Lyrics & Translation
Dive into the vibrant, romantic world of '80s Electronic music with Lian Ross's quintessential Euro-Disco anthem, 'Say You'll Never.' The song’s clear, emotionally direct lyrics and catchy, repetitive chorus are perfect for learning the language of eternal devotion and powerful European dance floor expressions.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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look /lʊk/ A1 |
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feel /fiːl/ A1 |
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love /lʌv/ A1 |
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dream /driːm/ A1 |
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turn /tɜːrn/ A1 |
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real /riːl/ A1 |
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mystery /ˈmɪstəri/ A2 |
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part /pɑːrt/ A1 |
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sweet /swiːt/ A1 |
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melody /ˈmelədi/ B1 |
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deep /diːp/ A2 |
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inside /ɪnˈsaɪd/ A1 |
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heart /hɑːrt/ A1 |
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show /ʃəʊ/ A1 |
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never /ˈnɛvər/ A1 |
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Do you remember what “look” or “feel” means in "Say You'll Never"?
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Key Grammar Structures
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Look into my eyes and tell me what you see
➔ Imperative sentence with coordinated verbs
➔ The verbs "Look" and "tell" are used as commands; the subject "you" is understood.
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Since the day I met you baby I can feel
➔ Since‑clause with simple past + present simple main clause
➔ "Since" introduces a time reference "the day I met you" (past), while "I can feel" is in the present.
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You have turned my dreams into reality
➔ Present perfect tense
➔ "have turned" shows an action that started in the past and has relevance now.
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I can feel
➔ Modal verb + bare infinitive (ability/possibility)
➔ "can" expresses ability; it is followed directly by the base verb "feel".
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You are the sweet melody
➔ Linking verb "be" + subject complement (noun phrase)
➔ "are" links the subject "You" to the noun phrase "the sweet melody".
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In the same old feeling baby is so real
➔ Prepositional phrase at sentence start + linking verb + adjective complement
➔ "In the same old feeling" is a prepositional phrase setting the context; "is" links to "so real" (adjective).
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Say you'll never never never go away
➔ Imperative with contracted future (will) in subordinate clause
➔ "Say" is a command; inside the quoted clause, "you’ll" (= you will) expresses future intention "never go away".
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baby not my hunter you are the sweet melody
➔ Ellipsis (subject omission) and contrastive negative noun phrase
➔ "baby not my hunter" drops the verb "is"; the second clause "you are the sweet melody" restores the subject‑verb structure.
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