, Majin Buu, oh, oh, oh 00:43
Close my eyes and fall into you, you, you 00:50
My God, she's giving me pleasure 01:01
01:08
What if the sky and the stars are for show? 01:19
And the aliens are watching live 01:23
From the purple matter? 01:27
01:31
Sensei went quiet, then violent 01:35
And we sparred until we both grew tired 01:39
Nothing mattered 01:43
Cotton candy, Majin Buu, oh, oh, ooh, ooh 01:47
Dim the lights and fall into you, you, you, ooh-ooh 01:54
My God, giving me pleasure, pleasure 02:05
Pleasure, pleasure 02:16
Pleasure over matter 02:20
02:25
Hey, hey 02:37
Since you been gone, I been havin' withdrawals 02:39
You were such a habit to call 02:42
I ain't myself at all, had to tell myself, "Naw 02:43
She better with some fella with a regular job" 02:45
I didn't wanna get her involved 02:47
By dinner, Mr. Benjamin was sittin' in awe 02:49
Hopped into my car, drove far 02:51
Far's too close and I remember my memory's no sharp 02:53
Butter knife, what a life, anyway 02:55
I'm building y'all a clock, stop, what am I, Hemingway? 02:57
She had the kind of body that would probably intimidate 02:59
Any of 'em that were un-southern, not me, cousin 03:01
If models are made for modelin', thick girls are made for cuddlin' 03:03
Switch worlds and we can huddle then 03:06
Who needs another friend? I need to hold your hand 03:08
You'd need no other man, we'd flee to other lands 03:10
03:14
(Grey matter) 03:17
03:20
(Blue used to be my favorite color) 03:33
(Now I ain't got no choice) 03:36
(Blue matter) 03:39
You're good at bein' bad, yeah 03:43
You're bad at bein' good, oh 03:47
For heaven's sakes, go to hell 03:51
Knock, knock on wood, hey 03:55
You're good at bein' bad (you're bad at bein' good) 03:59
You're bad at bein' good (for heaven's sakes, go to hell) 04:03
For heaven's sakes, go to hell (knock, knock, knock on wood) 04:07
Knock, knock, knock, knock on wood 04:11
Well, frankly, when that ocean so motherfuckin' good 04:15
Make her swab the motherfuckin' wood 04:18
Make her walk the motherfuckin' plank 04:20
Make her rob a motherfuckin' bank 04:22
With no mask on and a rusty revolver 04:23
04:25

Pink Matter – English Lyrics

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By
Frank Ocean, André 3000
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Lyrics & Translation

Dive into the poetic and philosophical side of English with 'Pink Matter.' This song is perfect for learners wanting to explore abstract vocabulary, metaphorical language, and the nuance of existential questioning through a sophisticated R&B lens.

[English]
And the peaches and the mangos that you could sell for me
What do you think my brain is made for?
Is it just a container for the mind?
This great, grey matter
...
Sensei replied, "What is your woman?
Is she just a container for the child?"
That soft, pink matter
Cotton candy, Majin Buu, oh, oh, oh
Close my eyes and fall into you, you, you
My God, she's giving me pleasure
...
What if the sky and the stars are for show?
And the aliens are watching live
From the purple matter?
...
Sensei went quiet, then violent
And we sparred until we both grew tired
Nothing mattered
Cotton candy, Majin Buu, oh, oh, ooh, ooh
Dim the lights and fall into you, you, you, ooh-ooh
My God, giving me pleasure, pleasure
Pleasure, pleasure
Pleasure over matter
...
Hey, hey
Since you been gone, I been havin' withdrawals
You were such a habit to call
I ain't myself at all, had to tell myself, "Naw
She better with some fella with a regular job"
I didn't wanna get her involved
By dinner, Mr. Benjamin was sittin' in awe
Hopped into my car, drove far
Far's too close and I remember my memory's no sharp
Butter knife, what a life, anyway
I'm building y'all a clock, stop, what am I, Hemingway?
She had the kind of body that would probably intimidate
Any of 'em that were un-southern, not me, cousin
If models are made for modelin', thick girls are made for cuddlin'
Switch worlds and we can huddle then
Who needs another friend? I need to hold your hand
You'd need no other man, we'd flee to other lands
...
(Grey matter)
...
(Blue used to be my favorite color)
(Now I ain't got no choice)
(Blue matter)
You're good at bein' bad, yeah
You're bad at bein' good, oh
For heaven's sakes, go to hell
Knock, knock on wood, hey
You're good at bein' bad (you're bad at bein' good)
You're bad at bein' good (for heaven's sakes, go to hell)
For heaven's sakes, go to hell (knock, knock, knock on wood)
Knock, knock, knock, knock on wood
Well, frankly, when that ocean so motherfuckin' good
Make her swab the motherfuckin' wood
Make her walk the motherfuckin' plank
Make her rob a motherfuckin' bank
With no mask on and a rusty revolver
...

