Lyrics & Translation
Dive into the world of Punjabi Pop and Hip-Hop with Shubh's "Balenci." This energetic track offers a vibrant blend of modern sounds and Punjabi lyrics, making it an excellent choice for language learners. Through its compelling narrative of ambition, self-made success, and cultural pride, you'll encounter contemporary Punjabi vocabulary and expressions. The song's catchy hooks and dynamic delivery will not only enhance your listening skills but also immerse you in the authentic vibe of current Punjabi music.
Key Vocabulary
Vocabulary | Meanings |
---|---|
Pind /pɪnd/ A2 |
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Shehar /ʃɛhər/ A2 |
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Drip /drɪp/ B1 |
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Pricey /ˈpraɪsi/ B1 |
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Legendary /ləˈdʒɛndəri/ B2 |
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Defender /dɪˈfɛndər/ B1 |
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Rakhi /rəkʰi/ A2 |
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Wealthy /ˈwɛlθi/ B1 |
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Billboard /ˈbɪlbɔrd/ B1 |
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Lobhi /loːbʰi/ B1 |
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Tattoo /tæˈtuː/ A2 |
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Studio /ˈstʊdiˌoʊ/ A2 |
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Banger /ˈbæŋər/ B2 |
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Label /ˈleɪbəl/ A2 |
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Battle /ˈbætəl/ A2 |
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Tsunami /tsuˈnɑːmi/ B1 |
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Key Grammar Structures
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Aavan Pind Lavan Modde Utte Khesi
➔ Present Tense for Habitual/Sequential Actions
➔ In Punjabi, the simple present tense (e.g., "Aavan" - I come, "Lavan" - I put on) is often used to describe actions that happen regularly or are habitual. Here, it also shows a sequence of actions: first coming to the village, then putting on the Khesi.
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Hai Ni Mitran Kol Sheh Kehdi Dass Billo Aisi
➔ Negative Existential/Possessive with "Kol" and Interrogative Pronoun
➔ "Hai Ni" (is not) combined with "Kol" (with/near) is a common way to express negative possession or existence, meaning 'I/we don't have' or 'there isn't'. "Kehdi" (which/what kind) is an interrogative pronoun asking for specific information.
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Poora Legendary Shit Aa Defender'a Rakhi Aa
➔ Perfective Aspect for Possession/State ("Rakhi Aa")
➔ "Rakhi Aa" (feminine singular past participle of 'rakhna' - to keep, + 'aa' - is) is a common Punjabi construction expressing that something has been acquired and is now possessed or kept. It implies a completed action with a continuing result (possession).
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Chaal Hatthi Aali Rakhi Mere Back Tey Na Boli
➔ Negative Imperative ("Na Boli")
➔ "Na" is the negation particle in Punjabi. When placed before a verb in the imperative mood, it forms a negative command. "Boli" is the informal singular imperative form of 'bolna' (to speak), so "Na Boli" means 'Don't speak'.
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Gall Mere Naal Kari Jeh Kari Pehal Di Kuday
➔ Conditional Clause ("Jeh Kari") and Postposition ("Naal")
➔ "Jeh" (if) introduces a conditional clause, indicating a condition for the main action. "Kari" (do/did) can act as an imperative or a past participle in such constructions. "Naal" is a postposition meaning 'with', showing association.
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Kade Socheya Ni Aina Ki Ae Sochde Ne Loki
➔ Negative Past Perfective ("Socheya Ni") and Embedded Interrogative Clause ("Ki Ae Sochde Ne")
➔ "Socheya Ni" (didn't think/never thought) uses the past participle ('socheya') with the negation particle 'ni' to express a completed action that did not happen. The second part, "Ki Ae Sochde Ne", is an embedded or indirect question, asking 'what are people thinking'.
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Aithey Kutteya De Naalo Jyaada Wafadari Challe
➔ Comparative Structure ("De Naalo Jyaada")
➔ "De Naalo Jyaada" is the standard Punjabi construction for making comparisons, meaning 'more than'. "Kutteya De Naalo Jyaada" translates to 'more than dogs', indicating a higher degree of loyalty.
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Hunde Bhajjke Ne Sign Aine Label'aa De Naa
➔ Passive Voice with Habitual Aspect ("Hunde Ne Sign")
➔ "Hunde Ne Sign" combines the habitual aspect of 'hona' (to be/happen) - "Hunde Ne" (they happen/are) - with the verb 'sign' (often a loanword used as a participle), to form a passive construction meaning 'they are habitually signed' or 'they get signed'. "Bhajjke" means 'quickly'.
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Gaana Thaalda Tabahi Jivein Aundi Aa Tsunami
➔ Simile/Comparison with "Jivein"
➔ "Jivein" (just like/as if) is a conjunction used to introduce a simile, drawing a direct comparison between two different things. Here, the song's destructive impact is compared to a tsunami's arrival.
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