A.M.D.K.J.
가사:
이 노래의 어휘:
어휘 | 의미 |
---|---|
規制線 /きせいせん/ B2 |
|
不気味 /ぶきみ/ B2 |
|
幻想 /げんそう/ B2 |
|
現実 /げんじつ/ B1 |
|
運命 /うんめい/ B2 |
|
真実 /しんじつ/ B2 |
|
冷たい /つめたい/ A2 |
|
想い /おもい/ B1 |
|
自由自在 /じゆうじざい/ C1 |
|
病みつき /やみつき/ B2 |
|
冷やす /ひやす/ B1 |
|
明日 /あした/ A1 |
|
문법:
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敏感になり過ぎた不気味な街は
➔ The pattern of 'verb masu' + '過ぎる' (sugiru) indicates excessive or over- Do something.
➔ It means 'became too' or 'overly', used here to express being excessively sensitive.
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運命のあみだくじ 伸るか反るかの話
➔ Using 'の' to connect noun phrases and 'か' for choices or alternatives.
➔ This phrase illustrates a choice or gamble in fate, with '伸るか反るか' meaning 'to stretch or to bend', a metaphor for risk-taking.
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真実は無色透明で
➔ Using 'は' as a topic marker and 'で' to indicate the state or condition.
➔ The phrase describes that 'truth' is 'colorless and transparent', using 'で' to describe the state of being transparent.
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少しだけ冷たい
➔ 'だけ' indicates 'only' or 'just' to limit the degree.
➔ It expresses that something is 'a little cold', with 'だけ' emphasizing the small degree.
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美化してないで 現実を知って
➔ Using 'て' form + 'ないで' to indicate 'without doing' or as a command to stop doing something.
➔ It means 'without beautifying' or 'stop prettifying', encouraging accepting reality.
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手のなる方へ寄っといで
➔ Imperative form '寄っといで' (yottoidede) used to invite or demand someone to come closer or follow.
➔ It is an imperative phrase meaning 'come closer' or 'gather here'.
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予測不可能な明日が怖いのは 君だけじゃない
➔ Using 'な' after '予測不可能' (impossible to predict) to modify '明日' (tomorrow), and 'だけじゃない' to mean 'not only'.
➔ It indicates 'tomorrow that is unpredictable' is 'not only' scary to you but also others.