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Count me out like sovereigns, payback for the good times 00:20
Right foot in the roses, left foot on a landmine 00:25
I'm not gonna be there tripping on the grapevine 00:30
They can sing the words while I cry into the bassline 00:35
Wear me out like Prada, devil in my detail 00:40
I swear it's getting harder even just to exhale 00:45
Backed up into corners, bitter in the lens 00:50
I'm sick of trying to hide it every time thеy take mine 00:56
So stick to me 01:02
Stick to mе like caramel 01:05
Walk beside me till you feel nothin' as well 01:12
They ask me, "Is it goin' good in the garden?" 01:22
Say, "I'm lost, but I beg no pardon" 01:25
Up on the dice but low on the cards 01:27
I try not to talk about how it's harder now 01:30
Can I get a mirror side-stage? 01:34
Looking sideways at my own visage, gettin' worse 01:35
Every time they try to shout my real name just to get a rise from me 01:38
Acting like I'm never stressed out by the hearsay 01:41
I guess that's what I get for trying to hide in the limelight 01:45
Guess that's what I get for having 20/20 hindsight 01:48
Everybody wants eyes on 'em, I just wanna hear you sing that top line 01:50
And if you don't think I mean it, then I understand 01:55
But I'm still glad you came, so let me see those hands 01:59
So stick to me 02:03
Stick to me like caramel 02:06
Walk beside me till you feel nothin' as well 02:14
I'm fallin' free of the final parallel 02:24
The sweetest dreams are bitter 02:34
But there's no one left to tell 02:38
Too young to get bitter over it all 02:46
Too old to retaliate like before 02:51
Too blessed to be caught ungrateful, I know 02:56
So I'll keep dancin' along to the rhythm 03:01
This stage is a prison, a beautiful nightmare (Too young to get bitter over it all) 03:06
A war of attrition, I'll take what I'm given (Too old to retaliate like before) 03:11
The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know) 03:16
But maybe I didn't 03:21
(In these days of days) Tell me, did I give you what you came for? 03:45
(I wish it all away) Terrified to answer my own front door 03:56
(I thought things had changed) Missin' my wings in a realm of angels 04:07
(But everything's the same) 04:17
So I'll keep dancin' along to the rhythm 04:24
This stage is a prison, a beautiful nightmare 04:27
A war of attrition, I'll take what I'm given 04:33
The deepest incisions, I thought I got better 04:38
But maybe I didn't 04:43
04:47

Caramel

Por
Sleep Token
Álbum
Even In Arcadia
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Letra:

[English]

Count me out like sovereigns, payback for the good times

Right foot in the roses, left foot on a landmine

I'm not gonna be there tripping on the grapevine

They can sing the words while I cry into the bassline

Wear me out like Prada, devil in my detail

I swear it's getting harder even just to exhale

Backed up into corners, bitter in the lens

I'm sick of trying to hide it every time thеy take mine

So stick to me

Stick to mе like caramel

Walk beside me till you feel nothin' as well

They ask me, "Is it goin' good in the garden?"

Say, "I'm lost, but I beg no pardon"

Up on the dice but low on the cards

I try not to talk about how it's harder now

Can I get a mirror side-stage?

Looking sideways at my own visage, gettin' worse

Every time they try to shout my real name just to get a rise from me

Acting like I'm never stressed out by the hearsay

I guess that's what I get for trying to hide in the limelight

Guess that's what I get for having 20/20 hindsight

Everybody wants eyes on 'em, I just wanna hear you sing that top line

And if you don't think I mean it, then I understand

But I'm still glad you came, so let me see those hands

So stick to me

Stick to me like caramel

Walk beside me till you feel nothin' as well

I'm fallin' free of the final parallel

The sweetest dreams are bitter

But there's no one left to tell

Too young to get bitter over it all

Too old to retaliate like before

Too blessed to be caught ungrateful, I know

So I'll keep dancin' along to the rhythm

This stage is a prison, a beautiful nightmare (Too young to get bitter over it all)

A war of attrition, I'll take what I'm given (Too old to retaliate like before)

The deepest incisions, I thought I got better (Too blessed to be caught ungrateful, I know)

But maybe I didn't

(In these days of days) Tell me, did I give you what you came for?

(I wish it all away) Terrified to answer my own front door

(I thought things had changed) Missin' my wings in a realm of angels

(But everything's the same)

So I'll keep dancin' along to the rhythm

This stage is a prison, a beautiful nightmare

A war of attrition, I'll take what I'm given

The deepest incisions, I thought I got better

But maybe I didn't

...

