Lyrics & Translation
Explore the nuances of Japanese expression with ano's "愛してる、なんてね。". This song is a great way to learn how subtle phrases like 「なんてね」 (nante ne) can completely change the tone of a sentence, a common feature in Japanese communication. It's a special song that captures a modern, complex love story, making the learning process both emotional and culturally relevant.
The song only I know.
Regular customers spouting off about how I'd be cute if I just acted normally.
Lies, always made up of pleasantries, ideals, and disguises.
My makeup, my clothes, my hairstyle — I won't give any of it away. Only the mirror knows me.
A light illuminated by 600 watts for 1 minute and 30 seconds. Our conversation is like Shiritori.
They'll just cool off again soon, but still say, "It's fate," "Hey," "Like a movie."
"I love you"—such lies, I told too many times and wasn't forgiven by anyone, but...
You took me, who wasn't okay, and gently made me alright.
Saying "Everyone die!" is too much bravado. Just the two of us, we can go anywhere.
Everything is meaningless without you. It has to be you, or I don't want it.
"I'll be unhappy if I'm with you" — that's too boring, a lame joke, isn't it?
Huh? What's that? Just pretend to have forgotten and be vague.
I'll turn all the hate and pain into entertainment for you. A song delivered only to that place.
The light, TV-sized at 1 minute 30 seconds, fades away. Our conversation is like cat's cradle.
If that's the case, let's get tangled up messily, even if we can never be separated again.
It might not be such a bad idea.
"I love you"—such lies, I grew so tired of them and couldn't forgive anything, but...
More than proper words, your pathetic self is much more endearing to me.
Saying "I'll die!" is too much bravado. I want to do all of this and that with you.
I want you to gaze at the me that's different from the one beyond the spotlight.
My left hand, put out first in rock-paper-scissors. Even if it's torn apart, I won't really cry.
Now we're even. This is goodbye. Until the day we meet again.
"I love you"—such lies, I told too many times and wasn't forgiven by anyone, but...
You took me, who wasn't okay, and gently made me alright.
Saying "Everyone die!" is too much bravado. See, just the two of us, we can go anywhere.
Everything is meaningless without you. It has to be you, or I don't want it.
"I love you, just kidding." I'm sorry.
That was a lie, I do love you.
Key Vocabulary
Vocabulary | Meanings |
---|---|
愛してる /a.i.ʃi.te.ɾɯ/ A2 |
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嘘 /ɯ.so/ A1 |
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光 /çi.ka.ɾi/ A1 |
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傷 /ki.zɯ/ A2 |
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歌 /ɯ.ta/ A1 |
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運命 /ɯn.meː/ B1 |
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大丈夫 /da.i.ʑoː.bɯ/ A1 |
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強がり /tsɯ.jo.ɡa.ɾi/ B2 |
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意味 /i.mi/ A2 |
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嫌だ /i.ja.da/ A2 |
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不幸 /ɸɯ.koː/ B1 |
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退屈 /ta.i.kɯ.tsɯ/ B1 |
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情けない /na.sa.ke.na.i/ B2 |
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愛しい /i.to.ʃi.i/ B2 |
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見つめる /mi.tsɯ.me.ɾɯ/ B1 |
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冷める /sa.me.ɾɯ/ B1 |
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飽きる /a.ki.ɾɯ/ B1 |
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書き換える /ka.ki.ka.e.ɾɯ/ B2 |
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許される /jɯ.ɾɯ.sa.ɾe.ɾɯ/ B1 |
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What does “愛してる” mean in the song "愛してる、なんてね。"?
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Key Grammar Structures
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ヘイトも傷もエンタメに全部書き換えてあげる
➔ V-te ageru (〜てあげる)
➔ Indicates that the speaker performs an action for the benefit of someone else. Here, 'I will rewrite everything for you.' The action of 'rewriting' is done as a favor or for the benefit of the listener. "書き換えてあげる" means 'I will rewrite it for you.'
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普通にしたら可愛いとかほざいてくる常連客
➔ ~toka hozaku (~とかほざく)
➔ `~とか` is used for quoting or listing examples, often with a dismissive or vague nuance. `ほざく` is a derogatory verb meaning 'to blabber,' 'to say presumptuously/arrogantly.' So, the phrase means 'regular customers who blabber things like "if you were normal, you'd be cute."'
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愛想理想偽装で固めてばっかの嘘
➔ ~te bakka (~てばっか) / ~te bakari (~てばかり)
➔ Indicates that one does nothing but a certain action, often implying repetition or a focus on that single action, sometimes with a negative or exasperated nuance. Here, 'lies that are only solidified by pleasantries, ideals, and deception.'
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どうせまたすぐに冷めるくせに「運命だね」「ねぇ」「映画みたい」
➔ ~kuse ni (~くせに)
➔ Means 'even though,' 'despite the fact that,' or 'in spite of,' usually used with a critical, blaming, or exasperated nuance towards the subject of the clause. Here, 'even though you'll surely cool down again soon.'
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「愛してる」なんて嘘、吐きすぎて 誰にも許されなかったけど
➔ ~sugiru (〜すぎる) + Dare ni mo V-nai (誰にもV-ない)
➔ `~すぎる` indicates doing something 'too much.' `誰にも~ない` means 'not by anyone' or 'not to anyone,' expressing a complete lack of action or permission from anyone. The verb 許される is passive ('to be forgiven'). So, the phrase means 'Because I told too many lies like "I love you," I wasn't forgiven by anyone.'
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大丈夫じゃない僕をぎゅっと大丈夫にしてくれたね
➔ N o Adj ni/N ni suru (Nを Adjに/Nにする) + V-te kureru (V-てくれる)
➔ `~にする` means 'to make something into something else' or 'to make something [adjective].' `~てくれる` indicates that someone performs an action for the speaker's benefit. Here, 'you firmly made me, who wasn't okay, okay.'
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君がいなきゃ意味がない全部 君じゃなきゃ嫌だ
➔ ~nakya (~なきゃ) / ~janakya (~じゃなきゃ)
➔ Colloquial contractions of `~なければ (~nakereba)` and `~でなければ (~denakereba)`, meaning 'if not' or 'unless.' They often imply that something is impossible or undesirable without the stated condition. `いなきゃ` (from いる) for existence, `じゃなきゃ` (from だ) for nouns/na-adjectives. Here, 'everything is meaningless if you're not here' and 'I don't want it if it's not you.'
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いいような気がしなくなくなくもない
➔ Triple Negative (~なくなくなくもない)
➔ An emphatic triple negative construction meaning 'it's not that it's not not [Verb/Adjective],' which effectively implies 'it *is* [Verb/Adjective]' or 'it is not impossible.' It expresses a hesitant affirmation or a nuanced possibility. Here, 'I'm not without the feeling that it might not be bad/not not good.'
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ちゃんとした言葉よりもずっと 情けない君が愛しい
➔ ~yori mo zutto (~よりもずっと)
➔ Used for making comparisons, meaning 'much more than.' `よりも` is 'more than,' and `ずっと` emphasizes the degree, meaning 'much' or 'far.' Here, 'I cherish your pitiful self much more than proper words.'
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光の向こうとは違う僕を 見つめてほしいの
➔ V-te hoshii (V-てほしい) + No (の)
➔ `~てほしい` expresses the speaker's desire for someone else to perform an action. `の` is an explanatory particle, often adding a nuance of asking for understanding or simply softening the tone. Here, 'I want you to look at me, who is different from beyond the light.'