Lyrics & Translation
Explore the emotional landscape of Xavi's hit song "La Víctima." Through its powerful lyrics and regional Mexican sound, the song offers a relatable narrative of heartbreak and resilience. Learning this song can provide insight into contemporary Mexican music and express universal themes of betrayal and self-empowerment.
Key Vocabulary
Vocabulary | Meanings |
---|---|
error /ˈeɾɾoɾ/ B1 |
|
victim /ˈbiktim/ B2 |
|
pasar /paˈsaɾ/ A2 |
|
quería /keˈɾia/ B1 |
|
imágen /iˈmaχen/ A2 |
|
mentira /menˈtiɾa/ A2 |
|
quedaste /keˈðaʃte/ B1 |
|
corazón /koˈɾaθon/ A2 |
|
quebrar /keˈβɾaɾ/ B2 |
|
querías /keˈɾias/ B1 |
|
vuelve /ˈbwelβe/ B2 |
|
vida /ˈbiða/ A2 |
|
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Key Grammar Structures
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Ya pensé Dos veces antes de que tú me la juegues con que ya yo no sé
➔ Subjunctive Mood (present subjunctive)
➔ The phrase "antes de que" requires the subjunctive mood. "Juegues" is the subjunctive form of "jugar" (to play, in this context, to deceive or manipulate). It expresses doubt or uncertainty. This is used when discussing something that may or may not happen.
-
No te hagas la víctima, tú sabes claramente lo que hiciste
➔ Preterite tense (hiciste), reflexive pronoun (te hagas)
➔ "Hiciste" is the preterite form of "hacer" (to do), indicating a completed action in the past. "Te hagas la víctima" uses the reflexive pronoun to emphasize that she is acting as the victim.
-
Cometimos errores Pero esta vez no vuelvo porque te pasas de lanza
➔ Present simple (vuelvo), causative construction (te pasas de lanza)
➔ "Vuelvo" is the present simple form of "volver" (to return), indicating a decision in the present. "Te pasas de lanza" is an idiomatic expression meaning "you go too far" or "you cross the line", and the "te" is used reflexively, but it is part of the whole expression.
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Y nunca fue Bastante para que tú te calmaras en la puteada y ver
➔ Past simple (fue), Subjunctive (te calmaras)
➔ "Fue" is the past simple of "ser" (to be), indicating a state or condition in the past. "Te calmaras" is the imperfect subjunctive of "calmarse" (to calm down). The subjunctive is used here because the calming down is a hypothetical situation that didn't happen. The phrase implies that no amount was enough *in order that* she calm down. Because this is not a certainty, the subjunctive mood is needed.
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El hombre que te amaba no lo valoraste y te pelaste por feria
➔ Relative Clause (que te amaba), past simple (valoraste, pelaste)
➔ "Que te amaba" is a relative clause that describes "el hombre." "Valoraste" and "pelaste" are in the past simple, denoting actions that happened and finished in the past.
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Quise empedarme para no pensarte y resultaste estar allí
➔ Preterite (quise), Infinitive (empedarme), Subjunctive (pensarte) implied in 'para no'
➔ "Quise" is the preterite of "querer" (to want), "empedarme" is the infinitive form, indicating the action he wanted to do. "Para no pensarte" implies the subjunctive, although it's using the infinitive. The subjunctive would be necessary if a different subject was doing the thinking e.g., "para que ella no pensara..."
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Y otra vez con tus mentiras
➔ Prepositional phrase (con tus mentiras)
➔ "Con tus mentiras" is a prepositional phrase modifying the implied subject, meaning 'again with your lies'.
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Y vive esa vida que tanto querías, malagradecida eres
➔ Imperative (vive), Relative Clause (que tanto querías), Present Simple (eres)
➔ "Vive" is the imperative form of "vivir" (to live), giving a command or suggestion. "Que tanto querías" is a relative clause modifying "esa vida". "Eres" is present simple, indicating a state of being.
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