Display Bilingual:

♪ Who's that girl ♪ 00:01
♪ I love dreams ♪ 00:06
♪ Tell me ♪ 00:08
♪ Sweet dreams are made of this ♪ 00:09
♪ Who am I to disagree ♪ 00:12
♪ I travel the world and the seven seas ♪ 00:16
♪ Everybody's looking for something ♪ 00:20
♪ Some of them want to use you ♪ 00:23
♪ Some of them want to get used by you ♪ 00:27
♪ Some of them want to abuse you ♪ 00:31
♪ Some of them want to be abused ♪ 00:34
♪ But there's just one thing ♪ 00:38
♪ Ooh, yeah ♪ 00:40
♪ And I really wanna know ♪ 00:42
♪ Who's that girl ♪ 00:46
♪ Runnin' around with you ♪ 00:49
♪ Tell me, who's that girl ♪ 00:52
♪ Runnin' around with you ♪ 00:57
♪ Tell me ♪ 01:00
♪ I need a man ♪ 01:01
♪ Tell me ♪ 01:03
♪ I need a man ♪ 01:05
♪ Tell me ♪ 01:07
♪ I need a man ♪ 01:09
♪ Listen to Beethoven ♪ 01:11
♪ I need a man ♪ 01:12
♪ Listen to Beethoven ♪ 01:14
Take a girl like that 01:17
♪ Take a girl ♪ 01:19
And put her in a natural setting 01:20
Put her in a setting 01:22
♪ It's natural ♪ 01:23
Like a cafe, for example 01:25
♪ In a cafe ♪ 01:27
Along comes the boy 01:29
Looking for trouble 01:30
♪ Sex, sex, sex, sex, sex crime ♪ 01:32
With a girl 01:34
And a boy 01:35
Looking for trouble 01:36
Huh 01:38
♪ Doo doo doo, boop, boop ♪ 01:39
♪ Doo, doo doo, boop, boop ♪ 01:40
♪ Doo, doo doo, boop, boop ♪ 01:42
♪ 1984 ♪ 01:44
♪ Doo, doo doo, boop, boop ♪ 01:46
♪ Doo, doo doo, boop, boop ♪ 01:48
♪ Doo, doo doo, boop, boop ♪ 01:49
♪ 1984 ♪ 01:51
♪ I'll pull the bricks down ♪ 01:53
♪ One by one ♪ 01:55
♪ Julia ♪ 02:02
♪ When winter leaves her branches bare ♪ 02:03
♪ And icy breezes chill the air ♪ 02:08
♪ Oh, Julia ♪ 02:13
♪ The freezing snow lies everywhere ♪ 02:14
♪ My darling ♪ 02:19
♪ Will we still be there ♪ 02:21
♪ Yeah ♪ 02:24
♪ Thorn in my side ♪ 02:27
♪ You know that's all you ever were ♪ 02:29
♪ I shoulda known better ♪ 02:35
♪ But I got what I deserved ♪ 02:37
♪ To run away from you ♪ 02:44
♪ To run, run, run, run ♪ 02:46
♪ Is all that I could do ♪ 02:48
♪ Love is a stranger in an open car ♪ 02:50
♪ To tempt you in ♪ 02:54
♪ And drive you far away ♪ 02:55
♪ And love, love, love is a dangerous drug ♪ 03:05
♪ You have to receive it ♪ 03:09
♪ And you still can't get enough of the stuff ♪ 03:11
♪ It's guilt-edged, glamorous and sleek by design ♪ 03:21
♪ You know, it's jealous by nature ♪ 03:25
♪ False and unkind ♪ 03:27
♪ It's hard and restrained ♪ 03:29
♪ And it's totally cool ♪ 03:31
♪ It wrenches you up ♪ 03:33
♪ And you're left like a zombie ♪ 03:34
♪ It's all right ♪ 03:45
♪ Baby's comin' back ♪ 03:48
♪ And I don't really care where he's been, no ♪ 03:51
♪ It's all right ♪ 03:56
♪ Baby's comin' back ♪ 03:58
♪ And I won't turn him around this time ♪ 04:01
♪ There's a new way out if you're ready to hear ♪ 04:05
♪ We're gonna make it clear ♪ 04:10
♪ What you need is revival ♪ 04:13
♪ Yeah ♪ 04:15
♪ Revival ♪ 04:18
♪ R-E-V-I-V-A-L ♪ 04:22
♪ It's gonna lift you right up ♪ 04:25
♪ From your prison cell ♪ 04:27
♪ Play it out loud ♪ 04:29
♪ Like a ringing bell ♪ 04:31
♪ You go ♪ 04:33
♪ R-E-V-I-V-A-L ♪ 04:34
♪ Hey, hey ♪ 04:38
♪ I saved the world today ♪ 04:41
♪ And everybody's happy now ♪ 04:46
♪ The bad thing's gone away ♪ 04:49
♪ And everybody's happy now ♪ 04:54
♪ The good thing's here to stay ♪ 04:57
♪ Please let it stay ♪ 05:03
♪ Here comes the rain again ♪ 05:06
