Senseless – English Lyrics

• By: Stefflon Don

Lyrics & Translation

Dive into the vibrant world of Stefflon Don's 'Senseless' to learn the language of confidence and self-assurance. This dancehall track, infused with Jamaican patois, offers a special opportunity to experience the power of language in expressing bold identity and strength, making it a unique and empowering way to learn.

[English]

♪ ♪

♪ KNOW FI DO YA TING ♪

♪ HEAD A MASH UP ♪

♪ GYAL YA KNOW FI DO YA TING ♪

♪ YOU NA TAKE BACK CHAT ♪

♪ LOVE FA DO YA TING ♪

♪ HEAD A MASH UP ♪

♪ GYAL YA LOVE FA DO YA TING ♪

♪ YOU NA TAKE BACK CHAT ♪

♪ ALL YA FRIEND JUST A TRY ♪

♪ WATCH MI STYLE ♪

♪ ANY MAN ME A TAKE ♪

♪ ME KNOW ME GET SPOILT ♪

♪ HOW YOU MAKE MY THING COME GREAT ♪

♪ FIVE MINUS FOUR ♪

♪ SEVEN DAYS OF THE WEEK, WEAK ♪

♪ THEM COULDN'T NEVER BE ♪

♪ PRETTY FROM ME HEAD, SHOULDER AND ME KNEE ♪

♪ ANY PICTURE ME A POST ♪

♪ THEM POST HAVE FA PEER ♪

♪ GYAL DIS ♪

♪ GET DEAD AND BURIED ♪

♪ BOUT DIS ♪

♪ AND GET SENT TO THE CEMETARY ♪

♪ MUNY PUN MI MIND ♪

♪ PUSSY PINK LIKE HAWK ♪

♪ ANY MAN MI A FUCK ♪

♪ HAFI BEG MI NA STOP ♪

♪ RING PON MI FINGER ♪

♪ BALMAIN PON MI LOCK ♪

♪ WHEN DON TOUCH ROAD ♪

♪ EVERY GYAL FACE DROP ♪

♪ NUMBER ONE, INNA DA GOOD LOOK BOOK ♪

♪ DEM MADE CAH SHE AND HER MADDA NAH LOOK GOOD ♪

♪ A TEN THING ♪

♪ NOTHING PON MI BODY EVER BROKE ♪

♪ FIVE MINUS FOUR TELL A GYAL ME NAH SHOOK ♪

♪ MI NAH "FRENY-FRENY" GYAL ♪

♪ WE AHH FLOP ♪

♪ IF A GYAL MAKE FREN DEN ME HAFFI FREE DAT ♪

♪ AND IF 'EM WAR ♪

♪ NUFF SHOT AND LIK HEAD TOP ♪

♪ MI NO PLAY LESS HIM GO SAY HIM GYAL IT NO DAT ♪

♪ LOVE FA DO YA TING ♪

♪ HEAD A MASH UP ♪

♪ GYAL YA LOVE FA DO YA TING ♪

♪ YOU NA TAKE BACK CHAT ♪

♪ LOVE FA DO YA TING ♪

♪ HEAD A MASH UP ♪

♪ GYAL YA LOVE FA DO YA TING ♪

♪ YOU NA TAKE BACK CHAT ♪

♪ LOOK HOW YOU MAKE ME FEEL ♪

♪ LOOK HOW YOU MAKE ME GET AGGRESSIVE ♪

♪ LOOK HOW YOU MAKE ME FEEL ♪

♪ LOOK HOW YOU MAKE ME GET SENSELESS ♪

♪ LOOK HOW YOU MAKE ME FEEL ♪

♪ LOOK HOW YOU MAKE ME GET AGGRESSIVE ♪

♪ LOOK HOW YOU MAKE ME FEEL ♪

♪ LOOK HOW YOU MAKE ME GET SENSELESS ♪

♪ BIG FAT BATTY WITH MATIC ♪

♪ EVERY OTHER THICK ♪

♪ JUST A LIK WHEN ME SLAP IT ♪

♪ YA HAFFI RIDE DI BUCK ♪

♪ IF YA THINK SAY MI DROP IT ♪

♪ MONEY CONVERSATION ♪

♪ NOW ME A DI TOPIC ♪

♪ SHE 'FRAID SAY ME A GO TEXT BACK ♪

♪ WATCH YA MAN BEFORE ME TAKE DAT ♪

♪ ME NAH COME FI PLAY, DAT GYAL YOU MUST MAD ♪

♪ MI TOO BAD, ASK ABOUT MI SAY IT FAIR GAME ♪

♪ IF DEM EVER PLAY-PLAY WI MI NAME ♪

♪ IT'S A SHAME, CAH DEM MADDA A GA CRY ♪

♪ IN A VEIN, IN A RAIN ♪

♪ YA SEE THE LAS' GYAL YA DISS I KNOW DISS BLOOD LINE ♪

