Lyrics & Translation
Dive into Lola Young's unapologetic 'One Thing' to explore modern, confident English slang and conversational style surrounding desire and empowerment. The track's clever wordplay and genre-blending mix of sharp spoken word and sultry vocals offer a unique way to hear English used in an edgy, pop-culture context, challenging listeners to understand the nuances of a powerful female narrative in music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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ride /raɪd/ A1 |
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appreciated /əˈpriːʃieɪtɪd/ B1 |
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kiss /kɪs/ A1 |
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rough /rʌf/ A2 |
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closer /ˈkloʊzər/ A2 |
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scream /skriːm/ A1 |
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break /breɪk/ A1 |
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pull /pʊl/ A1 |
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lover /ˈlʌvər/ A2 |
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cute /kjut/ A2 |
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strong /strɒŋ/ A1 |
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show /ʃoʊ/ A1 |
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energy /ˈɛnərdʒi/ A2 |
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wait /weɪt/ A1 |
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What does “ride” mean in the song "One Thing"?
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Key Grammar Structures
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I wanna take you on a little ride
➔ Present simple with 'wanna' (want to)
➔ The contraction 'wanna' is informal and common in spoken English, replacing 'want to'. It's used here to express desire in a casual, conversational tone.
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When you're deep up inside
➔ Present continuous with 'be' verb
➔ The phrase 'When you're deep up inside' uses the present continuous ('you're') to describe an action happening at the moment of speaking or in a specific context.
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I wanna kiss you slow, wanna fuck you rough
➔ Parallel structure with 'wanna'
➔ The use of 'wanna' in both clauses creates a parallel structure, emphasizing the contrast between 'kiss you slow' and 'fuck you rough'.
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Can you just live a little, let your hair down?
➔ Tag question with modal verb 'can'
➔ The tag question 'Can you just live a little, let your hair down?' uses the modal verb 'can' to seek confirmation or encouragement in a polite, conversational manner.
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Everybody wants to know ya
➔ Subject-verb agreement with 'everybody'
➔ Despite 'everybody' being singular, the verb 'wants' agrees with the singular form, following standard English grammar rules.
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I don't even want your number
➔ Emphasis with 'even'
➔ The word 'even' is used to emphasize the extent of the speaker's disinterest in the other person's number, adding intensity to the statement.
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I'ma give you that one thing, that one thing, that one thing
➔ Repetition for emphasis
➔ The repetition of 'that one thing' emphasizes its importance and the speaker's focus on it, creating a rhythmic and memorable effect.
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All my life, all my life
➔ Adverbial phrase of time
➔ The phrase 'All my life' functions as an adverbial phrase of time, indicating the duration of the speaker's wait.
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