Lyrics & Translation
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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historia /isˈtoɾi.a/ B1 |
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hermosa /eɾˈmo.sa/ B1 |
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luna /ˈlu.na/ A1 |
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baile /baˈi.le/ A2 |
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rosa /ˈro.sa/ A1 |
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boca /ˈbo.ka/ A1 |
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oído /oˈi.ðo/ A2 |
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susurrar /suˈsu.rar/ B2 |
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sentir /senˈtiɾ/ B1 |
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recuerdo /reˈkweɾ.do/ B1 |
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parqueado /parˈke.a.ðo/ B2 |
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encierro /enˈsje.ro/ B2 |
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paredes /paˈɾe.des/ A2 |
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vaivén /baiˈβen/ C1 |
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brisa /ˈbɾi.sa/ B1 |
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conquistar /konˈkis.taɾ/ B2 |
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bailar /baˈi.lar/ A2 |
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loco /ˈlo.ko/ A2 |
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tiempo /ˈtjempo/ A1 |
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radio /ˈra.ðjo/ A1 |
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“historia, hermosa, luna” – got them all figured out?
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Key Grammar Structures
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Y yo no sé si pueda, pero sigo
➔ Subjunctive mood after a clause of doubt (no sé si + subjunctive)
➔ The verb "pueda" is in the subjunctive because the speaker is unsure: "no sé si "**pueda**"".
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Sigo pensando en tu boca
➔ Gerund after the verb "seguir" to indicate continuous action
➔ "pensando" is a gerund that follows "sigo" to mean "I keep **thinking**".
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Me encierro en cuatro paredes
➔ Reflexive verb to indicate that the subject performs the action on itself
➔ The pronoun "Me" makes "encierro" reflexive: I "**lock myself**" in four walls.
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Una historia tan hermosa
➔ Use of "tan" + adjective for emphasis (comparative of degree)
➔ "tan" intensifies "hermosa": "a story **so** beautiful".
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Mira la Luna y siente que estoy al oído susurrando
➔ Imperative mood + subordinate clause with "que" + present progressive
➔ "Mira" and "siente" are imperatives; "que estoy susurrando" uses "que" + present progressive "**estoy susurrando**".
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Con una rosa, la conquisté
➔ Prepositional phrase + simple past with direct object pronoun "la"
➔ "la" refers to a feminine object (the girl) and is placed before the verb "conquisté" (I "**conquered her**").
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Bailando dancehall, me la llevé
➔ Gerund phrase as adverbial modifier + pronoun "me la" before past verb
➔ "Bailando" (dancing) modifies the whole clause; "me la" means "to me it" – "I **took it** (her) while dancing".
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Se puso hermosa, bien lo sabes
➔ Reflexive verb "ponerse" + informal pronoun "lo" as direct object
➔ "Se puso" is reflexive (became); "lo" refers to the fact that she is beautiful: "She **became beautiful**, you know **it**".
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Que me tiene loco con ese vaivén, eh
➔ Relative clause introduced by "que" describing effect on the subject
➔ "Que" introduces a relative clause: "**that makes me crazy** with that swing".
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