♪ LINE-UP IF YOU DISS ♪

♪ DEM A SWITCH ♪

♪ WAH YA TINK? ♪

♪ 3-57 CUT YA LIFE IN A 'HALF ♪

♪ LIKE HOOD-HITTER NO SHE FI NAH KNOW ME A SOFT ♪

♪ MI A REAL DON-DA-DA ♪

♪ MI LIKE GYAL LIKE GRABBA ♪

♪ LOOK HOW YOU MAKE ME FEEL ♪

♪ LOOK HOW YOU MAKE ME GET AGGRESSIVE ♪

♪ LOOK HOW YOU MAKE ME FEEL ♪

♪ LOOK HOW YOU MAKE ME GET SENSELESS ♪

♪ LOOK HOW YOU MAKE ME FEEL ♪

♪ LOOK HOW YOU MAKE ME GET AGGRESSIVE ♪

♪ LOOK HOW YOU MAKE ME FEEL ♪

♪ LOOK HOW YOU MAKE ME GET SENSELESS ♪

♪ LOVE FA DO YA TING ♪

♪ HEAD A MASH UP ♪

♪ GYAL YA LOVE FA DO YA TING ♪

♪ YOU NA TAKE BACK CHAT ♪

♪ LOVE FA DO YA TING ♪

♪ HEAD A MASH UP ♪

♪ GYAL YA LOVE FA DO YA TING ♪

♪ YOU NA TAKE BACK CHAT ♪

♪ PUSSY CLEAN PUSSY TIGHT ♪

♪ PUSSY CLEAN AND THAT'S NO LIE ♪

♪ PUSSY DON'T MIND GETTING COCK ALL NIGHT ♪

♪ PUSSY MAKE MAN JUST CRY ♪

♪ PUSSY CLEAN PUSSY TIGHT ♪

♪ PUSSY CLEAN AND THAT'S NO LIE ♪

♪ WHINE IN A DANCE IN A BED, ME NAH SHY ♪

♪ WHINE IN A DANCE IN A BED, ME NAH SHY ♪

Key Vocabulary

Vocabulary	Meanings
gyal /ˈɡjaːl/ B1	noun - girl (Jamaican slang)
ting /tɪŋ/ A1	noun - thing (Jamaican slang)
mash /mæʃ/ B1	verb - to crush or smash
head /hɛd/ A1	noun - the upper part of the body containing the brain verb - to lead or be in charge of
love /lʌv/ A1	noun - deep affection verb - to feel deep affection for
chat /tʃæt/ A2	noun - informal conversation verb - to talk casually
spoil /spɔɪl/ B1	verb - to ruin or damage verb - to pamper (a child)
pretty /ˈprɪti/ A2	adjective - attractive or pleasant to look at
buried /ˈbɛr.id/ B2	adjective - interred in the ground verb (past participle) - to place in a grave
cemetery /ˈsɛmɪt(ə)ri/ B2	noun - a burial ground
aggressive /əˈɡrɛsɪv/ C1	adjective - ready or inclined to fight or assert oneself forcefully
senseless /ˈsɛnslɪs/ C1	adjective - lacking sense or purpose; foolish
pussy /ˈpʊsi/ C1	noun (vulgar) - slang for female genitalia noun (colloquial) - a cat
ring /rɪŋ/ A1	noun - a circular band worn as jewelry verb - to make a clear resonant sound
finger /ˈfɪŋɡər/ A1	noun - one of the five digits of the hand
balmain /bælˈmeɪn/ C2	noun (proper) - a French luxury fashion house (Balmain)
slap /slæp/ B1	verb - to strike sharply with the hand noun - a sharp blow with the hand
buck /bʌk/ B1	noun - a dollar (slang) verb - to resist or oppose
conversation /ˌkɒnvəˈseɪʃən/ B2	noun - a spoken exchange of ideas or thoughts
diss /dɪs/ B2	verb (slang) - to disrespect or insult someone

Key Grammar Structures

• LOOK HOW YOU MAKE ME FEEL

  ➔ Causative construction: make + object + base verb

