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Let's take our time tonight, girl 01:11
Above us all the stars are watchin' 01:17
There's no place I'd rather be in this world 01:22
Your eyes are where I'm lost in 01:29
Underneath the chandelier 01:33
We're dancin' all alone 01:37
There's no reason to hide 01:42
What we're feelin' inside 01:45
Right now 01:48
So baby let's just turn down the lights 01:52
And close the door 01:56
Oooh I love that dress 01:59
But you won't need it anymore 02:01
No you won't need it no more 02:07
Let's just kiss 'til we're naked, baby 02:09
Versace on the floor 02:14
Oooh take it off for me, for me, for me, for me now, girl 02:18
Versace on the floor 02:25
Oooh take it off for me, for me, for me, for me now, girl 02:29
I unzip the back to watch it fall 02:39
While I kiss your neck and shoulders 02:45
No don't be afraid to show it off 02:50
I'll be right here ready to hold you 02:56
Girl you know you're perfect from 03:01
Your head down to your heels 03:05
Don't be confused by my smile 03:10
'Cause I ain't ever been more for real, for real 03:13
So just turn down the lights 03:21
And close the door 03:24
Oooh I love that dress 03:27
But you won't need it anymore 03:30
No you won't need it no more 03:35
Let's just kiss 'til we're naked, baby 03:38
Versace on the floor 03:42
Oooh take it off for me, for me, for me, for me now, girl 03:46
Versace on the floor 03:53
Oooh take it off for me, for me, for me, for me now, girl 03:57
Dance 04:05
04:09
It's warmin' up 04:29
Can you feel it? 04:31
It's warmin' up 04:32
Can you feel it? 04:34
It's warmin' up 04:35
Can you feel it, baby? 04:36
It's warmin' up 04:38
Oh, seems like you're ready for more, more, more 04:39
Let's just kiss 'til we're naked 04:44
Versace on the floor 04:49
Hey baby 04:52
Take it off for me, for me, for me, for me now, girl 04:55
Versace on the floor 05:00
Oooh take it off for me, for me, for me, for me now, girl 05:03
Versace on the floor 05:11
Floor 05:15
Floor 05:17
05:18

Versace on the Floor

By
Bruno Mars
Album
24K Magic
Viewed
480,875,915
Learn this song

Lyrics:

[English]

Let's take our time tonight, girl

Above us all the stars are watchin'

There's no place I'd rather be in this world

Your eyes are where I'm lost in

Underneath the chandelier

We're dancin' all alone

There's no reason to hide

What we're feelin' inside

Right now

So baby let's just turn down the lights

And close the door

Oooh I love that dress

But you won't need it anymore

No you won't need it no more

Let's just kiss 'til we're naked, baby

Versace on the floor

Oooh take it off for me, for me, for me, for me now, girl

Versace on the floor

Oooh take it off for me, for me, for me, for me now, girl

I unzip the back to watch it fall

While I kiss your neck and shoulders

No don't be afraid to show it off

I'll be right here ready to hold you

Girl you know you're perfect from

Your head down to your heels

Don't be confused by my smile

'Cause I ain't ever been more for real, for real

So just turn down the lights

And close the door

Oooh I love that dress

But you won't need it anymore

No you won't need it no more

Let's just kiss 'til we're naked, baby

Versace on the floor

Oooh take it off for me, for me, for me, for me now, girl

Versace on the floor

Oooh take it off for me, for me, for me, for me now, girl

Dance

...

It's warmin' up

Can you feel it?

It's warmin' up

Can you feel it?

It's warmin' up

Can you feel it, baby?

It's warmin' up

Oh, seems like you're ready for more, more, more

Let's just kiss 'til we're naked

Versace on the floor

Hey baby

Take it off for me, for me, for me, for me now, girl

Versace on the floor

Oooh take it off for me, for me, for me, for me now, girl

Versace on the floor

Floor

Floor

...

