Anti-Hero
가사:
[English]
♪♪♪
♪ I HAVE THIS THING WHERE I GET OLDER BUT JUST NEVER WISER ♪
♪ MIDNIGHTS BECOME MY AFTERNOONS ♪
♪ WHEN MY DEPRESSION WORKS THE GRAVEYARD SHIFT ♪
♪ ALL OF THE PEOPLE I’VE GHOSTED STAND THERE IN THE ROOM ♪
♪ I SHOULD NOT BE LEFT TO MY OWN
♪ TALE AS OLD AS TIME ♪
♪ I WAKE UP SCREAMING FROM DREAMING ONE DAY I’LL WATCH AS YOU’RE LEAVING ♪
♪ ‘CAUSE YOU GOT TIRED OF MY SCHEMING FOR THE LAST TIME ♪
♪ IT’S ME ♪
♪ HI ♪
♪ I’M THE PROBLEM, IT’S ME ♪
♪ AT TEATIME ♪
♪ EVERYBODY AGREES ♪
♪ I’LL STARE DIRECTLY AT THE SUN BUT NEVER IN THE MIRROR ♪
♪ IT MUST BE EXHAUSTING ALWAYS ROOTING FOR THE ANTI-HERO ♪
♪ SOMETIMES I FEEL LIKE EVERYBODY IS A SEXY BABY ♪
♪ AND I’M A MONSTER ON THE HILL ♪
♪ TOO BIG TO HANG OUT ♪
♪ SLOWLY LURCHING TOWARD YOUR FAVORITE CITY ♪
♪ PIERCED THROUGH THE HEART BUT NEVER KILLED ♪
♪ DID YOU HEAR MY COVERT NARCISSISM I DISGUISE AS ♪
♪ ALTRUISM LIKE SOME KIND OF CONGRESSMAN ♪
♪ TALE AS OLD AS TIME ♪
♪ I WAKE UP SCREAMING FROM DREAMING ONE DAY I’LL WATCH AS YOU’RE LEAVING ♪
♪ AND LIFE WILL LOSE ALL ITS MEANING FOR THE LAST TIME ♪
♪ IT’S ME ♪
♪ HI ♪
♪ I’M THE PROBLEM, IT’S ME ♪
♪ AT TEATIME ♪
♪ EVERYBODY AGREES ♪
♪ I’LL STARE DIRECTLY AT THE SUN BUT NEVER IN THE MIRROR ♪
♪ IT MUST BE EXHAUSTING ALWAYS ROOTING FOR THE ANTI-HERO ♪
♪ I HAVE THIS DREAM MY DAUGHTER-IN-LAW KILLS ME FOR THE MONEY ♪
♪ SHE THINKS I LEFT THEM IN THE WILL ♪
♪ THE FAMILY GATHERS ‘ROUND AND READS IT ♪
♪ AND THEN SOMEONE SCREAMS OUT ♪
♪ “SHE’S LAUGHING UP AT US FROM HELL!” ♪
- WHAT?? WHAT DOES IT SAY?
- IT'S THE WORST
- BUT WHO GOT THE BEACH HOUSE!?
- SHE’S HAVING IT TURNED INTO A CAT SANCTUARY
- WHAT!? CATS DON'T EVEN LIKE THE BEACH
- WHAT ABOUT THE REST OF THE ASSETS?
- I FLEW ALL THE WAY HERE FROM IBIZA
- TO MY CHILDREN, I LEAVE 13 CENTS.
- CURSES, SCREAMS OF PROTEST.
- WAIT. WAIT. YOU GUYS.
THERE’S PROBABLY A SECRET ENCODED MESSAGE THAT MEANS SOMETHING ELSE!
YEAH, YEAH, YEAH THAT'S WHAT MOM WOULD ALWAYS DO.
“PS: THERE IS NO SECRET ENCODED MESSAGE THAT MEANS SOMETHING ELSE. LOVE, TAYLOR”
GREAT, WELL GOOD JOB CHAD. YOU FINALLY PUSHED IT TOO FAR.
WHAT ARE YOU IMPLYING BY THAT?
I THINK SHE'S IMPLYING THAT YOU HAVEN'T HESITATED TO TRADE ON MOM'S NAME
EXCUSE ME ?
UMMM, DO YOU NOT REMEMBER YOUR BOOK ‘GROWING UP SWIFT’
AND YOUR STUPID PODCAST 'LIFE COMES AT YOU SWIFTLY'
WHICH I'M PRETTY SURE YOU ARE RECORDING FOR ON YOUR PHONE RIGHT NOW
CHAD, COME ON! AT HER FUNERAL CHAD
OKAY WELL WHY DON'T YOU GO CRY ABOUT IT AT THE COUNTRY CLUB
THAT YOU NAME DROPPED MOM TO GET INTO, PRESTON.
AND KIMBER YOU ARE LITERALLY WEARING HER CLOTHES RIGHT NOW.
NO, I'M NOT.
THAT’S FROM THE FEARLESS TOUR, 2009.
