Peaches
Lyrics:
[English]
♪♪♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ AND I SAY OH (OHHH) ♪
♪ THE WAY I BREATHE YOU IN ♪
♪ (HEY) ♪
♪ IT'S THE TEXTURE OF YOUR SKIN ♪
♪ OH I WANT TO WRAP MY ARMS AROUND YOU BABE AND NEVER LET YOU GO OHHH OH OH ♪
♪ AND I SAY OH ♪
♪ THERE'S NOTHING LIKE YOUR TOUCH ♪
♪ IT'S THE WAY YOU LIFT ME UP ♪
♪ YEA AND I'LL BE RIGHT HERE WITH YOU TILL THE END ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT’S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT’S IT) ♪
♪♪♪
♪ [DANIEL CAESER] YOU AINT SURE YET ♪
♪ BUT I'M FOR YA ♪
♪ ALL I CAN WANT ♪
♪ ALL I CAN WISH FOR ♪
♪ NIGHTS ALONE THAT WE MISS MORE ♪
♪ AND DAYS WE SAVE AS SOUVENIRS ♪
♪ THERE'S NO TIME I WANNA MAKE MORE TIME ♪
♪ AND GIVE YOU MY WHOLE LIFE ♪
♪ I LEFT MY GIRL I'M IN MY YORKER ♪
♪ HATE TO LEAVE HER CALL IT TORTURE ♪
♪ REMEMBER WHEN I COULDN'T HOLD HER ♪
♪ LEFT HER BAGGAGE FOR A MOVER ♪
♪♪♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ [GIVEON] I GET THE FEELING SO I'M SURE ♪
♪ HAND IN MY HAND BECAUSE I'M YOURS (I CAN'T) ♪
♪ I CAN'T PRETEND I CAN'T IGNORE YOU'RE RIGHT FOR ME ♪
♪ DON'T THINK YOU WANT TO KNOW JUST WHERE I'VE BEEN ♪
♪ (NO) ♪
♪ DON'T BE DISTRACTED ♪
♪ THE ONE I NEED IS RIGHT IN MY ARMS ♪
♪ YOUR KISSES TASTE THE SWEETEST WITH MINE ♪
♪ AND I'LL BE RIGHT HERE WITH YA TILL THE END OF TIME ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE YEAH ♪
♪ (YEAH THAT'S IT) ♪
♪ I GOT MY PEACHES OUT IN GEORGIA ♪
♪ (OH YEA SHIT) ♪
♪ I GET MY WEED FROM CALIFORNIA ♪
♪ (THAT'S THAT SHIT) ♪
♪ I TOOK MY CHICK UP TO THE NORTH YEAH ♪
♪ (BAD ASS BITCH) ♪
♪ I GET MY LIGHT RIGHT FROM THE SOURCE ♪
♪ (YEAH THAT'S IT) ♪
♪♪♪
Vocabulary in this song:
Vocabulary | Meanings |
---|---|
peaches /ˈpiːtʃɪz/ A1 |
|
weed /wiːd/ A2 |
|
chick /tʃɪk/ B1 |
|
light /laɪt/ A1 |
|
source /sɔːrs/ B1 |
|
breathe /briːð/ A2 |
|
texture /ˈtekstʃər/ B2 |
|
skin /skɪn/ A1 |
|
arms /ɑːrmz/ A1 |
|
touch /tʌtʃ/ A2 |
|
lift /lɪft/ A2 |
|
nights /naɪts/ A1 |
|
days /deɪz/ A1 |
|
souvenirs /ˌsuːvəˈnɪərz/ B2 |
|
torture /ˈtɔːrtʃər/ B2 |
|
baggage /ˈbæɡɪdʒ/ B1 |
|
feeling /ˈfiːlɪŋ/ A2 |
|
kisses /ˈkɪsɪz/ A1 |
|
sweetest /ˈswiːtɪst/ A2 |
|
Grammar:
-
I GOT MY PEACHES OUT IN GEORGIA
➔ Simple Past Tense
➔ Use of the simple past tense "got" to describe an action that happened at a specific time in the past. Implies the speaker obtained peaches from Georgia at a point before now.
-
I GET MY WEED FROM CALIFORNIA
➔ Simple Present Tense
➔ Use of the simple present tense "get" to describe a recurring action or a general truth. Here, it implies that the speaker regularly obtains marijuana from California.
-
THE WAY I BREATHE YOU IN
➔ Relative Clause (with implied 'that')
➔ This phrase uses a relative clause where the relative pronoun "that" is implied. It modifies "the way" and provides more information about how the speaker breathes.
-
THERE'S NOTHING LIKE YOUR TOUCH
➔ Existential 'There is' + Comparative (implication)
➔ Uses the structure "There's nothing like..." to express that something is unique and incomparable. It implies a superlative comparison, meaning your touch is the best.
-
YOU AIN'T SURE YET, BUT I'M FOR YA
➔ Contraction (ain't) + Simple Present (for agreement)
➔ "Ain't" is a contraction for "am not," "is not," or "are not." Here, it replaces "aren't". "I'm for ya" uses simple present to express support.
-
NIGHTS ALONE THAT WE MISS MORE
➔ Relative Clause (with 'that')
➔ The clause "that we miss more" is a relative clause modifying "nights alone". It specifies which nights are being referred to.
-
DAYS WE SAVE AS SOUVENIRS
➔ Relative Clause (with implied 'that')
➔ Again, this is a relative clause with an implied relative pronoun. The full clause would be "days that we save as souvenirs".
-
THERE'S NO TIME I WANNA MAKE MORE TIME
➔ Existential 'There is' + Relative Clause (with 'that' implied) + Infinitive of Purpose
➔ This complex sentence uses "There's no time" as an existential phrase, followed by a relative clause "I wanna make" (where 'that' is implied between "time" and "I") and the infinitive "to make more time", expressing the purpose. The whole structure creates a paradoxical meaning: there's no spare time, but the speaker desires to create more.
-
DON'T THINK YOU WANT TO KNOW JUST WHERE I'VE BEEN
➔ Negative Imperative + Object Clause + Embedded Question (Indirect Question) + Present Perfect Continuous
➔ "Don't think" is a negative imperative. The clause "you want to know just where I've been" acts as the object of "think". "Where I've been" is an embedded question (indirect question). "I've been" uses the present perfect continuous tense to indicate an action (being somewhere) that started in the past and continues to the present (or has a present result).