Lyrics & Translation
Dive into Melanie Martinez's "LEECHES," a powerful song from her album "PORTALS," to explore how music can tell a deep story about human connections. This track offers a unique blend of ethereal sounds and raw emotion, making it an excellent way to grasp English vocabulary related to feelings and relationships, all wrapped in Martinez's distinct artistic vision.
Key Vocabulary
Vocabulary | Meanings |
---|---|
sleep /sliːp/ A1 |
|
tears /tɪərz/ A1 |
|
cry /kraɪ/ A1 |
|
hide /haɪd/ A2 |
|
heart /hɑːrt/ A1 |
|
friends /frɛndz/ A1 |
|
bones /boʊnz/ A2 |
|
alone /əˈloʊn/ A1 |
|
conscious /ˈkɒnʃəs/ B2 |
|
harvest /ˈhɑːrvɪst/ B2 |
|
garden /ˈɡɑːrdən/ A2 |
|
enemy /ˈɛnəmi/ B1 |
|
fragile /ˈfrædʒaɪl/ B2 |
|
table /ˈteɪbəl/ A1 |
|
official /əˈfɪʃəl/ B1 |
|
soul /soʊl/ B1 |
|
“sleep, tears, cry” – got them all figured out?
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Key Grammar Structures
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caught in the rivers of the tears that I cry
➔ Relative Clause with 'that'
➔ Here, 'that' introduces a relative clause modifying 'tears'. The clause 'that I cry' specifies which tears are being referred to. Using 'that' as a relative pronoun to define the noun tears
-
bound for harvest they flocked to my garden
➔ Reduced Relative Clause
➔ 'Bound for harvest' is a reduced relative clause. The full clause would be 'they who are bound for harvest'. The relative pronoun and auxiliary verb ('who are') are omitted for brevity.
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no m left to keep you in
➔ Passive Voice (Implied)
➔ The sentence implies a passive construction. It suggests 'There is no *more* left to keep you in', implying that *nothing* is left (by me/by someone) to hold 'you' back or confine them. The passive subject is implied, not explicitly stated.
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I guess that is the luck to draw
➔ Infinitive as a Noun
➔ The infinitive phrase 'to draw' acts as a noun, completing the sentence. 'the luck to draw' (is) equivalent 'the luck (of) drawing', and it functions as a subjective complement.
Album: PORTALS
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