Lyrics & Translation
Dive into the vibrant world of Argentine Cumbia with Damas Gratis's rendition of 'La Danza de los Mirlos.' This iconic track, originally by Los Mirlos, is more than just a song; it's an invitation to celebrate and connect through infectious rhythms, making it a perfect gateway to understanding the energy and communal spirit of Cumbia Villera.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
salto /ˈsal.to/ A2 |
|
|
manito /maˈni.to/ A2 |
|
|
palma /ˈpal.ma/ A2 |
|
|
cumbia /ˈkum.bja/ B1 |
|
|
mirlos /ˈmi.ɾlos/ B1 |
|
|
américa /aˈme.ɾi.ka/ A2 |
|
|
hacer /aˈθeɾ/ A2 |
|
|
querer /keˈɾeɾ/ B1 |
|
|
bailar /baiˈlaɾ/ A2 |
|
|
remera /reˈme.ɾa/ A2 |
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Key Grammar Structures
-
Como ustedes saben, yo no soy ningun logi ni cheto
➔ Use of 'como' to introduce a clause.
➔ The phrase 'Como ustedes saben' translates to 'As you all know', indicating a shared understanding.
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Hace varios años que escucho cumbia, no sé.
➔ Use of present tense to describe ongoing actions.
➔ The phrase 'Hace varios años que escucho cumbia' means 'I have been listening to cumbia for several years', indicating a continuous action.
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Las manitos bien arriba arriba arriba arriba arriba
➔ Use of repetition for emphasis.
➔ The repetition of 'arriba' emphasizes the action of raising hands, creating excitement.
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Las palmas de todos los negros arriba saltando saltando, saltando!
➔ Use of definite articles to specify nouns.
➔ The phrase 'Las palmas de todos los negros' translates to 'The hands of all the black people', specifying who is participating.
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LA DANZA DE LOS MIRLOS... PARA TODA AMÉRICA
➔ Use of capital letters for emphasis.
➔ The phrase 'LA DANZA DE LOS MIRLOS' is written in all caps to highlight its importance as the title.
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