♪ Raining in my head like a tragedy ♪ 05:10
♪ Tearing me apart like a new emotion ♪ 05:13
♪ So, baby, talk to me ♪ 05:20
♪ Like lovers do ♪ 05:24
♪ Would I lie to you ♪ 05:36
♪ Would I lie to you, honey ♪ 05:39
♪ Honey, would I lie to you ♪ 05:42
♪ Now, would I say somethin' that wasn't true ♪ 05:44
♪ I'm askin' you, sugar ♪ 05:47
♪ Would I lie to you ♪ 05:49
♪ Da da doo da da da-da da ♪ 05:51
♪ Da da ♪ 05:53
♪ Da da, yeah ♪ 05:55
♪ No-one on Earth could feel like this ♪ 05:58
♪ I'm thrown and overblown with bliss ♪ 06:02
♪ It's an orchestra of angels ♪ 06:07
♪ And they're playing with my heart, yeah ♪ 06:11
♪ Angel ♪ 06:17
♪ My angel ♪ 06:19
♪ Fly over me ♪ 06:21
♪ Angel ♪ 06:24
♪ Angel ♪ 06:26
♪ My angel ♪ 06:27
♪ Fly over me ♪ 06:30
♪ Angel ♪ 06:32
♪ Now, there was a time ♪ 06:43
♪ When we used to say ♪ 06:46
♪ That behind every great man ♪ 06:50
♪ There had to be a great woman ♪ 06:53
♪ Sisters are doin' it for themselves ♪ 06:58
♪ My mother told me good ♪ 07:05
♪ My mother told me strong ♪ 07:06
♪ She said, be true to yourself ♪ 07:08
♪ And you can't go wrong ♪ 07:10
♪ But there's just one thing that you must understand ♪ 07:12
♪ You can fool with your brother ♪ 07:16
♪ But don't mess with a missionary man ♪ 07:18
♪ Don't mess with a missionary man ♪ 07:22
♪ Don't mess with a missionary man ♪ 07:26
♪ Don't mess with a missionary man ♪ 07:30
♪ There was a woman in the jungle and a monkey on a tree ♪ 07:34
♪ The missionary man, he was following me ♪ 07:38
♪ He said, stop what you're doing ♪ 07:41
♪ Get down upon your knees ♪ 07:43
♪ I've a message for you ♪ 07:45
♪ That you better believe ♪ 07:47
♪ When tomorrow comes ♪ 07:50
♪ Wait till tomorrow comes, yeah, yeah ♪ 07:52
♪ When tomorrow comes ♪ 07:56
♪ Wait till tomorrow comes, yeah, yeah ♪ 07:58
♪ When tomorrow comes ♪ 08:03
♪ Wait till ♪ 08:05
♪ Stars are burnin' bright ♪ 08:08
♪ C'mon now, darlin' ♪ 08:11
♪ Our luck is good tonight ♪ 08:14
♪ Let's hear it for the ♪ 08:18
♪ King and queen ♪ 08:20
♪ Of America ♪ 08:22
♪ Hear it for the ♪ 08:26
♪ King and queen ♪ 08:27
♪ Of America ♪ 08:29
♪ And it feels ♪ 08:33
♪ Like ♪ 08:36
♪ I'm 17 again ♪ 08:37
♪ Yeah, it feels ♪ 08:42
♪ Like ♪ 08:45
♪ I'm 17 again ♪ 08:46
♪ Lookin' from the outside in ♪ 08:51
♪ Some things never change ♪ 08:55
♪ You have placed a chill ♪ 09:00
♪ In my heart ♪ 09:03
♪ Ah-ah ♪ 09:06
♪ You have placed a chill ♪ 09:08
♪ In my heart ♪ 09:12
♪ You say why ♪ 09:16
♪ You say why ♪ 09:20
♪ You say why ♪ 09:24
♪ Don't ask me why ♪ 09:27
♪ I don't love you any more ♪ 09:32
♪ I don't think I ever did ♪ 09:37
♪ And if you ever had any kind of love for me ♪ 09:40
♪ You kept it all so well hid ♪ 09:45
♪ I've got a life ♪ 09:49
♪ Though it refuses to shine ♪ 09:52
♪ I've got a life ♪ 09:56
♪ It ain't over ♪ 09:58
♪ It ain't over ♪ 10:00
♪ Got a life ♪ 10:02
♪ I've got a way ♪ 10:03
♪ It's the only thing that's mine ♪ 10:06
♪ Got a way ♪ 10:09
♪ All I'm askin' for ♪ 10:11
♪ Is tenderness ♪ 10:14
♪ A little tenderness ♪ 10:16
♪ Ooh ♪ 10:29
♪ Hey ♪ 10:30
♪ Ah-ah, oh ♪ 10:37
♪ Sweet dreams are made of this ♪ 10:39
♪ Who am I to disagree ♪ 10:43
♪ I travel the world and the seven seas ♪ 10:46
♪ Everybody's looking for something ♪ 10:50
♪ Sweet dreams are made of this ♪ 10:55
♪ Who am I to disagree ♪ 10:58
♪ I travel the world and the seven seas... ♪ 11:02