Vocabulary in this song:

Vocabulary Meanings

time

/taɪm/

A1
  • noun
  • - the indefinite continued progress of existence and events in the past, present, and future regarded as a whole.

stars

/stɑːrz/

A1
  • noun
  • - a fixed luminous point in the night sky which is a large, remote incandescent body like the sun.

place

/pleɪs/

A1
  • noun
  • - a particular position or area

eyes

/aɪz/

A1
  • noun
  • - organs of vision

chandelier

/ˌʃændəˈlɪər/

B2
  • noun
  • - a decorative light fixture suspended from a ceiling

reason

/ˈriːzən/

A2
  • noun
  • - a cause, explanation, or justification for an action or event

lights

/laɪts/

A1
  • noun
  • - a source of illumination

door

/dɔːr/

A1
  • noun
  • - a hinged, sliding, or revolving barrier at the entrance to a building, room, or vehicle

dress

/dres/

A1
  • noun
  • - a one-piece garment for women or girls that covers the body and part or all of the legs

kiss

/kɪs/

A1
  • verb
  • - touch or caress with the lips as a sign of love, sexual desire, or greeting.

naked

/ˈneɪkɪd/

B1
  • adjective
  • - without clothes

floor

/flɔːr/

A1
  • noun
  • - the ground surface of a room or vehicle

back

/bæk/

A1
  • noun
  • - the posterior surface of the human body from the shoulders to the hips

neck

/nek/

A1
  • noun
  • - the part of the body on a human or animal connecting the head to the torso

shoulders

/ˈʃoʊldərz/

A1
  • noun
  • - the part of the human body between the neck and the upper arm

head

/hed/

A1
  • noun
  • - the part of the human body above the neck where the brain, eyes, ears, nose, and mouth are.

heels

/hiːlz/

A2
  • noun
  • - the back part of the human foot below the ankle

smile

/smaɪl/

A1
  • noun
  • - an expression on someone's face that makes the corners of their mouth turn up and shows that they are pleased or amused.

Grammar:

  • There's no place I'd rather be in this world

    ➔ Conditional Sentence (Type 2 Implied)

    ➔ This sentence implies a conditional clause: "If I had a choice, there's no place I'd rather be..." The "I'd rather" structure expresses preference. The implicit condition makes it feel more poetic and conversational.

  • Your eyes are where I'm lost in

    ➔ Preposition at the end of a relative clause

    ➔ This sentence uses a relative clause where the preposition "in" is placed at the end. A more formal version would be "Your eyes are where I'm lost in". While grammatically acceptable in modern English, starting with the preposition is less common in formal writing.

  • There's no reason to hide what we're feelin' inside

    ➔ Present Continuous Tense (Feeling)

    ➔ The phrase "what we're feeling" uses the present continuous tense to describe a feeling that is happening now. While feelings are often expressed with simple present, continuous emphasizes the current experience and intensity.

  • Oooh I love that dress, But you won't need it anymore

    ➔ Future Tense (will) for prediction

    ➔ The use of "won't need" (will not need) expresses a prediction about the future. In this context, it's a gentle suggestion that the dress will soon be unnecessary, adding to the romantic and intimate atmosphere.

  • Let's just kiss 'til we're naked, baby

    ➔ Contraction and abbreviation

    "Til" is the contracted form of "until". This adds to the informal and intimate tone of the song. Using contractions is very common in spoken English and in songs to maintain a conversational feel.

  • I unzip the back to watch it fall

    ➔ Infinitive of Purpose (to watch)

    ➔ The phrase "to watch it fall" is an infinitive of purpose, explaining the reason why the speaker unzips the back. It indicates the intention or goal of the action. This construction is common for expressing the reason behind an action.

  • Girl you know you're perfect from your head down to your heels

    ➔ Prepositional Phrase (down to)

    ➔ The prepositional phrase "down to your heels" specifies the extent of the perfection. "From...to" is a common structure to indicate a range or scope, in this case, from head to heels.

  • Cause I ain't ever been more for real, for real

    ➔ Double Negative (Non-standard English)

    ➔ The use of "ain't" and "ever been more for real" creates a double negative, which is grammatically incorrect in standard English. However, it's a common feature in some dialects and adds emphasis to the statement. In standard English, it would be "I haven't ever been more real."