Display Bilingual:

♪ ♪ 00:00
♪ I'M LIKE THE WATER WHEN YOUR SHIP ROLLED IN THAT NIGHT ♪ 00:15
♪ ROUGH ON THE SURFACE BUT YOU CUT THROUGH LIKE A KNIFE ♪ 00:21
♪ AND IF IT WAS AN OPEN/SHUT CASE ♪ 00:27
♪ I NEVER WOULD'VE KNOWN FROM THAT LOOK ON YOUR FACE ♪ 00:30
♪ LOST IN YOUR CURRENT LIKE A PRICELESS WINE ♪ 00:33
♪ THE MORE THAT YOU SAY THE LESS I KNOW ♪ 00:39
♪ WHEREVER YOU STRAY I FOLLOW ♪ 00:42
♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪ 00:44
♪ WRECK MY PLANS, THAT'S MY MAN ♪ 00:47
♪ LIFE WAS A WILLOW AND IT BENT RIGHT TO YOUR WIND ♪ 00:51
♪ HEAD ON THE PILLOW I COULD FEEL YOU SNEAKING IN ♪ 00:56
♪ AS IF YOU WERE A MYTHICAL THING ♪ 01:02
♪ LIKE YOU WERE A TROPHY OR A CHAMPION RING ♪ 01:06
♪ AND THERE WAS ONE PRIZE I'D CHEAT TO WIN ♪ 01:09
♪ THE MORE THAT YOU SAY THE LESS I KNOW ♪ 01:14
♪ WHEREVER YOU STRAY I FOLLOW ♪ 01:17
♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪ 01:20
♪ WRECK MY PLANS, THAT'S MY MAN ♪ 01:23
♪ YOU KNOW THAT MY TRAIN COULD TAKE YOU HOME ANYWHERE ELSE IS HOLLOW ♪ 01:26
♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪ 01:31
♪ WRECK MY PLANS THAT'S MY MAN ♪ 01:34
♪ LIFE WAS A WILLOW AND IT BENT RIGHT TO YOUR WIND ♪ 01:41
♪ THEY COUNT ME OUT TIME AND TIME AGAIN ♪ 01:47
♪ LIFE WAS A WILLOW AND IT BENT RIGHT TO YOUR WIND ♪ 01:53
♪ BUT I COME BACK STRONGER THAN A 90'S TREND ♪ 01:58
♪ WAIT FOR THE SIGNAL AND I'LL MEET YOU AFTER DARK ♪ 02:04
♪ SHOW ME THE PLACES WHERE THE OTHERS GAVE YOU SCARS ♪ 02:10
♪ NOW THIS IS AN OPEN/SHUT CASE ♪ 02:16
♪ GUESS I SHOULD'VE KNOWN FROM THE LOOK ON YOUR FACE ♪ 02:19
♪ EVERY BAIT AND SWITCH WAS A WORK OF ART ♪ 02:22
♪ THE MORE THAT YOU SAY THE LESS I KNOW ♪ 02:27
♪ WHEREVER YOU STRAY I FOLLOW ♪ 02:30
♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪ 02:33
♪ WRECK MY PLANS, THAT'S MY MAN ♪ 02:36
♪ YOU KNOW THAT MY TRAIN COULD TAKE YOU HOME ANYWHERE ELSE IS HOLLOW ♪ 02:39
♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪ 02:44
♪ WRECK MY PLANS THAT'S MY MAN ♪ 02:47
♪ THE MORE THAT YOU SAY THE LESS I KNOW ♪ 02:50
♪ WHEREVER YOU STRAY I FOLLOW ♪ 02:53
♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪ 02:56
♪ WRECK MY PLANS, THAT'S MY MAN ♪ 02:59
♪ YOU KNOW THAT MY TRAIN COULD TAKE YOU HOME ANYWHERE ELSE IS HOLLOW ♪ 03:02
♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪ 03:07
♪ WRECK MY PLANS THAT'S MY MAN ♪ 03:10
♪ HEY, THAT'S MY MAN ♪ 03:14
♪ THAT'S MY MAN ♪ 03:17
♪ YEAH, THAT'S MY MAN ♪ 03:20
♪ EVERY BAIT AND SWITCH WAS A WORK OF ART ♪ 03:22
♪ THAT'S MY MAN ♪ 03:25
♪ HEY, THAT'S MY MAN ♪ 03:27
♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪ 03:30
♪ WRECK MY PLANS ♪ 03:33
♪ THAT'S MY MAN ♪ 03:34
♪ ♪ 03:36

willow

By
Taylor Swift
Album
evermore
Viewed
152,412,867
Learn this song

Lyrics:

[English]

♪ ♪

♪ I'M LIKE THE WATER WHEN YOUR SHIP ROLLED IN THAT NIGHT ♪

♪ ROUGH ON THE SURFACE BUT YOU CUT THROUGH LIKE A KNIFE ♪

♪ AND IF IT WAS AN OPEN/SHUT CASE ♪

♪ I NEVER WOULD'VE KNOWN FROM THAT LOOK ON YOUR FACE ♪

♪ LOST IN YOUR CURRENT LIKE A PRICELESS WINE ♪

♪ THE MORE THAT YOU SAY THE LESS I KNOW ♪

♪ WHEREVER YOU STRAY I FOLLOW ♪

♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪

♪ WRECK MY PLANS, THAT'S MY MAN ♪

♪ LIFE WAS A WILLOW AND IT BENT RIGHT TO YOUR WIND ♪

♪ HEAD ON THE PILLOW I COULD FEEL YOU SNEAKING IN ♪

♪ AS IF YOU WERE A MYTHICAL THING ♪

♪ LIKE YOU WERE A TROPHY OR A CHAMPION RING ♪

♪ AND THERE WAS ONE PRIZE I'D CHEAT TO WIN ♪

♪ THE MORE THAT YOU SAY THE LESS I KNOW ♪

♪ WHEREVER YOU STRAY I FOLLOW ♪

♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪

♪ WRECK MY PLANS, THAT'S MY MAN ♪

♪ YOU KNOW THAT MY TRAIN COULD TAKE YOU HOME ANYWHERE ELSE IS HOLLOW ♪

♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪

♪ WRECK MY PLANS THAT'S MY MAN ♪

♪ LIFE WAS A WILLOW AND IT BENT RIGHT TO YOUR WIND ♪

♪ THEY COUNT ME OUT TIME AND TIME AGAIN ♪

♪ LIFE WAS A WILLOW AND IT BENT RIGHT TO YOUR WIND ♪

♪ BUT I COME BACK STRONGER THAN A 90'S TREND ♪

♪ WAIT FOR THE SIGNAL AND I'LL MEET YOU AFTER DARK ♪

♪ SHOW ME THE PLACES WHERE THE OTHERS GAVE YOU SCARS ♪

♪ NOW THIS IS AN OPEN/SHUT CASE ♪

♪ GUESS I SHOULD'VE KNOWN FROM THE LOOK ON YOUR FACE ♪

♪ EVERY BAIT AND SWITCH WAS A WORK OF ART ♪

♪ THE MORE THAT YOU SAY THE LESS I KNOW ♪

♪ WHEREVER YOU STRAY I FOLLOW ♪

♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪

♪ WRECK MY PLANS, THAT'S MY MAN ♪

♪ YOU KNOW THAT MY TRAIN COULD TAKE YOU HOME ANYWHERE ELSE IS HOLLOW ♪

♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪

♪ WRECK MY PLANS THAT'S MY MAN ♪

♪ THE MORE THAT YOU SAY THE LESS I KNOW ♪

♪ WHEREVER YOU STRAY I FOLLOW ♪

♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪

♪ WRECK MY PLANS, THAT'S MY MAN ♪

♪ YOU KNOW THAT MY TRAIN COULD TAKE YOU HOME ANYWHERE ELSE IS HOLLOW ♪

♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪

♪ WRECK MY PLANS THAT'S MY MAN ♪

♪ HEY, THAT'S MY MAN ♪

♪ THAT'S MY MAN ♪

♪ YEAH, THAT'S MY MAN ♪

♪ EVERY BAIT AND SWITCH WAS A WORK OF ART ♪

♪ THAT'S MY MAN ♪

♪ HEY, THAT'S MY MAN ♪

♪ I'M BEGGING FOR YOU TO TAKE MY HAND ♪

♪ WRECK MY PLANS ♪

♪ THAT'S MY MAN ♪

♪ ♪

Vocabulary in this song:

Vocabulary Meanings

willow

/ˈwɪloʊ/

B1
  • noun
  • - a tree or shrub of temperate climates that typically has narrow leaves and drooping branches.

ship

/ʃɪp/

A1
  • noun
  • - a large boat for transporting people or goods by sea.

night

/naɪt/

A1
  • noun
  • - the period from sunset to sunrise in each twenty-four hours.