Eurythmix – English Lyrics

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By
Eurythmics, Annie Lennox, Dave Stewart
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Lyrics & Translation

[English]
♪ Who's that girl ♪
♪ I love dreams ♪
♪ Tell me ♪
♪ Sweet dreams are made of this ♪
♪ Who am I to disagree ♪
♪ I travel the world and the seven seas ♪
♪ Everybody's looking for something ♪
♪ Some of them want to use you ♪
♪ Some of them want to get used by you ♪
♪ Some of them want to abuse you ♪
♪ Some of them want to be abused ♪
♪ But there's just one thing ♪
♪ Ooh, yeah ♪
♪ And I really wanna know ♪
♪ Who's that girl ♪
♪ Runnin' around with you ♪
♪ Tell me, who's that girl ♪
♪ Runnin' around with you ♪
♪ Tell me ♪
♪ I need a man ♪
♪ Tell me ♪
♪ I need a man ♪
♪ Tell me ♪
♪ I need a man ♪
♪ Listen to Beethoven ♪
♪ I need a man ♪
♪ Listen to Beethoven ♪
Take a girl like that
♪ Take a girl ♪
And put her in a natural setting
Put her in a setting
♪ It's natural ♪
Like a cafe, for example
♪ In a cafe ♪
Along comes the boy
Looking for trouble
♪ Sex, sex, sex, sex, sex crime ♪
With a girl
And a boy
Looking for trouble
Huh
♪ Doo doo doo, boop, boop ♪
♪ Doo, doo doo, boop, boop ♪
♪ Doo, doo doo, boop, boop ♪
♪ 1984 ♪
♪ Doo, doo doo, boop, boop ♪
♪ Doo, doo doo, boop, boop ♪
♪ Doo, doo doo, boop, boop ♪
♪ 1984 ♪
♪ I'll pull the bricks down ♪
♪ One by one ♪
♪ Julia ♪
♪ When winter leaves her branches bare ♪
♪ And icy breezes chill the air ♪
♪ Oh, Julia ♪
♪ The freezing snow lies everywhere ♪
♪ My darling ♪
♪ Will we still be there ♪
♪ Yeah ♪
♪ Thorn in my side ♪
♪ You know that's all you ever were ♪
♪ I shoulda known better ♪
♪ But I got what I deserved ♪
♪ To run away from you ♪
♪ To run, run, run, run ♪
♪ Is all that I could do ♪
♪ Love is a stranger in an open car ♪
♪ To tempt you in ♪
♪ And drive you far away ♪
♪ And love, love, love is a dangerous drug ♪
♪ You have to receive it ♪
♪ And you still can't get enough of the stuff ♪
♪ It's guilt-edged, glamorous and sleek by design ♪
♪ You know, it's jealous by nature ♪
♪ False and unkind ♪
♪ It's hard and restrained ♪
♪ And it's totally cool ♪
♪ It wrenches you up ♪
♪ And you're left like a zombie ♪
♪ It's all right ♪
♪ Baby's comin' back ♪
♪ And I don't really care where he's been, no ♪
♪ It's all right ♪
♪ Baby's comin' back ♪
♪ And I won't turn him around this time ♪
♪ There's a new way out if you're ready to hear ♪
♪ We're gonna make it clear ♪
♪ What you need is revival ♪
♪ Yeah ♪
♪ Revival ♪
♪ R-E-V-I-V-A-L ♪
♪ It's gonna lift you right up ♪
♪ From your prison cell ♪
♪ Play it out loud ♪
♪ Like a ringing bell ♪
♪ You go ♪
♪ R-E-V-I-V-A-L ♪
♪ Hey, hey ♪
♪ I saved the world today ♪
♪ And everybody's happy now ♪
♪ The bad thing's gone away ♪
♪ And everybody's happy now ♪