Vocabulário nesta música:

Começar a praticar
Vocabulário Significados

sovereigns

/ˈsɒvrɪnz/

C2
  • noun
  • - soberanos, monarcas

roses

/ˈroʊzɪz/

A2
  • noun
  • - rosas

landmine

/ˈlændmaɪn/

B2
  • noun
  • - mina terrestre

cry

/kraɪ/

A2
  • verb
  • - chorar
  • noun
  • - choro

devil

/ˈdevl/

B1
  • noun
  • - diabo

bitter

/ˈbɪtər/

B2
  • adjective
  • - amargo
  • adjective
  • - amargo

caramel

/ˈkærəməl/

B1
  • noun
  • - caramelo
  • adjective
  • - cor de caramelo

garden

/ˈɡɑːrdn/

A2
  • noun
  • - jardim

dice

/daɪs/

A2
  • noun
  • - dados

mirror

/ˈmɪrər/

A2
  • noun
  • - espelho

visage

/ˈvɪzɪdʒ/

C1
  • noun
  • - rosto

stressed

/strest/

B1
  • adjective
  • - estressado

limelight

/ˈlaɪmlaɪt/

B2
  • noun
  • - o centro das atenções

hindsight

/ˈhaɪn(d)saɪt/

C1
  • noun
  • - retrospectiva

dreams

/driːmz/

A2
  • noun
  • - sonhos

prison

/ˈprɪzn/

B1
  • noun
  • - prisão

nightmare

/ˈnaɪtmeər/

B1
  • noun
  • - pesadelo

angels

/ˈeɪndʒlz/

A2
  • noun
  • - anjos

Gramática:

  • Count me out like sovereigns, payback for the good times

    ➔ Modo imperativo ("Count me out") e símile ("like sovereigns")

    ➔ A frase usa o modo imperativo "Count me out" para se excluir. A frase "like sovereigns" emprega uma símile, comparando o ato de ser excluído à rejeição de governantes, sugerindo uma rejeição ou exclusão significativa.

  • I'm not gonna be there tripping on the grapevine

    ➔ Futuro informal ("gonna") e idioma ("tripping on the grapevine")

    ➔ "gonna" é uma abreviação coloquial de "going to", usada para o futuro. "Tripping on the grapevine" é um idioma que significa ser pego em boatos ou fofocas.

  • I'm sick of trying to hide it every time they take mine

    ➔ Presente contínuo com "sick of" e objeto implícito depois de "take"

    ➔ "I'm sick of trying" usa o presente contínuo para enfatizar a frustração contínua. "They take mine" implica que "eles" estão pegando algo que pertence ao falante, mas o objeto específico não é indicado. A estrutura 'sick of + gerund' é comum.

  • Walk beside me till you feel nothin' as well

    ➔ Modo imperativo ("Walk beside me"), conjunção subordinada ("till") e advérbio negativo ("nothin'")

    ➔ "Walk beside me" é uma ordem ou solicitação. "Till" introduz uma cláusula de tempo. "Nothin'" é uma forma coloquial de "nothing", atuando como um advérbio.

  • I'm lost, but I beg no pardon

    ➔ Presente Simples e Imperativo Negativo (indireto)

    ➔ "I'm lost" declara uma condição atual. "I beg no pardon" é uma forma indireta de dizer 'Eu não peço perdão', um imperativo negativo.

  • Can I get a mirror side-stage?

    ➔ Verbo modal ("Can") para um pedido educado

    ➔ "Can" é usado para fazer um pedido educado. É uma maneira comum de pedir algo.

  • Acting like I'm never stressed out by the hearsay

    ➔ Particípio presente ("Acting") introduzindo uma cláusula, e o modo subjuntivo ("I'm never stressed out") depois de "like" para mostrar incredulidade

    ➔ "Acting like" introduz a forma como alguém está fingindo ser. "I'm never stressed out" sugere que o falante não acredita que a pessoa nunca esteja estressada, o que implica que eles estão se apresentando falsamente. O subjuntivo é usado para expressar algo contrário aos fatos.

  • Guess that's what I get for trying to hide in the limelight

    ➔ Voz passiva com a expressão idiomática "that's what I get for..."

    ➔ "That's what I get for..." é uma expressão idiomática comum que expressa uma consequência das ações de alguém. Muitas vezes implica arrependimento. A estrutura mostra o resultado de uma ação ou decisão anterior.

Traduções Disponíveis:

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