Display Bilingual:

[ELEVATOR BELL DINGS] 00:00
- OH YEAH REAL EXCLUSIVE. 00:02
TYPICAL ARI. 00:04
- YOU KNOW I THINK I LIKED HER BETTER 00:06
WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER. 00:07
- RIGHT, AND I MEAN WHO CARES IF SHE'S HAPPY. 00:09
I DON'T WANT HAPPY, I WANT ART. [DING] 00:12
- UGH I MISS THE OLD ARI, YOU KNOW THE SINGER. 00:14
- YOU DON'T SAY 00:20
I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT 00:22
- OMG DID SHE REALLY DO THAT? 00:26
- WELL I READ IT ON THE INTERNET SO IT MUST BE TRUE. 00:27
- WELL IT MUST BE 00:30
♪♪♪ 00:35
[VOCALIZATION] 00:47
♪♪♪ 01:06
♪ IN CASE YOU HAVEN’T NOTICED ♪ 01:21
♪ WELL, EVERYBODY’S TIRED ♪ 01:25
♪ AND HEALING FROM SOMEBODY ♪ 01:29
♪ OR SOMETHING WE DON’T SEE JUST RIGHT ♪ 01:33
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪ 01:37
♪ (NO ONE CAN TELL YOU NOTHING) ♪ 01:41
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪ 01:42
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪ 01:45
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪ 01:46
♪ TURN ON YOUR LIGHT AND BE LIKE ♪ 01:50
♪ “YES, AND?” ♪ 01:54
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 01:57
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 02:01
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 02:05
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 02:07
♪ “YES, AND?” ♪ 02:09
♪ NOW I’M SO DONE WITH CARING ♪ 02:11
♪ WHAT YOU THINK, NO I WON’T HIDE ♪ 02:14
♪ UNDERNEATH YOUR OWN PROJECTIONS ♪ 02:17
♪ OR CHANGE MY MOST AUTHENTIC LIFE ♪ 02:22
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪ 02:25
♪ (NO ONE CAN TELL YOU NOTHING) ♪ 02:29
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪ 02:31
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪ 02:33
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪ 02:35
♪ TURN ON YOUR LIGHT AND BE LIKE ♪ 02:39
♪ “YES, AND?” ♪ 02:43
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 02:45
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 02:49
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 02:53
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 02:56
♪ “YES, AND?” ♪ 02:58
♪ MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE ♪ 02:59
♪ PROTECTED, SEXY, DISCERNING WITH MY TIME ♪ 03:03
♪ YOUR ENERGY IS YOURS AND MINE IS MINE ♪ 03:09
♪ WHAT’S MINE IS MINE ♪ 03:12
♪ MY FACE IS SITTING I DON’T NEED NO DISGUISE ♪ 03:15
♪ DON’T COMMENT ON MY BODY, DO NOT REPLY ♪ 03:19
♪ YOUR BUSINESS IS YOURS AND MINE IS MINE ♪ 03:23
♪ WHY DO YOU CARE SO MUCH WHOSE I RIDE ♪ 03:26
♪ WHY? ♪ 03:30
♪ “YES, AND?” ♪ 03:31
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪ 03:34
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪ 03:38
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:42
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 03:44
♪ “YES, AND?” ♪ 03:46
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:50
♪ AND BE YOUR OWN FUCKIN BEST FRIEND ♪ 03:53
♪ SAY THAT SHIT WITH YOUR CHEST ♪ 03:58
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪ 04:00
♪ “YES, AND?” ♪ 04:02
[CHEERS AND APPLAUSE] 04:07

yes, and? – English Lyrics

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By
Ariana Grande
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Lyrics & Translation

Dive into Ariana Grande's 'yes, and?', a vibrant house-pop track that's more than just a catchy beat—it's a masterclass in self-empowerment and boundary-setting. Through its bold lyrics, you'll learn phrases of self-affirmation and how to confidently dismiss judgment, making it an ideal song for understanding modern English expressions of resilience and personal autonomy.