OKAY, WELL YOU KNOW WHAT, WE WERE VERY, VERY CLOSE. I MISS HER.
THEY WERE SO CLOSE.
OKAY, I'M JUST GONNA SAY IT, I THINK SHE KILLED HER.
YOU’VE GONE TOO FAR.
KIMBER WAS THE LAST ONE WITH HER!! SHE DIDN’T FALL OFF THAT BALCONY!! SHE WAS PUSHED.
NOOOO!!! YOU MONSTER!!!
♪ IT’S ME ♪
♪ HI ♪
♪ I’M THE PROBLEM, IT’S ME ♪
♪ IT’S ME ♪
♪ HI ♪
♪ I’M THE PROBLEM, IT’S ME ♪
♪ IT’S ME ♪
♪ HI ♪
♪ EVERYBODY AGREES ♪
♪ EVERYBODY AGREES ♪
♪ IT’S ME ♪
♪ HI ♪
♪ I’M THE PROBLEM, IT’S ME ♪
♪ AT TEATIME ♪
♪ EVERYBODY AGREES ♪
♪ I’LL STARE DIRECTLY AT THE SUN BUT NEVER IN THE MIRROR ♪
♪ IT MUST BE EXHAUSTING ALWAYS ROOTING FOR THE ANTI-HERO ♪
이 노래의 어휘:
어휘 | 의미 |
---|---|
problem /ˈprɒbləm/ A2 |
|
time /taɪm/ A1 |
|
mirror /ˈmɪrər/ A2 |
|
sun /sʌn/ A1 |
|
hero /ˈhɪəroʊ/ A2 |
|
monster /ˈmɒnstər/ B1 |
|
dream /driːm/ A2 |
|
meaning /ˈmiːnɪŋ/ B1 |
|
city /ˈsɪti/ A1 |
|
heart /hɑːrt/ A1 |
|
shift /ʃɪft/ B1 |
|
graveyard /ˈɡreɪvjɑːrd/ B2 |
|
exhausting /ɪɡˈzɔːstɪŋ/ B2 |
|
screaming /ˈskriːmɪŋ/ B1 |
|
wiser /ˈwaɪzər/ B1 |
|
문법:
-
I HAVE THIS THING WHERE I GET OLDER BUT JUST NEVER WISER
➔ 'where'을 사용한 관계절
➔ 여기서 'where'은 물리적인 위치를 언급하는 것이 아니라 상황이나 환경을 소개합니다. 'I have this thing' - 경향이 그것입니다.
-
MIDNIGHTS BECOME MY AFTERNOONS
➔ 은유; 주어-동사 일치
➔ 'midnights'가 'afternoons'가 되는 것은 수면 일정의 변화를 나타내는 은유입니다. 복수형 'midnights'는 복수형 동사 'become'을 필요로 합니다.
-
I SHOULD NOT BE LEFT TO MY OWN DEVICES
➔ 조동사 'should' + 수동태
➔ 조동사 'should'는 조언이나 기대를 표현합니다. 수동태 'be left'는 화자가 다른 사람들이 그녀를 혼자 두는 것을 원하지 않는다는 것을 강조합니다.
-
TALE AS OLD AS TIME
➔ 생략 구조의 직유
➔ 완전한 문장은 'This is a tale as old as time'입니다. 문장의 시작 부분은 암시되어 있습니다. 직유는 어떤 것을 다른 것에 비유하는 것입니다.
-
IT MUST BE EXHAUSTING ALWAYS ROOTING FOR THE ANTI-HERO
➔ 조동사 'must' + 동명사구가 주어
➔ 'must'는 강한 가능성이나 추론을 표현합니다. 'Rooting for the anti-hero'는 문장의 주어로 작용하는 동명사구입니다.
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DID YOU HEAR MY COVERT NARCISSISM I DISGUISE AS ALTRUISM LIKE SOME KIND OF CONGRESSMAN
➔ 관계 대명사가 생략된 관계절
➔ 'I disguise as altruism' 절은 'covert narcissism'을 수식합니다. 관계 대명사 'that' 또는 'which'는 생략되었습니다.
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SOMETIMES I FEEL LIKE EVERYBODY IS A SEXY BABY
➔ 'Feel like' + 절; 효과를 위한 주어-동사 불일치
➔ 'Feel like'는 모호한 인상이나 감정을 표현하는 데 사용됩니다. 'Everybody'는 문법적으로 단수이며 'is'를 사용해야 하지만, 특이한 이미지는 기대를 뒤집습니다.
-
I WAKE UP SCREAMING FROM DREAMING ONE DAY I’LL WATCH AS YOU’RE LEAVING
➔ 동명사 'dreaming', 미래 시제 'I'll watch', 미래 문맥에서의 현재 진행형
➔ 'Dreaming'은 'screaming' 동사를 수식하는 동명사로 사용됩니다. 'I'll watch'는 미래의 행동을 나타냅니다. 현재 진행형 'you're leaving'을 사용하는 것은 이미 결정된 것으로 인식되는 미래의 사건을 의미합니다.