Lyrics & Translation
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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aprovechar /əˈproʊveɪtʃ/ B1 |
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bailar /bɑɪˈlɑːr/ A2 |
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miedo /miːˈeɪdoʊ/ A1 |
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atrever /əˈtrɛvər/ B1 |
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mover /ˈmuːvər/ A2 |
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cintura /sɪnˈtʊrə/ A2 |
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montar /mɒnˈtɑːr/ A2 |
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deleitar /dɛlɪˈtaɪər/ B1 |
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soltar /sɒlˈtɑːr/ A2 |
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someter /səʊmɛˈtɛr/ B2 |
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blin blin /blɪn blɪn/ A1 |
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jangueando /hæŋˈɡwɛɪndoʊ/ C1 |
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benjamín /bɛnʒəˈmɪn/ A2 |
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Franklín /ˈfræŋklɪn/ A1 |
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perrear /pɛrɪˈɑːr/ B2 |
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Key Grammar Structures
-
Si voy donde ti y te saco a bailar, no me digas que no
➔ Conditional Clause (Si + Present Subjunctive, Future in Main Clause) & Negative Imperative
➔ The sentence uses a conditional structure. “Si voy” (If I go) introduces a hypothetical situation, and “no me digas que no” (don't tell me no) is a negative command. The use of the subjunctive 'voy' after 'si' is crucial.
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No soy un papi, pero muevo mi cintura de la'o a la'o
➔ Negative Statement & Adverbial Phrase of Manner
➔ The sentence begins with a negative statement (“No soy un papi” - I’m not a daddy). “De la’o a la’o” is an adverbial phrase describing *how* the speaker moves their waist.
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Tú ere' la que la monta, la que deleita eres tú
➔ Relative Pronoun & Emphasis with Repetition
➔ “La que” functions as a relative pronoun, referring back to 'tú' (you). The repetition of “la que… eres tú” emphasizes that *you* are the one who does these things.
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Pa someterte duro y llevarte pa lo oscuro
➔ Infinitive Clauses with Purpose
➔ The 'pa' functions as a shortened 'para' indicating purpose. The infinitives 'someterte' (to subdue you) and 'llevarte' (to take you) express the reason for the action.
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