Lyrics & Translation
Discover the poignant story of fame's dark side in "Spoken For" by FLAVOR FOLEY and Kasane Teto. This song offers a unique opportunity to explore themes of identity, control, and the pressures of celebrity culture, all while enjoying its compelling rhythm and thought-provoking lyrics.
Key Vocabulary
| Vocabulary | Meanings | 
|---|---|
| 
                             motion /ˈmoʊʃən/ B1 | 
                        
                                                            
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| 
                             emotion /ɪˈmoʊʃən/ B1 | 
                        
                                                            
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| 
                             complete /kəmˈpliːt/ A2 | 
                        
                                                            
 
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| 
                             routine /ruˈtiːn/ B1 | 
                        
                                                            
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| 
                             uniform /juːnɪˈfɔːrm/ B2 | 
                        
                                                            
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| 
                             determined /dɪˈtɜːrmənd/ B2 | 
                        
                                                            
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| 
                             adore /əˈdɔːr/ B2 | 
                        
                                                            
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| 
                             boring /ˈbɔːrɪŋ/ A2 | 
                        
                                                            
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| 
                             pathetic /ˈpæθɪtɪk/ C1 | 
                        
                                                            
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| 
                             obsessed /əbˈsɛst/ C1 | 
                        
                                                            
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| 
                             doubt /daʊt/ A2 | 
                        
                                                            
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| 
                             gory /ˈɡɔːri/ C1 | 
                        
                                                            
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| 
                             overpowering /ˌoʊvərˈpaʊərɪŋ/ C1 | 
                        
                                                            
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| 
                             shaving /ˈʃeɪvɪŋ/ B1 | 
                        
                                                            
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| 
                             foe /foʊ/ B2 | 
                        
                                                            
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| 
                             saint /seɪnt/ B1 | 
                        
                                                            
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Key Grammar Structures
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Clear cut, Put on the emotion guaranteed
➔ Reduced Relative Clause/Participle Phrase
➔ The phrase 'Clear cut' acts as an adjective modifying an implied noun (e.g., 'instructions'). 'Put on' functions as a reduced relative clause, meaning 'which is put on'. This is a common way to create concise sentences.
 - 
                    
And when they drag me by my feet, Pick me up and march me to the beat
➔ Complex Sentence with Subordinate Clause & Imperative
➔ The 'when' clause introduces a subordinate clause describing a time condition. 'Pick me up and march me' are imperatives, giving direct commands. The use of parallel structure ('Pick...and march...') enhances the rhythm.
 - 
                    
I don't get the messages, they don't come to me
➔ Negative Statements with 'do' auxiliary verb
➔ The use of 'don't' (do + not) is a standard way to form negative statements in English, particularly with main verbs. It emphasizes the lack of reception of messages.
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Everything that I can say is spoken for me, yeah
➔ Relative Clause with 'that' and Passive Voice
➔ The relative clause 'that I can say' modifies 'Everything'. 'Is spoken for' is in the passive voice, indicating that someone else is controlling the speaker's words. This highlights the lack of agency.
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I could be a friend, or I could be a foe
➔ Modal Verbs ('could') expressing possibility and Correlative Conjunctions ('or')
➔ The modal verb 'could' indicates potential or possibility. 'Or' is a correlative conjunction connecting two alternative possibilities.
 
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