Lyrics & Translation
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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remind /rɪˈmaɪnd/ A2 |
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chill /tʃɪl/ A2 |
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|
crazy /ˈkreɪzi/ A1 |
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streets /strits/ A1 |
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pistol /ˈpɪstəl/ B1 |
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dealer /ˈdiːlər/ B1 |
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bake /beɪk/ A1 |
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crack /kræk/ B1 |
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sheriffs /ˈʃɛrɪfs/ B2 |
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thugging /ˈθʌɡɪŋ/ C1 |
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storming /ˈstɔːrmɪŋ/ B1 |
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flooding /ˈflʌdɪŋ/ A2 |
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loco /ˈloʊkoʊ/ B1 |
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tenant /ˈtɛnənt/ B2 |
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holy /ˈhoʊli/ A2 |
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groove /ɡruːv/ B1 |
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merk /mɜːrk/ C2 |
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Key Grammar Structures
-
What's fifty grand to a muh'fucker like me? Can you please remind me?
➔ Contractions and interrogative sentence
➔ The use of "What's" (contraction of 'What is') and the interrogative structure to ask a question.
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Put the steel behind ya, put five inside ya
➔ Imperative mood
➔ The use of the imperative mood to give direct commands: "Put the steel behind ya" and "put five inside ya".
-
Better chill out with all that flossin potnah
➔ Modal verb (had better)
➔ The use of the modal verb "had better" to express strong advice or warning.
-
Leave him in the streets with his shoelaces missin
➔ Present participle (missin)
➔ The use of the present participle "missin" (non-standard spelling of 'missing') to describe an ongoing action.
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Black Hippy, T.D.E., well fuck it nigga let's 4-peat
➔ Let's construction
➔ The use of "let's" to propose a joint action: "let's 4-peat".
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On Figg, we see it, we need it, we want it, we get it
➔ Parallel structure
➔ The use of parallel structure to emphasize repetition and consistency: "we see it, we need it, we want it, we get it".
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Why you all tough fo'? See yo' thug ass later at the crossroads
➔ Contraction and slang
➔ The use of contractions like "you all" ('y'all') and slang like "fo'" ('for') and "thug ass".
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I'm-I'm a grown man dog, I ain't kiddin; the end has come
➔ Repetition and negation
➔ The use of repetition for emphasis: "I'm-I'm" and negation with "ain't kiddin".
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