Lyrics & Translation
Immerse yourself in the storytelling of Mexican music with Los Cuates de Sinaloa's 'Las Tres Llamadas.' This song offers a vivid narrative, providing insights into lyrical expression and the cultural context of regional Mexican music.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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amarraron /amaˈraron/ B1 |
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vendaron /benˈdaɾon/ B1 |
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encañonaron /eŋkaɲoˈnaɾon/ B2 |
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familia /faˈmilja/ A1 |
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siglas /ˈsiɣlas/ B2 |
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chalecos /t͡ʃaˈlekos/ B1 |
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blindados /blinˈdados/ B2 |
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botas /ˈbotas/ A2 |
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militares /miliˈtaɾes/ B1 |
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jefe /ˈxefe/ A2 |
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gente /ˈxente/ A1 |
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armas /ˈarmas/ B1 |
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voz /bos/ A2 |
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golpearon /ɡolpeˈaɾon/ B1 |
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amistades /amisˈtaðes/ B1 |
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pariente /paˈɾjente/ A2 |
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Key Grammar Structures
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Me amarraron, me vendaron, me encañonaron
➔ Use of reflexive pronouns with verbs indicating an action done *to* the subject.
➔ The pronoun "me" indicates that the actions of tying, blinding, and pointing a gun are being done *to* the speaker. It's a shortened form of "A mí me amarraron", etc.
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Forzaron la chapa, patearon la puerta
➔ Preterite tense to describe completed actions in the past.
➔ "Forzaron" and "patearon" are in the preterite, indicating that the lock was forced and the door was kicked down at a specific point in the past.
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Fue gente corriente que me la mandaron
➔ Relative clause using "que" to introduce a clause that modifies the noun phrase "gente corriente". Indirect object pronouns: me, la
➔ "que me la mandaron" modifies "gente corriente," meaning "they were common people *who were sent to do it to me*." "Me" is an indirect object pronoun (to me) and "la" is also an indirect object pronoun referring to the harm being done. (i.e. me hicieron esto)
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Pero se dio cuenta el jefe
➔ Use of "se" as an accidental reflexive or impersonal construction. Word order inversion (verb before subject).
➔ "Se dio cuenta" can be interpreted as "the boss realized" where the realization happened spontaneously or unexpectedly. The typical word order is "El jefe se dio cuenta", but the inversion is common in Spanish, especially in narrative contexts.
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Bastó con la voz del Mayo, del Nacho, del Chapo Pa que me soltaran
➔ "Bastar con" + noun: To be enough with something. Use of "pa" instead of "para" (common in informal speech). Subjunctive mood after "para que" (although "pa" is used here), expressing purpose or result.
➔ "Bastó con la voz... pa que me soltaran" means "The voice... was enough *so that* they released me." The subjunctive "soltaran" is used because it expresses the *purpose* or *result* of the voices having spoken.
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¿Quieren más o les guiso un huevo, en torta o ranchero?
➔ Use of the present subjunctive "guiso". Question formation with alternatives.
➔ The subjunctive "guiso" is used here because it's part of offering an alternative. The speaker is asking if the listener wants more trouble, *or* if they want him to cook them an egg. The cooking is presented as a hypothetical.
Same Singer
Las Tres Llamadas
Los Cuates De Sinaloa
El Manicero
Los Cuates de Sinaloa
La Reina del Sur
Los Cuates de Sinaloa
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Los Cuates de Sinaloa
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