  ➔ In this sentence the verb "make" is used as a causative. The pattern is "make + object + base verb", meaning the subject causes the object to perform the action. Here "YOU" cause "ME" to "FEEL".

• YOU NA TAKE BACK CHAT

  ➔ Negative auxiliary "na" (Jamaican Patois) = "don't" in simple present

  ➔ The word "na" functions as a negative auxiliary in Jamaican Patois. It corresponds to the English "don't" when forming a simple‑present negative: "YOU NA TAKE" → "you don't take".

• IF YA THINK SAY MI DROP IT

  ➔ First‑condition clause with "if" + present simple; verb "say" used as complement after "think"

  ➔ The sentence begins with the conditional "IF" followed by the present‑simple verb "YA THINK" (you think). After the verb "think" the complement "SAY" introduces the reported content: "you think that I will drop it".

• I KNOW DISS BLOOD LINE

  ➔ Simple present verb "know" followed by a noun phrase; omission of complementizer "that"

  ➔ The verb "know" is used in the simple present. The clause "DISS BLOOD LINE" functions as a noun phrase object. In standard English a complementizer "that" would normally appear ("I know **that** this blood line…"), but it is omitted here.

• YOU MUST MAD

  ➔ Modal verb "must" + adjective indicating obligation or strong assumption

  ➔ The modal "must" expresses a strong belief or obligation. In this sentence it is followed by the adjective "mad" meaning "angry", so the meaning is "you are definitely angry" or "you have to be angry".

• ME NAH COME FI PLAY

  ➔ Negative "NAH" + verb phrase "come for + infinitive" expressing purpose; present simple

  ➔ "NAH" works as a negative particle (equivalent to "don't"). The structure "come for + infinitive" shows purpose: "ME NAH COME FI PLAY" → "I don't come to play".

• ANY MAN ME A TAKE

  ➔ Progressive aspect marked by "a" (Jamaican Patois) = "am/is/are + verb‑ing"

  ➔ In Jamaican Patois the particle "a" after a subject marks the present progressive. "ME A TAKE" corresponds to standard English "I am taking".

• LOOK HOW YOU MAKE ME GET AGGRESSIVE

  ➔ Causative "make" + object + base verb + adjective (double causative)

  ➔ The verb "make" is followed by the object "ME" and the base verb "GET" which itself takes the adjective "AGGRESSIVE". This creates a double‑causative meaning: you cause me to become aggressive.

• WHEN DON TOUCH ROAD

  ➔ Simple present for habitual action; subject‑verb agreement with proper name

  ➔ The clause uses the simple present "WHEN DON TOUCH" to describe something that happens regularly. "DON" is a proper name, so the verb does not take a third‑person "s" ending (as in "DON touches").