THE POWER OF DREAMS – English Lyrics
Lyrics & Translation
Explore the inspiring sounds of “The Power of Dreams” by Badshah and Lisa Mishra, a vibrant track that mixes Hindi and English lyrics to tell a story of ambition and gratitude. Learn relatable Hindi phrases while discovering how dreams, supported by loved ones, can pave the way to success. This song is special because it showcases Badshah's unique rap style and celebrates the journey of chasing dreams .
Key Vocabulary
| Vocabulary | Meanings |
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dream /driːm/ B1 |
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माँ /maː/ A1 |
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power /ˈpaʊə(r)/ B1 |
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touch /tʌtʃ/ B1 |
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stars /stɑːz/ B1 |
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Superman /ˈsuːpərmæn/ B2 |
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love /lʌv/ A1 |
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young /jʌŋ/ A1 |
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sorry /ˈsɒri/ A1 |
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big /bɪg/ A1 |
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everybody /ˈevriˌbɒdi/ B1 |
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hell /hɛl/ B2 |
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आवाज़ /aːʋaːz/ B1 |
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आसमान /aːsmaːn/ A1 |
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रिश्तेदार /riʃteːdaːr/ B1 |
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look /lʊk/ A2 |
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name /neɪm/ A1 |
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उड़ने /ʊɽneː/ B1 |
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खाना /kʰaːnaː/ A1 |
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life /laɪf/ A1 |
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Key Grammar Structures
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All I wanted was to dream big enough for everybody
➔ Noun Clause as Subject Complement + Adjective + Enough + Infinitive of Purpose
➔ "All I wanted" is a noun clause acting as the subject. "was to dream big enough" is the subject complement, with "to dream" being an infinitive and "big enough" showing sufficiency.
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जिनको कभी मेरी आवाज़ चुभती थी आज / वही सुनते हैं उससे Loop पर
➔ Relative Pronoun + Past Habitual + Present Habitual + Emphatic Pronoun (Hindi specific)
➔ "जिनको" (to whom/those whom) introduces a relative clause. "चुभती थी" (used to prick/bother) is past habitual. "सुनते हैं" (listen) is present habitual. "वही" (they themselves/the very same ones) emphasizes the subject.
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ऊपर वाले से ऊपर तू माँ
➔ Comparative Adjective (Hindi specific structure)
➔ "से ऊपर" (se upar) is used to form a comparative structure, indicating "above the one above" (God), showing the mother's supreme position.
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Sorry girls but the only time I really mean it is / When I say I love you Maa
➔ Noun Clause as Subject Complement with a 'when'-clause
➔ The clause "the only time I really mean it" is the subject, and "is when I say I love you Maa" is the subject complement, using a "when"-clause to define "the time."
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मेरी आंखों में तूने डाला सपनो को
➔ Ergative Construction (Hindi specific)
➔ In Hindi, for transitive verbs in perfective aspects, the subject ("तूने") takes the ergative marker "ने", and the object ("सपनो को") takes "को" or is unmarked. It translates to "you sowed dreams in my eyes."
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मैंने तेरे लिए सच कर डाला सपनो को
➔ Compound Verb (Hindi specific) + Ergative Construction
➔ "कर डाला" (kar daalaa) is a compound verb formed by 'करना' (to do) + 'डालना' (to put), indicating completion, finality, or intensity of the action. Combined with ergative "मैंने" (I, by me).
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Appetizers से ही पेट भर लेगी
➔ Compound Verb (Hindi specific) + Emphatic Particle
➔ "भर लेगी" (bhar legii) is a compound verb formed by 'भरना' (to fill) + 'लेना' (to take), signifying that the action is done for oneself or completed. "ही" (hii) adds emphasis (even/only).
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सुबह सुबह उठ के खाना बनाती थी, नौकरी पे जाती थी
➔ Past Habitual Tense + Conjunct Participle (Hindi specific)
➔ "बनाती थी" and "जाती थी" are in the past habitual tense, indicating actions that regularly occurred in the past. "उठ के" (uth ke) is a conjunct participle (gerundive) meaning "having gotten up," showing a sequence of actions.
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And I Could Touch The Furthest Stars
➔ Modal Verb 'Could' for Past Ability/Possibility
➔ "Could" is used here to express ability or possibility in the past, or a hypothetical ability, often linked to a condition (implied by "Cuz You Pushed Me All The Way").
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Of kid who'd make his name
➔ Relative Clause with Contraction ('would')
➔ "who'd make his name" is a relative clause modifying "kid." "who'd" is a contraction of "who would," expressing a future in the past or a hypothetical outcome.
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