♪ The good thing's here to stay ♪
♪ Please let it stay ♪
♪ Here comes the rain again ♪
♪ Raining in my head like a tragedy ♪
♪ Tearing me apart like a new emotion ♪
♪ So, baby, talk to me ♪
♪ Like lovers do ♪
♪ Would I lie to you ♪
♪ Would I lie to you, honey ♪
♪ Honey, would I lie to you ♪
♪ Now, would I say somethin' that wasn't true ♪
♪ I'm askin' you, sugar ♪
♪ Would I lie to you ♪
♪ Da da doo da da da-da da ♪
♪ Da da ♪
♪ Da da, yeah ♪
♪ No-one on Earth could feel like this ♪
♪ I'm thrown and overblown with bliss ♪
♪ It's an orchestra of angels ♪
♪ And they're playing with my heart, yeah ♪
♪ Angel ♪
♪ My angel ♪
♪ Fly over me ♪
♪ Angel ♪
♪ Angel ♪
♪ My angel ♪
♪ Fly over me ♪
♪ Angel ♪
♪ Now, there was a time ♪
♪ When we used to say ♪
♪ That behind every great man ♪
♪ There had to be a great woman ♪
♪ Sisters are doin' it for themselves ♪
♪ My mother told me good ♪
♪ My mother told me strong ♪
♪ She said, be true to yourself ♪
♪ And you can't go wrong ♪
♪ But there's just one thing that you must understand ♪
♪ You can fool with your brother ♪
♪ But don't mess with a missionary man ♪
♪ Don't mess with a missionary man ♪
♪ Don't mess with a missionary man ♪
♪ Don't mess with a missionary man ♪
♪ There was a woman in the jungle and a monkey on a tree ♪
♪ The missionary man, he was following me ♪
♪ He said, stop what you're doing ♪
♪ Get down upon your knees ♪
♪ I've a message for you ♪
♪ That you better believe ♪
♪ When tomorrow comes ♪
♪ Wait till tomorrow comes, yeah, yeah ♪
♪ When tomorrow comes ♪
♪ Wait till tomorrow comes, yeah, yeah ♪
♪ When tomorrow comes ♪
♪ Wait till ♪
♪ Stars are burnin' bright ♪
♪ C'mon now, darlin' ♪
♪ Our luck is good tonight ♪
♪ Let's hear it for the ♪
♪ King and queen ♪
♪ Of America ♪
♪ Hear it for the ♪
♪ King and queen ♪
♪ Of America ♪
♪ And it feels ♪
♪ Like ♪
♪ I'm 17 again ♪
♪ Yeah, it feels ♪
♪ Like ♪
♪ I'm 17 again ♪
♪ Lookin' from the outside in ♪
♪ Some things never change ♪
♪ You have placed a chill ♪
♪ In my heart ♪
♪ Ah-ah ♪
♪ You have placed a chill ♪
♪ In my heart ♪
♪ You say why ♪
♪ You say why ♪
♪ You say why ♪
♪ Don't ask me why ♪
♪ I don't love you any more ♪
♪ I don't think I ever did ♪
♪ And if you ever had any kind of love for me ♪
♪ You kept it all so well hid ♪
♪ I've got a life ♪
♪ Though it refuses to shine ♪
♪ I've got a life ♪
♪ It ain't over ♪
♪ It ain't over ♪
♪ Got a life ♪
♪ I've got a way ♪
♪ It's the only thing that's mine ♪
♪ Got a way ♪
♪ All I'm askin' for ♪
♪ Is tenderness ♪
♪ A little tenderness ♪
♪ Ooh ♪
♪ Hey ♪
♪ Ah-ah, oh ♪
♪ Sweet dreams are made of this ♪
♪ Who am I to disagree ♪
♪ I travel the world and the seven seas ♪
♪ Everybody's looking for something ♪
♪ Sweet dreams are made of this ♪
♪ Who am I to disagree ♪
♪ I travel the world and the seven seas... ♪