[English]
[ELEVATOR BELL DINGS]
- OH YEAH REAL EXCLUSIVE.
TYPICAL ARI.
- YOU KNOW I THINK I LIKED HER BETTER
WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER.
- RIGHT, AND I MEAN WHO CARES IF SHE'S HAPPY.
I DON'T WANT HAPPY, I WANT ART. [DING]
- UGH I MISS THE OLD ARI, YOU KNOW THE SINGER.
- YOU DON'T SAY
I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT
- OMG DID SHE REALLY DO THAT?
- WELL I READ IT ON THE INTERNET SO IT MUST BE TRUE.
- WELL IT MUST BE
♪♪♪
[VOCALIZATION]
♪♪♪
♪ IN CASE YOU HAVEN’T NOTICED ♪
♪ WELL, EVERYBODY’S TIRED ♪
♪ AND HEALING FROM SOMEBODY ♪
♪ OR SOMETHING WE DON’T SEE JUST RIGHT ♪
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪
♪ (NO ONE CAN TELL YOU NOTHING) ♪
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪
♪ TURN ON YOUR LIGHT AND BE LIKE ♪
♪ “YES, AND?” ♪
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪
♪ SAY THAT SHIT WITH YOUR CHEST ♪
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪
♪ “YES, AND?” ♪
♪ NOW I’M SO DONE WITH CARING ♪
♪ WHAT YOU THINK, NO I WON’T HIDE ♪
♪ UNDERNEATH YOUR OWN PROJECTIONS ♪
♪ OR CHANGE MY MOST AUTHENTIC LIFE ♪
♪ BOY COME ON PUT YOUR LIPSTICK ON ♪
♪ (NO ONE CAN TELL YOU NOTHING) ♪
♪ COME ON AND WALK THIS WAY THROUGH THE FIRE ♪
♪ (DON’T CARE WHAT’S ON THEIR MIND) ♪
♪ AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST ♪
♪ TURN ON YOUR LIGHT AND BE LIKE ♪
♪ “YES, AND?” ♪
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪
♪ SAY THAT SHIT WITH YOUR CHEST ♪
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪
♪ “YES, AND?” ♪
♪ MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE ♪
♪ PROTECTED, SEXY, DISCERNING WITH MY TIME ♪
♪ YOUR ENERGY IS YOURS AND MINE IS MINE ♪
♪ WHAT’S MINE IS MINE ♪
♪ MY FACE IS SITTING I DON’T NEED NO DISGUISE ♪
♪ DON’T COMMENT ON MY BODY, DO NOT REPLY ♪
♪ YOUR BUSINESS IS YOURS AND MINE IS MINE ♪
♪ WHY DO YOU CARE SO MUCH WHOSE I RIDE ♪
♪ WHY? ♪
♪ “YES, AND?” ♪
♪ SAY THAT SHIT WITH YOUR CHEST AND ♪
♪ BE YOUR OWN FUCKIN BEST FRIEND ♪
♪ SAY THAT SHIT WITH YOUR CHEST ♪
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪
♪ “YES, AND?” ♪
♪ SAY THAT SHIT WITH YOUR CHEST ♪
♪ AND BE YOUR OWN FUCKIN BEST FRIEND ♪
♪ SAY THAT SHIT WITH YOUR CHEST ♪
♪ KEEP MOVING LIKE “WHAT’S NEXT?” ♪
♪ “YES, AND?” ♪
[CHEERS AND APPLAUSE]

Key Vocabulary

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Vocabulary Meanings

tired

/ˈtaɪərd/

A1
  • adjective
  • - feeling a need to rest or sleep; weary

healing

/ˈhiːlɪŋ/

A2
  • verb
  • - to become well again; to recover
  • noun
  • - the process of becoming well again

lipstick

/ˈlɪpstɪk/

A1
  • noun
  • - a cosmetic in stick form used to color the lips

fire

/ˈfaɪər/

A1
  • noun
  • - the phenomenon of combustion, producing heat and light

light

/laɪt/

A1
  • noun
  • - the natural agent that stimulates sight and makes things visible
  • adjective
  • - not heavy or intense

turn

/tɜːrn/

A1
  • verb
  • - to change direction or position

move

/muːv/

A1
  • verb
  • - to change position or place

authentic

/ɔːˈθentɪk/

B1
  • adjective
  • - real or genuine; not copied or false

discerning

/dɪˈsɜːrnɪŋ/

B2
  • adjective
  • - having or showing good judgment

protected

/prəˈtektɪd/

A2
  • adjective
  • - kept safe from harm or injury

sexy

/ˈseksi/

A2
  • adjective
  • - sexually attractive or exciting

energy

/ˈenərdʒi/

A2
  • noun
  • - the strength and vitality required for sustained physical or mental activity