Key Vocabulary

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Vocabulary Meanings

container

/kənˈteɪnər/

B2
  • noun
  • - A hollow object used to hold or transport something

matter

/ˈmætər/

A2
  • noun
  • - Physical substance in general

pleasure

/ˈplɛʒər/

A2
  • noun
  • - A feeling of happy satisfaction and enjoyment

violent

/ˈvaɪələnt/

B1
  • adjective
  • - Using or involving physical force intended to hurt

sparred

/spɑːrd/

C2
  • verb
  • - To make the motions of boxing without landing heavy blows

withdrawals

/wɪðˈdrɔːəlz/

C1
  • noun
  • - The process of discontinuing a substance or emotional attachment

intimidate

/ɪnˈtɪmɪdeɪt/

C1
  • verb
  • - To frighten or overawe someone

cuddlin

/ˈkʌdlɪn/

B2
  • verb
  • - To hold close in one's arms as a way of showing affection

revolver

/rɪˈvɒlvər/

B2
  • noun
  • - A pistol with revolving chambers

frankly

/ˈfræŋkli/

B2
  • adjective
  • - In an open, honest, and direct manner

swab

/swɒb/

C1
  • verb
  • - To clean or mop a surface

habit

/ˈhæbɪt/

A2
  • noun
  • - A settled or regular tendency or practice

memory

/ˈmɛməri/

A2
  • noun
  • - The faculty by which the mind stores information

violent

/ˈvaɪələnt/

B1
  • adjective
  • - Intense or extreme in force

plank

/plæŋk/

B2
  • noun
  • - A long, thin, flat piece of timber used in building

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Key Grammar Structures

  • What do you think my brain is made for?

    ➔ Wh- question with embedded clause

    ➔ The structure 'What do you think [clause]' shifts the interrogative to the front, requiring standard word order in the following clause.

  • Since you been gone, I been havin' withdrawals

    ➔ Non-standard AAVE (African American Vernacular English) / Omission of auxiliary 'have'

    ➔ In this dialect, 'been' is used to show a state that started in the past, omitting the formal 'have'.

  • She better with some fella with a regular job

    ➔ Ellipsis (omission of verb 'is')

    ➔ The speaker shortens 'She is better' to 'She better' for rhythmic flow.

  • I'm building y'all a clock, stop, what am I, Hemingway?

    ➔ Reflexive rhetorical question

    ➔ The phrase 'what am I, [name]?' is a self-deprecating way to question one's own pretentiousness or actions.

  • Blue used to be my favorite color

    ➔ Used to + infinitive (past habit/state)

    ➔ 'Used to be' indicates that the state of something being a 'favorite color' is no longer true.

  • You're good at bein' bad

    ➔ Adjective + prepositional phrase with gerund

    ➔ The structure 'good at [doing something]' uses the gerund to describe a specific talent or habit.

  • If models are made for modelin', thick girls are made for cuddlin'

    ➔ First conditional / Passive voice

    ➔ The parallel structure 'If [X] are made for [Y], [A] are made for [B]' uses the passive voice to draw a logical comparison.

  • Since you been gone

    ➔ Preposition 'Since' + clause

    ➔ 'Since' acts as a conjunction marking the starting point of a situation that continues until now.