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Bundi gustaba 00:28
Bundi bum baba 00:31
Ki ten pu passa 00:33
N'un sinal bu cara 00:35
N'un ten coraj 00:38
Di pidi volta 00:40
Pa bu bem bebi 00:43
Na kel forte ki bu suja 00:44
Oh dona Ana 01:07
Pa modi ki bu larga 01:10
Mi só ku três mininu pikinoti 01:15
Ki nadis ka ta intindi 01:19
Êzi pikinoti 01:21
Nen nadis ka ta intindi 01:24
Djo kori mundu 01:45
Djo vivi mundu 01:48
Djo desingana 01:50
Gossi go bu kre volta 01:52
Djo kori mundu 01:55
Djo vivi mundu 01:57
Djo desingana 02:00
Gossi go bu kre volta 02:01
Pa mi pa mi bu ka ta volta más 02:05
Bu na nha cama 02:09
Bu ka ta durmi nunca más 02:11
Bu na nha petu 02:14
Bu na nha petu 02:17
Bu na nha petu 02:19
Ka ta durmi nunca más 02:20
Bodi bai mina 02:24
Bodi bai mina 02:26
Bodi bai mina 02:29
Bodi bai mina 02:31
Bodi bai mina 02:33
Bodi bai mina 02:34
Bodi bai mina 02:36
Bodi bai mina 02:37
Bodi bai mina 02:38
Bodi bai mina 02:41
Bodi bai mina 03:02
Bodi bai mina 03:06
Bodi bai mina 03:08
Bodi bai mina 03:10
Bodi bai mina 03:12
Bodi bai mina 03:14
Bodi bai mina 03:17
Bodi bai mina 03:18

Dona Ana – Bilingual Lyrics Portuguese/English

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By
Tony Fika
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Lyrics & Translation

[English]
I used to like you
Bundi bum baba
There is a way to go
I see it in your face
I have the courage
To ask you to come back
To come and drink
From the cup you soiled
Oh Dona Ana
Why did you leave?
Leaving me with three little children
Who don't understand a thing
They are so small
And they don't understand a thing
You ran through the world
You lived the world
You learned the hard way
And now you want to come back
You ran through the world
You lived the world
You learned the hard way
And now you want to come back
As for me, you're not coming back anymore
In my bed
You will never sleep again
In my heart
In my heart
In my heart
You will never sleep again
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
You can go now, woman
[Portuguese] Show

Key Vocabulary

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Vocabulary Meanings

coragem

ko-ra-gem

A2
  • noun
  • - courage

pedir

pe-dir

A1
  • verb
  • - to ask

voltar

vol-tar

A1
  • verb
  • - to return

beber

be-ber

A1
  • verb
  • - to drink

largar

lar-gar

B1
  • verb
  • - to leave, to let go

menino

me-ni-no

A1
  • noun
  • - boy

entender

en-ten-der

A2
  • verb
  • - to understand

correr

ko-rer

A1
  • verb
  • - to run

mundo

mun-do

A1
  • noun
  • - world

viver

vi-ver

A1
  • verb
  • - to live

desenganar

de-zen-ga-nar

B2
  • verb
  • - to disillusion

querer

ke-rer

A1
  • verb
  • - to want

cama

ca-ma

A1
  • noun
  • - bed

dormir

dor-mir

A1
  • verb
  • - to sleep

peito

pei-to

A2
  • noun
  • - chest

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Key Grammar Structures

  • Ki ten pu passa

    ➔ Infinitive structure with 'pu' (para)

    ➔ In Cape Verdean Creole, 'pu' serves as the preposition 'para' (to/in order to) before a verb.

  • N'un sinal bu cara

    ➔ Contraction 'N' (Mi/I) + 'un' (um/a)

    ➔ The 'N' is a common contraction for the first person pronoun, often fused with articles like 'un'.

  • Pa modi ki bu larga

    ➔ Interrogative phrase 'Pa modi' (Why/How)

    ➔ In this context, 'Pa modi' combines 'pa' and 'modi' (mode) to ask for the reason behind an action.

  • Ki nadis ka ta intindi

    ➔ Negative marker 'ka' + habitual tense 'ta'

    ➔ The particle 'ta' indicates a continuous or habitual action, while 'ka' negates it.

  • Djo kori mundu

    ➔ Perfective aspect 'Djo' (Ja/Already)

    ➔ 'Djo' is a variant of 'Ja' (Portuguese), indicating that the action (running/experiencing the world) is completed.

  • Gossi go bu kre volta

    ➔ Adverb 'Gossi' (Agora/Now) + emphatic 'go'

    ➔ The particle 'go' adds emphasis to the 'now' (Gossi), showing frustration or urgency.

  • Bu ka ta durmi nunca más

    ➔ Negative construction with 'nunca más' (never again)

    ➔ Double negative is standard; 'ka' (negation) and 'nunca más' combine for emphasis.

  • Bodi bai mina

    ➔ Imperative form 'Bodi' (Vai/Go) + local marker

    ➔ 'Bodi' acts as an imperative command (Go), emphasizing the rejection of the person.