Key Vocabulary

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Vocabulary Meanings

dreams

/driːmz/

A2
  • noun
  • - a series of thoughts, images, and sensations occurring in a person's mind during sleep

travel

/ˈtrævəl/

A2
  • verb
  • - to go from one place to another

world

/wɜːld/

A1
  • noun
  • - the earth and all life on it

seas

/siːz/

A2
  • noun
  • - large bodies of saltwater

use

/juːz/

A2
  • verb
  • - to employ for a purpose

abuse

/əˈbjuːs/

B2
  • verb
  • - to treat with cruelty or violence

run

/rʌn/

A1
  • verb
  • - to move quickly on foot

need

/niːd/

A2
  • verb
  • - to require something

listen

/ˈlɪsn/

A2
  • verb
  • - to pay attention to sound

natural

/ˈnætʃərəl/

B1
  • adjective
  • - existing in or caused by nature

trouble

/ˈtrʌbl/

A2
  • noun
  • - difficulty or problems

crime

/kraɪm/

B2
  • noun
  • - an act committed in violation of the law

rain

/reɪn/

A1
  • noun
  • - water falling in drops from vapor in the atmosphere

heart

/hɑːt/

A1
  • noun
  • - the organ that pumps blood

lie

/laɪ/

B1
  • verb
  • - to say something that is not true

angel

/ˈeɪndʒəl/

B1
  • noun
  • - a supernatural being

strong

/strɒŋ/

A2
  • adjective
  • - having the power to move heavy weights or perform other physically demanding tasks

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Key Grammar Structures

  • Some of them want to use you / Some of them want to get used by you

    ➔ Active vs. Passive Voice (with "get-passive")

    ➔ This contrasts the active voice ("want to use you") where the subject performs the action, with the "get-passive" voice ("want to get used by you") where the subject receives the action, often implying a less formal context or a focus on the process/result.

  • I shoulda known better

    ➔ Modal verb of regret ("should have" + past participle)

    "Should have known better" (contracted to "shoulda known better") expresses regret about a past action or lack of action, indicating that something different or wiser ought to have been done.

  • To tempt you in / And drive you far away

    ➔ Infinitive of purpose

    ➔ The infinitives "to tempt" and "to drive" explain the purpose or function of the preceding noun/description – what it does or is intended to do.

  • And you're left like a zombie

    ➔ Passive voice with "be left" (resultative passive)

    ➔ This uses the passive voice to describe the state or condition the subject ("you") is in after an action, focusing on the result rather than the agent.

  • And I don't really care where he's been, no

    ➔ Indirect question (embedded question) + Present Perfect

    "Where he's been" is an indirect question embedded within the main clause "I don't really care." It uses question word order within a statement, and "he's been" (he has been) is present perfect, indicating an action that started in the past and continues or has relevance to the present.

  • Would I lie to you

    ➔ Rhetorical question with conditional modal "would"

    ➔ This is a rhetorical question using "would" to imply a strong negative answer (e.g., "Of course I wouldn't lie to you"). It often suggests a hypothetical situation to emphasize a point.

  • There had to be a great woman

    ➔ Past obligation/necessity ("had to be")

    "Had to be" expresses a past obligation or necessity, indicating that something was unavoidable or required.

  • That you better believe

    ➔ "Had better" (strong advice/warning) + Relative clause

    "You better believe" (short for "you had better believe") is a strong recommendation or warning, suggesting that it's important to do or accept something. "That you better believe" functions as a relative clause modifying "message."

  • You kept it all so well hid

    ➔ Colloquial/Archaic past participle ("hid" instead of "hidden")

    ➔ While "hidden" is the standard past participle of "hide," "hid" is sometimes used colloquially or in older English as a past participle. This shows a non-standard but understandable usage.

  • All I'm askin' for / Is tenderness

    ➔ Reduced relative clause + Inversion (or cleft sentence structure)

    "All I'm askin' for" is a reduced form of "All that I am asking for." The structure "All + [relative clause] + is/are + [noun/noun phrase]" emphasizes the single thing desired or needed, often leading to a form of inversion where the predicate comes after the "all" clause.