Display Bilingual:

How could I ignore you? 00:20
Trust me I adore you 00:22
We're swimming through our dreams 00:25
Kiss me in the shower 00:28
For a couple hours 00:30
Though we're only sixteen 00:33
And sit down beside me 00:36
Don't call me daddy 00:39
'Cause that's just fucking weird 00:41
Promise that you'll stay here 00:45
You and I can lay here 00:47
Until the end of time 00:50
But girl, well don't you worry 'bout me 00:53
It ain't new to me 01:01
Feeling this lonely, darling 01:05
Girl, don't worry about me 01:11
But if you're ever unhappy 01:18
Then maybe, baby, I must let you go 01:23
Let you go 01:30
Baby now it's best here, to lay me down and rest here 01:35
Let's dream of Corduroy 01:40
Work for what you love to do and I will watch right over you 01:44
With your heart I'll never toy 01:49
And you're the other half of me 01:52
Drink and sleep and laugh with me 01:54
Take me from myself 01:57
See I'm a fucking basket case 02:00
Until I'm able to see your face 02:02
You saved me from myself 02:05
But girl, don't worry 'bout me 02:09
'Cause it ain't new to me 02:16
Feeling this lonely 02:20
Darling baby, girl, don't worry about me 02:25
'Cause if you're ever unhappy 02:33
If you're ever unhappy 02:37
If you're ever, ever unhappy 02:42
02:46
Then maybe 02:48
Maybe baby, I must let you go 02:51
02:56

Corduroy Dreams – English Lyrics

🚀 "Corduroy Dreams" helps you learn 20+ new words without getting bored – tap the app and try it now!
By
Rex Orange County
Viewed
9,122,332
Language
Learn this song

Lyrics & Translation

Embark on a lyrical journey with Rex Orange County's "Corduroy Dreams" to explore authentic expressions of youthful love and vulnerability in English. This song offers a rich tapestry of emotional depth and candid storytelling, making it an excellent piece for understanding nuanced English vocabulary related to feelings and relationships, while its straightforward yet evocative lyrics provide an accessible entry point for language learners to connect with contemporary music.

[English]
How could I ignore you?
Trust me I adore you
We're swimming through our dreams
Kiss me in the shower
For a couple hours
Though we're only sixteen
And sit down beside me
Don't call me daddy
'Cause that's just fucking weird
Promise that you'll stay here
You and I can lay here
Until the end of time
But girl, well don't you worry 'bout me
It ain't new to me
Feeling this lonely, darling
Girl, don't worry about me
But if you're ever unhappy
Then maybe, baby, I must let you go
Let you go
Baby now it's best here, to lay me down and rest here
Let's dream of Corduroy
Work for what you love to do and I will watch right over you
With your heart I'll never toy
And you're the other half of me
Drink and sleep and laugh with me
Take me from myself
See I'm a fucking basket case
Until I'm able to see your face
You saved me from myself
But girl, don't worry 'bout me
'Cause it ain't new to me
Feeling this lonely
Darling baby, girl, don't worry about me
'Cause if you're ever unhappy
If you're ever unhappy
If you're ever, ever unhappy
...
Then maybe
Maybe baby, I must let you go
...

Key Vocabulary

Coming Soon!

We're updating this section. Stay tuned!

Key Grammar Structures

  • How could I ignore you?

    ➔ Indirect Question

    ➔ The phrase 'How could I ignore you?' uses an indirect question structure, starting with 'How' followed by a modal verb ('could') to express disbelief or rhetorical emphasis.

  • Though we're only sixteen

    ➔ Concessive Clause

    ➔ The phrase 'Though we're only sixteen' is a concessive clause introduced by 'Though,' indicating a contrast or exception to the main idea.

  • Don't call me daddy

    ➔ Imperative Mood

    ➔ The phrase 'Don't call me daddy' uses the imperative mood to give a direct command or instruction.

  • Promise that you'll stay here

    ➔ Subjunctive Mood

    ➔ The phrase 'Promise that you'll stay here' uses the subjunctive mood to express a wish, desire, or hypothetical situation.

  • It ain't new to me

    ➔ Contraction

    ➔ The phrase 'It ain't new to me' uses a contraction ('ain't') which is informal and common in spoken English.

  • Then maybe, baby, I must let you go

    ➔ Modal Verb (Must)

    ➔ The phrase 'I must let you go' uses the modal verb 'must' to express necessity or obligation.

  • You're the other half of me

    ➔ Comparative Structure

    ➔ The phrase 'You're the other half of me' uses a comparative structure to express a deep emotional connection.

  • See I'm a fucking basket case

    ➔ Intensifier

    ➔ The phrase 'fucking basket case' uses an intensifier ('fucking') to emphasize the severity of the situation.