disguise

/dɪsˈɡaɪz/

B1
  • noun
  • - a means of concealing one's identity
  • verb
  • - to change one's appearance to hide one's identity

comment

/ˈkɒment/

A2
  • verb
  • - to express an opinion or remark

reply

/rɪˈplaɪ/

A1
  • verb
  • - to say or write something in response

care

/keər/

A1
  • verb
  • - to feel concern or interest; to look after

business

/ˈbɪznəs/

A1
  • noun
  • - a person's work or occupation

ride

/raɪd/

A1
  • verb
  • - to sit on and travel on an animal or vehicle

Are there any new words in “yes, and?” you don’t know yet?

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Key Grammar Structures

  • I THINK I LIKED HER BETTER WHEN HER PONYTAIL WAS A FEW CENTIMETERS HIGHER.

    ➔ Past Simple vs. Past Continuous with 'when' (for describing a state vs. an action in progress)

    ➔ The sentence compares a past preference (“I liked her better”) – a state, with a specific past condition indicated by "when" (“when her ponytail was a few centimeters higher”). The first part is the main clause in the past simple, while the 'when' clause sets the scene (past simple as well, to indicate a completed action).

  • WHO CARES IF SHE'S HAPPY.

    ➔ Embedded question using 'if' (indicating uncertainty/a condition)

    ➔ This sentence uses an embedded question beginning with 'if'. 'If' introduces a clause expressing uncertainty or a condition. It's not a direct question, but a statement containing a question as a part of it. Here, it highlights the speaker's indifference to whether the subject is happy.

  • I MISS THE OLD ARI, YOU KNOW, THE SINGER.

    ➔ Appositive (noun phrase clarifying another noun).

    ➔ The phrase "the singer" is an appositive because it clarifies which 'old Ari' the speaker is referring to. It's a noun phrase that renames or provides more information about the preceding noun ('old Ari').

  • I HEAR SHE'S STARTING HER OWN ARTISANAL HUMMUS LINE NEXT

    ➔ Present Continuous for future arrangements (plans or intentions)

    "She's starting" is the present continuous tense used to indicate a future plan. It conveys that the subject has a definite plan to start her own artisanal hummus line.

  • IN CASE YOU HAVEN’T NOTICED, WELL, EVERYBODY’S TIRED.

    ➔ Present Perfect Simple (haven't noticed) to emphasize experience up to now and the use of 'everybody' as singular

    ➔ 'Haven't noticed' uses the Present Perfect to indicate that up to this point, the listener may not have been aware of something (everybody's tiredness). 'Everybody' is treated as singular in this sentence.

  • BOY COME ON PUT YOUR LIPSTICK ON, (NO ONE CAN TELL YOU NOTHING)

    ➔ Imperative mood (put your lipstick on) and double negative (no one can tell you nothing)

    "Put your lipstick on" is a command using the imperative mood. "No one can tell you nothing" is an example of a double negative, which although technically incorrect in standard English, is often used in informal speech for emphasis. In this context, it means 'no one can tell you anything'.

  • AND IF YOU FIND YOURSELF IN A DARK SITUATION JUST TURN ON YOUR LIGHT AND BE LIKE

    ➔ Conditional sentences (zero or first conditional implication) combined with imperative (Turn on your light and be like)

    ➔ This sentence combines a conditional clause ('If you find yourself in a dark situation') with an imperative clause ('Turn on your light and be like'). It suggests a cause-and-effect relationship: if a certain situation arises, then take a specific action. The 'be like' is an informal way to say 'act like'.

  • MY TONGUE IS SACRED, I SPEAK UPON WHAT I LIKE

    ➔ Relative clause using "what" as a fused relative pronoun (functions as both the pronoun and the noun it modifies).

    ➔ The phrase "what I like" functions as a noun clause, the object of the preposition "upon." Here, "what" merges the function of a relative pronoun and a noun, meaning 'the things that'.