Lyrics & Translation
Learning a language through music is a powerful and enjoyable experience, and Ryan Castro's 'Ojalá' is a perfect song for those learning Spanish. The lyrics are emotionally expressive and use common, everyday language to talk about universal feelings of love and loss. By listening to this song, you can learn vocabulary related to relationships and emotions, and the clear, melodic delivery makes it easier to follow along and pick up new phrases. What makes 'Ojalá' special is its blend of a modern reggaetón beat with a timeless, melancholic theme, allowing you to connect with the heart of the Spanish language through a song that is both contemporary and deeply emotional.
Key Vocabulary
Vocabulary | Meanings |
---|---|
duele /ˈdwele/ B1 |
|
foto /ˈfoto/ A1 |
|
video /ˈbiðeo/ A1 |
|
carpeta /kaɾˈpeta/ B1 |
|
momento /moˈmento/ A2 |
|
pasado /paˈsaðo/ A2 |
|
trago /ˈtɾaɣo/ B1 |
|
amargo /aˈmaɾɣo/ B1 |
|
adiós /aˈðjos/ A1 |
|
siempre /ˈsjempre/ A1 |
|
luchaba /luˈt͡ʃaβa/ B1 |
|
noche /ˈnot͡ʃe/ A1 |
|
fría /ˈfɾia/ A2 |
|
amor /aˈmoɾ/ A1 |
|
corazón /koɾaˈθon/ A1 |
|
paz /pas/ A2 |
|
capaz /kaˈpas/ B1 |
|
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Key Grammar Structures
-
Me duele borrar las foto' y los vídeo'
➔ Indirect object pronoun + verb *doler* + infinitive.
➔ The verb *doler* (to hurt) is used like *gustar*. The thing that hurts is the subject, and the person experiencing the pain is the indirect object. Here, "Me" is the indirect object pronoun (to me), and "borrar las foto' y los vídeo'" is what causes the pain.
-
Que tenemo guardaíto en la carpeta de los do'
➔ Use of colloquial language / elision (*tenemo* instead of *tenemos*) and use of *guardaíto* as a diminutive form of *guardado*
➔ *Tenemo* is a common colloquial shortening of *tenemos*. *Guardaíto* adds a sense of tenderness or endearment to the fact that these photos/videos are hidden away.
-
Solo queda conformarme con momentos del pasado
➔ Reflexive verb (*conformarse*) expressing resignation or acceptance of a situation.
➔ *Conformarse* means to resign oneself to, to be content with. The use of the reflexive pronoun emphasizes that the speaker is forced to accept their current situation.
-
Y ese trago amargo que ha sido tu adiós
➔ Use of the present perfect (*ha sido*) to describe a past event that has relevance in the present.
➔ The goodbye happened in the past, but the speaker is still feeling the bitterness of it now. Hence the use of *ha sido*.
-
Ojalá, ojalá Que sea un "hasta luego"
➔ Use of *ojalá* + subjunctive mood.
➔ *Ojalá* expresses a wish or hope, and is always followed by the subjunctive mood. Here, *sea* is the subjunctive form of *ser*.
-
Yo siempre luchaba y tú no lo viste
➔ Use of the imperfect tense (*luchaba*) to describe an ongoing or habitual action in the past and the use of direct object pronoun *lo*.
➔ *Luchaba* indicates that the speaker was constantly fighting for the relationship. *Lo viste* refers to the action of fighting, which she did not see.
-
Me duele pensar que otro ya te desviste
➔ Use of *que* + subjunctive after *doler* to express regret or sadness about a possibility.
➔ The speaker is not certain that someone else is undressing her, but the thought is painful. Therefore, *desviste* is in the subjunctive mood.
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