knife

/naɪf/

A2
  • noun
  • - an instrument composed of a blade fixed into a handle, used for cutting.

face

/feɪs/

A1
  • noun
  • - the front part of the head, from the forehead to the chin.

lost

/lɔːst/

A2
  • adjective
  • - unable to find one's way; not knowing one's whereabouts.
  • verb
  • - past tense of lose

wine

/waɪn/

A2
  • noun
  • - an alcoholic drink made from fermented grapes.

hand

/hænd/

A1
  • noun
  • - the end part of a person's arm beyond the wrist, including the fingers and thumb.

life

/laɪf/

A1
  • noun
  • - the condition that distinguishes animals and plants from inorganic matter, including the capacity for growth, reproduction, functional activity, and continual change preceding death.

wind

/wɪnd/

A1
  • noun
  • - the perceptible natural movement of the air, especially in the form of a current of air blowing from a particular direction.

head

/hed/

A1
  • noun
  • - the part of the body above the neck where the eyes, nose, mouth, ears, and brain are.

pillow

/ˈpɪloʊ/

A2
  • noun
  • - a rectangular cloth bag stuffed with feathers, foam rubber, or other soft materials, used to support the head when lying or sleeping.

trophy

/ˈtroʊfi/

B1
  • noun
  • - a cup or other decorative object awarded as a prize for a victory or success.

champion

/ˈtʃæmpiən/

B1
  • noun
  • - a person who has defeated all rivals in a competition or sporting event.

ring

/rɪŋ/

A1
  • noun
  • - a small circular band, typically made of precious metal and often set with one or more gemstones, worn on a finger.

home

/hoʊm/

A1
  • noun
  • - the place where one lives permanently, especially as a member of a family or household.

dark

/dɑːrk/

A2
  • adjective
  • - with little or no light.

art

/ɑːrt/

A2
  • noun
  • - the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

Grammar:

  • I'M LIKE THE WATER WHEN YOUR SHIP ROLLED IN THAT NIGHT

    ➔ Simile (using 'like')

    ➔ This line uses a simile to compare the speaker to water, emphasizing the arrival of the other person ('your ship') being a significant event. The word "like" creates a direct comparison.

  • ROUGH ON THE SURFACE BUT YOU CUT THROUGH LIKE A KNIFE

    ➔ Contrast (rough vs. cut through), Simile (using 'like')

    ➔ This line uses both contrast and simile. "Rough on the surface" contrasts with "cut through", highlighting the speaker's initial exterior versus how the other person's actions affected them deeply. "Like a knife" is the simile, emphasizing the sharp and impactful nature of those actions.

  • IF IT WAS AN OPEN/SHUT CASE, I NEVER WOULD'VE KNOWN FROM THAT LOOK ON YOUR FACE

    ➔ Third Conditional (mixed)

    ➔ This line uses a mixed third conditional. The 'if' clause refers to a past situation ("If it was an open/shut case"), and the main clause refers to a past result that is now affecting the present understanding ("I never would've known"). It expresses regret or a hypothetical past different from reality.

  • LOST IN YOUR CURRENT LIKE A PRICELESS WINE

    ➔ Simile (using 'like')

    ➔ Uses the simile 'like a priceless wine' to describe the feeling of being lost in the other person's presence. The comparison emphasizes the value and intoxicating nature of that experience.

  • THE MORE THAT YOU SAY, THE LESS I KNOW

    ➔ The more...the less construction (correlated comparative)

    ➔ This is a construction that shows how two things change in relation to each other. As the amount of speaking increases ("the more you say"), the amount of understanding decreases ("the less I know").

  • WHEREVER YOU STRAY I FOLLOW

    ➔ Adverbial Clause of Place (using 'wherever')

    ➔ This uses 'wherever' to indicate that the speaker will follow the other person no matter where they go. 'Wherever you stray' is an adverbial clause modifying the verb 'follow'.

  • I'M BEGGING FOR YOU TO TAKE MY HAND

    ➔ Gerund/Infinitive after a verb ('begging for you to take')

    "Begging" is used with the preposition "for" and followed by the infinitive phrase "you to take my hand". It expresses a strong desire or plea.

  • LIFE WAS A WILLOW AND IT BENT RIGHT TO YOUR WIND

    ➔ Metaphor (Life is a willow)

    ➔ This line uses a metaphor, comparing life to a willow tree, which bends easily in the wind, symbolizing how easily the speaker adapted to the influence of the other person ('your wind').