Into You – English Lyrics

• By: Ariana Grande
• Album: Dangerous Woman

Lyrics & Translation

Dive into the world of modern English pop with 'Into You'. This track is perfect for learners who want to master conversational idioms related to attraction and desire, while experiencing Ariana Grande's impressive vocal range and the polished production of contemporary EDM-pop.

[English]

♪♪

♪ I'M SO INTO YOU, ♪

♪ I CAN BARELY BREATHE ♪

♪ AND ALL I WANNA DO ♪

♪ IS TO FALL IN DEEP ♪

♪ BUT CLOSE AIN'T CLOSE ENOUGH ♪

♪ 'TIL WE CROSS THE LINE ♪

♪ SO NAME A GAME TO PLAY, ♪

♪ AND I'LL ROLL THE DICE (HEY) ♪

♪ OH BABY, LOOK WHAT YOU STARTED ♪

♪ THE TEMPERATURE IS RISING ♪

♪ AND HERE IS THIS GONNA HAPPEN ♪

♪ BEEN WAITING AND WAITING FOR YOU TO MAKE A MOVE ♪

♪ BEFORE I MAKE A MOVE ♪

♪ SO BABY, COME LIGHT ME UP ♪

♪ AND MAYBE I'LL LET YOU ON IT ♪

♪ A LITTLE BIT DANGEROUS ♪

♪ BUT BABY, THAT'S HOW I WANT IT ♪

♪ A LITTLE LESS CONVERSATION, ♪

♪ AND A LITTLE MORE TOUCH MY BODY ♪

♪ CAUSE I'M SO INTO YOU, INTO YOU, INTO YOU ♪

♪ GOT EVERYONE WATCHIN' US ♪

♪ SO BABY, LET'S KEEP IT SECRET ♪

♪ A LITTLE BIT SCANDALOUS ♪

♪ BUT BABY, DON'T LET THEM SEE IT ♪

♪ A LITTLE LESS CONVERSATION ♪

♪ AND A LITTLE MORE TOUCH MY BODY ♪

♪ CAUSE I'M SO INTO YOU, INTO YOU, INTO YOU ♪

♪ THIS COULD TAKE SOME TIME, HEY ♪

♪ MADE TOO MANY MISTAKES ♪

♪ BETTER GET THIS RIGHT (RIGHT) ♪

♪ OH BABY, LOOK WHAT YOU STARTED ♪

♪ THE TEMPERATURE IS RISING ♪

♪ AND HERE IS THIS GONNA HAPPEN ♪

♪ BEEN WAITING AND WAITING ♪

♪ FOR YOU TO MAKE A MOVE ♪

♪ BEFORE I MAKE A MOVE ♪

♪ SO BABY, COME LIGHT ME UP ♪

♪ AND MAYBE I'LL LET YOU ON IT ♪

♪ A LITTLE BIT DANGEROUS ♪

♪ BUT BABY, THAT'S HOW I WANT IT ♪

♪ A LITTLE LESS CONVERSATION, ♪

♪ AND A LITTLE MORE TOUCH MY BODY ♪

♪ CAUSE I'M SO INTO YOU, INTO YOU, INTO YOU ♪

♪ GOT EVERYONE WATCHIN' US ♪

♪ SO BABY, LET'S KEEP IT SECRET ♪

♪ A LITTLE BIT SCANDALOUS ♪

♪ BUT BABY, DON'T LET THEM SEE IT ♪

♪ A LITTLE LESS CONVERSATION ♪

♪ AND A LITTLE MORE TOUCH MY BODY ♪

♪ CAUSE I'M SO INTO YOU, INTO YOU, INTO YOU ♪

♪ TELL ME WHAT YOU CAME HERE FOR ♪

♪ 'CAUSE I CAN'T, I CAN'T WAIT NO MORE ♪

♪ I'M ON THE EDGE OF NO CONTROL ♪

♪ AND I NEED, I NEED YOU TO KNOW, YOU TO KNOW ♪

♪ SO BABY, COME LIGHT ME UP ♪

♪ AND MAYBE I'LL LET YOU ON IT ♪

♪ A LITTLE BIT DANGEROUS ♪

♪ BUT BABY, THAT'S HOW I WANT IT ♪

♪ A LITTLE LESS CONVERSATION, ♪

♪ AND A LITTLE MORE TOUCH MY BODY ♪

♪ CAUSE I'M SO INTO YOU, INTO YOU, INTO YOU ♪

♪ GOT EVERYONE WATCHIN' US ♪

♪ SO BABY, LET'S KEEP IT SECRET ♪

♪ A LITTLE BIT SCANDALOUS ♪

♪ BUT BABY, DON'T LET THEM SEE IT ♪

♪ A LITTLE LESS CONVERSATION ♪

♪ AND A LITTLE MORE TOUCH MY BODY ♪

♪ CAUSE I'M SO INTO YOU, INTO YOU, INTO YOU ♪

♪ SO COME LIGHT ME UP, ♪

♪ SO COME LIGHT ME UP MY BABY ♪

♪ D-DANGEROUS, A LITTLE BIT DANGEROUS MY BOY ♪

♪ A LITTLE LESS CONVERSATION ♪

♪ AND A LITTLE MORE TOUCH MY BODY ♪

♪ 'CAUSE I'M SO INTO YOU, INTO YOU, INTO YOU ♪

Key Vocabulary

Vocabulary	Meanings
breathe /briːð/ A2	verb - to take air into the lungs and then expel it; to inhale and exhale
deep /diːp/ A2	adjective - extending far down from the top or surface adjective - very intense or extreme (e.g., 'fall in deep')
close /kloʊs/ A1	adjective - at a short distance or interval; near
cross /krɒs/ B1	verb - to go across or to the other side of (something)
roll /roʊl/ A2	verb - to move by turning over and over (e.g., 'roll the dice')
dice /daɪs/ B1	noun - small cubes with one to six spots on each side, used in games of chance
temperature /ˈtɛmpərətʃər/ B1	noun - the degree or intensity of heat present in a substance or object; a measure of how hot or cold something is
rise /raɪz/ A2	verb - to move from a lower position to a higher one; to go up
move /muːv/ A1	verb - to change position or go from one place to another noun - an act of moving; a change of position or action (e.g., 'make a move')
light /laɪt/ A1	verb - to cause something to start burning or shining; to illuminate (e.g., 'light me up')
dangerous /ˈdeɪndʒərəs/ A2	adjective - able or likely to cause harm or injury
want /wɒnt/ A1	verb - to have a desire to possess or do (something); to wish for
