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Toda vez que eu viajava pela estrada de Ouro Fino 00:14
De longe eu avistava a figura de um menino 00:20
Que corria abrir a porteira, depois vinha me pedindo 00:25
Toque o berrante seu moço que é pra eu ficar ouvindo 00:31
Quando a boiada passava e a poeira ia baixando 00:37
Eu jogava uma moeda e ele saía pulando 00:43
Obrigado boiadeiro, que Deus vá lhe acompanhando 00:48
Pra aquele sertão à fora meu berrante ia tocando 00:54
01:01
No caminho desta vida muitos espinho eu encontrei 01:15
Mas nenhum calou mais fundo do que isto que eu passei 01:21
Na minha viagem de volta qualquer coisa eu cismei 01:26
Vendo a porteira fechada o menino não avistei 01:32
Apeei do meu cavalo, no ranchinho a beira chão 01:38
Ví uma mulher chorando, quis saber qual a razão 01:44
Boiadeiro veio tarde, veja a cruz no estradão 01:50
Quem matou o meu filhinho foi um boi sem coração 01:55
02:01
Lá pras bandas de Ouro Fino levando gado selvagem 02:16
Quando passo na porteira até vejo a sua imagem 02:22
O seu rangido tão triste mais parece uma mensagem 02:28
Daquele rosto trigueiro desejando-me boa viagem 02:33
A cruzinha no estradão do pensamento não sai 02:39
Eu já fiz um juramento que não esqueço jamais 02:45
Nem que o meu gado estoure, que eu precise ir atrás 02:51
Neste pedaço de chão berrante eu não toco mais 02:56
03:03

O Menino da Porteira – Bilingual Lyrics Portuguese/English

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By
Sérgio Reis
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Lyrics & Translation

Immerse yourself in the heart of Brazilian sertanejo music with Sérgio Reis's "O Menino da Porteira." This beloved song offers a vivid glimpse into rural Brazilian culture, touching on themes of simple kindness, fleeting encounters, and the enduring power of memory. By exploring its narrative and emotional depth, you can connect with the storytelling traditions of Brazil and appreciate the rich tapestry of its music.

[English]
Every time I traveled down the Golden Fino road
From afar, I’d see the figure of a boy
Who would run to open the gate, then come begging me
Play your horn, young man, so I can keep listening
When the cattle passed and the dust was settling down
I’d toss a coin, and he would jump around
Thank you, cowboy, may God be with you
In that distant land, my horn kept playing
...
On this journey of life, I’ve found many thorns
But none cut as deep as what I’ve been through
On my way back, I wondered about everything
Seeing the gate closed, I didn’t see that boy
I got off my horse, at a small farm by the ground
Saw a woman crying, wanted to know why
The cowboy came late, see the cross on the trail
Who killed my little boy was a heartless ox
...
Out near Golden Fino, taking wild cattle
When I pass through the gate, I see your face
Your sad, creaking sounds seem like a message
From that tan face wishing me a safe trip
The little cross on the trail stays in my mind
I made a promise I’ll never forget
Even if my herd breaks apart, I’ll chase after them
In this piece of land, I no longer blow my horn
...
[Portuguese] Show

Key Vocabulary

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Vocabulary Meanings

menino

/meˈninu/

A1
  • noun
  • - boy

porteira

/poʁˈteɪɾɐ/

A2
  • noun
  • - gate

cavalo

/kaˈvalu/

A2
  • noun
  • - horse

berrante

/beˈʁɐ̃tʃi/

B1
  • noun
  • - horn (for signaling)

boiada

/boiˈadɐ/

B1
  • noun
  • - herd of cattle

espinho

/esˈpiɲu/

B2
  • noun
  • - thorn

razão

/ʁaˈzɐ̃w/

B2
  • noun
  • - reason

imagem

/iˈmaʒẽ/

B2
  • noun
  • - image

mensagem

/mẽˈsaʒẽ/

B2
  • noun
  • - message

juramento

/ʒuɾɐˈmẽtu/

C1
  • noun
  • - oath

coração

/koɾaˈsɐ̃w/

C1
  • noun
  • - heart

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Key Grammar Structures

  • Toda vez que eu viajava pela estrada de Ouro Fino

    ➔ Subordinate clause with "que" (that) to introduce purpose or condition.

    ➔ The phrase "que eu viajava" is a subordinate clause indicating the action taking place under a certain condition or time.

  • Quando a boiada passava e a poeira ia baixando

    ➔ Consecutive actions using the imperfect tense to describe ongoing past events.

    ➔ The verbs "passava" and "ia baixando" are in the imperfect tense, indicating habitual or ongoing actions in the past.

  • Ví uma mulher chorando, quis saber qual a razão

    ➔ Use of the perfect tense "ví" (I saw) and the compound verb "quis saber" (wanted to know).

    "Ví" is the simple past of "ver" (to see), and "quis saber" is a compound verb formed with "querer" (to want) + "saber" (to know), both in the past tense.

  • Nem que o meu gado estoure, que eu precise ir atrás

    ➔ Use of the subjunctive mood with "que" to express hypothetical or uncertain conditions.

    ➔ The phrases "estoure" and "precise ir" are in the present subjunctive, indicating hypothetical or uncertain future actions.

  • Neste pedaço de chão berrante eu não toco mais

    ➔ Use of the negative form "não" with the present indicative verb "toco" to express cessation or refusal.

    ➔ The phrase "não toco mais" combines "não" (not) with "toco" (I play/touch), indicating that the speaker no longer performs the action.