Lyrics & Translation
Delve into the compelling and controversial world of Skrilla's 'Die 4 Me.' This Philadelphia drill anthem offers a raw and unfiltered look into street narratives and intense emotions. Through its vivid storytelling and unique flow, listeners can gain insight into modern rap lyricism and the cultural nuances of drill music from Kensington, Philadelphia. Pay close attention to Skrilla's distinct delivery and the powerful, albeit dark, narrative that makes this song a significant piece in contemporary hip-hop.
[English]
you die for me we die for youwe do the same
pocket watchin bitch I'm slime
slime slatt the same thing
solo thuggin
Brodie bouncing out the V
shoot out in public
how the f*ck this 5% tint
ride the block we gotta clutch it
you die for me we die for you
we do the same
pocket watchin
b*tch i'm slime
slime slatt the same thing
solo thugging
Brodie bouncing out the V
shoot out in public
who the f*ck this 5% tint
ridin the block
we gotta clutch it
god damn
destroy my soul with poppin percs and sippin lean
snatching souls i never told
bitch that's a code that's in the dean
Allah Akar can you help me make it
far
having talks with Elegua
he told me he not never far
b*tch he right here
762 micro drac
take down a bear
Bitch I'm posted in the hood
my feet on land bitch
I'm aware
I triple dare
nigga try to walk down the block
he getting switched
and it still ain't leave my brain
the way I seen n*gga done twitch
the n*gga b*tch
when he seen that Draco
flash in front of his face
classic gangster
this what happens
when a YN get a taste
a n*gga blood
blood savage
sacrifice a blood addict
why the fuck youngbul done say my
f*cking name like he savage
You a b*tch
In the Raq
just know I'm riding with my switch
yeah I got hit but bitch I ate that shit
that's why ******* turned to gritz
he should've ducked
duck goose
Shit I ain't really been in the booth
shit I've been now here thugging
everything in my rap shit is the truth
like naw forreal
you not a gangster n*gga
I heard you was a dancer
n*gga caught you dolo
we f*ck around
kidnap you for Ransom
naw forreal
n*gga said I ain't got no B's
the n*gga snapped
We was 15 jumping out on n*ggas strip
take niggas trap take niggas blocks
I don't really beef with rappers
I got ops bitch
I run my section b*tch
I run my city like Barack
come over here
10 Millie
give a n*gga wet willy
put a hole in n*gga brain
like he a dolphin
free willy
what the fuck
and I'm on perks and I'm on point
Youngbul just don't say my
I hope you get the point
I'm disappointed in you youngbul
cause I thought that you was hard
Now when I see you
I got tell my n*gga get up on that car
Aye watch that door
you die for me we die for you
we do the same
pocket watchin
b*tch i'm slime
slime slatt the same thing
solo thugging
Brodie bouncing out the V
shoot out in public
How the fuck this 5% tint
ride the block we gotta clutch it
god damn
you die for me we die for you
we do the same
pocket watching b*tch
I'm slime
slime slatt the same thing
solo thuggin
Brodie bouncing out the V
shoot out in public
who the f*ck this 5% tint
Ridin the block we gotta clutch it
God damn
Key Vocabulary
Vocabulary | Meanings |
---|---|
die /daɪ/ A1 |
|
run /rʌn/ A1 |
|
shoot /ʃuːt/ A2 |
|
block /blɒk/ A2 |
|
ride /raɪd/ A2 |
|
soul /soʊl/ B1 |
|
destroy /dɪˈstrɔɪ/ B1 |
|
far /fɑːr/ B1 |
|
switch /swɪtʃ/ B1 |
|
taste /teɪst/ B1 |
|
blood /blʌd/ B1 |
|
danger /ˈdeɪndʒər/ B2 |
|
classic /ˈklæsɪk/ B2 |
|
gangster /ˈɡæŋstər/ B2 |
|
sacrifice /ˈsækrifaɪs/ B2 |
|
addict /ˈædɪkt/ B2 |
|
switch /swɪtʃ/ B2 |
|
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Key Grammar Structures
-
you die for me we die for you
➔ Parallel Structure
➔ The repetition of the phrase 'die for me' and 'die for you' creates a powerful and symmetrical effect, emphasizing reciprocity and loyalty.
-
Brodie bouncing out the V
➔ Slang and Phrasal Verb
➔ 'Brodie' is slang for 'brother' or 'close friend'. 'Bouncing out' is slang for exiting quickly, typically from a vehicle ('the V' for vehicle).
-
shoot out in public
➔ Present Tense for Vivid Description
➔ The use of the present tense, 'shoot out', creates a sense of immediacy and action, making the scene more impactful for the listener.
-
how the f*ck this 5% tint
➔ Rhetorical Question and Expletive
➔ This is a rhetorical question, expressing disbelief or surprise. The expletive 'fuck' intensifies the emotion.
-
destroy my soul with poppin percs and sippin lean
➔ Gerund Phrases as Objects
➔ 'Poppin percs' and 'sippin lean' are gerund phrases acting as the objects of the preposition 'with', describing the actions that are destroying the soul.
-
snatching souls i never told
➔ Ellipsis and Implied Subject
➔ The subject 'I' is implied after 'souls', and the conjunction 'and' is omitted. The line means 'snatching souls, which I never told anyone'.
-
sacrifice a blood addict
➔ Noun Adjunct
➔ 'Blood' here acts as a noun adjunct, modifying 'addict' to specify the type of addiction, implying a violent or drug-related context.
-
why the fuck youngbul done say my f*cking name like he savage
➔ Double Negative and Past Participle Usage
➔ While grammatically informal, 'done say' is a common colloquialism indicating a completed action. The repetition of 'fuck' and 'savage' amplifies the speaker's anger and disbelief.
-
I heard you was a dancer
➔ Non-standard Verb 'was' for 'were'
➔ In informal and rap contexts, 'was' is often used instead of 'were' when referring to 'you' in the plural or hypothetical sense.
-
Take niggas trap take niggas blocks
➔ Repetition for Emphasis
➔ The repetition of 'take' and the phrase structure emphasizes the aggressive and territorial nature of the actions described.