conversation /ˌkɒnvərˈseɪʃən/ A2	noun - a talk, especially an informal one, between two or more people
touch /tʌtʃ/ A1	verb - to come into contact with (something) noun - an act of touching or being touched
body /ˈbɒdi/ A1	noun - the physical structure of a person or animal, including the bones, flesh, and organs
secret /ˈsiːkrɪt/ A2	noun - something kept hidden or unknown from others adjective - kept hidden or known about by only a few
scandalous /ˈskændələs/ B2	adjective - causing general public outrage by a perceived offense against morality or law
edge /ɛdʒ/ B1	noun - the outside limit of an object, area, or surface; a place or part farthest away from the center noun - a point just before a new or unknown situation (e.g., 'on the edge of')
control /kənˈtroʊl/ B1	noun - the power to influence or direct people's behavior or the course of events verb - to determine the behavior or supervise the running of

Key Grammar Structures

• ♪ I'M SO INTO YOU, ♪

  ➔ Idiomatic Expression

  ➔ The phrase "to be into someone/something" is an idiomatic expression meaning to be very interested in or attracted to someone or something. Here, "I'm so into you" emphasizes the intensity of the attraction.

• ♪ AND ALL I WANNA DO ♪

  ➔ Emphatic Structure / Informal Contraction

  ➔ "All I wanna do is..." is an emphatic structure meaning "The only thing I want to do is...". "Wanna" is an informal contraction of "want to".

• ♪ BUT CLOSE AIN'T CLOSE ENOUGH ♪

  ➔ Informal Contraction / Adjective + Enough

  ➔ "Ain't" is an informal and non-standard contraction for "is not", "am not", "are not", "has not", or "have not". "Close enough" means sufficiently close.

• ♪ OH BABY, LOOK WHAT YOU STARTED ♪

  ➔ Noun Clause as Object

  ➔ The phrase "what you started" functions as a noun clause (or embedded question), acting as the direct object of the verb "look". It refers to the situation or consequence that the other person initiated.

• ♪ BEEN WAITING AND WAITING ♪ ♪ FOR YOU TO MAKE A MOVE ♪

  ➔ Present Perfect Continuous (implied) / For + Object + Infinitive

  ➔ "Been waiting and waiting" is an informal usage of the Present Perfect Continuous tense (short for "I have been waiting and waiting"), indicating an action that started in the past and continues up to the present. The structure "for you to make a move" expresses the purpose or the specific person for whom the action is being waited.

• ♪ AND MAYBE I'LL LET YOU ON IT ♪

  ➔ Verb Pattern `Let + Object + Bare Infinitive` / Idiomatic Expression

  ➔ The verb pattern "let + object + bare infinitive" (e.g., "let you [do]") expresses permission or allowance. "On it" is used idiomatically here, often meaning to be involved in something, to have access to something, or to be in control of a situation.

• ♪ A LITTLE LESS CONVERSATION, ♪ ♪ AND A LITTLE MORE TOUCH MY BODY ♪

  ➔ Comparative Structure

  ➔ The structure "a little less... and a little more..." is used to express a preference or desire for decreasing the quantity or intensity of one thing while increasing another. It acts as a strong suggestion or implied request.

• ♪ GOT EVERYONE WATCHIN' US ♪

  ➔ Causative/Perceptual Verb Construction / Informal Contraction

  ➔ "Got everyone watchin' us" is an informal construction (short for "We've got everyone watching us"). It uses "got" to indicate a situation where the subject causes or experiences another entity ("everyone") to perform an ongoing action ("watchin'"). "Watchin'" is an informal contraction of "watching."

• ♪ I'M ON THE EDGE OF NO CONTROL ♪

  ➔ Idiomatic Expression

  ➔ The phrase "on the edge of" is an idiomatic expression meaning to be very close to a particular state, condition, or action, often implying a state of extreme tension, excitement, or near loss of control. Here, "no control" refers to being on the verge of losing self-control.

• ♪ AND I NEED, I NEED YOU TO KNOW, YOU TO KNOW ♪

  ➔ Verb Pattern `Need + Object + Infinitive`

  ➔ The verb pattern "need + object + infinitive" (e.g., "need you to know") indicates that the subject requires another person or thing to perform a specific action or possess a certain quality/knowledge. It emphasizes the necessity of the object's action.