Push It to the Limit
Lyrics:
[English]
Push it to the limit
Walk along the razor's edge
But don't look down, just keep your head
Or you'll be finished
...
Open up the limit
Past the point of no return
You've reached the top but still you gotta learn
How to keep it
...
Hit the wheel and double the stakes
Throttle wide open like a bat out of hell
You crash the gates
(Crash the gates)
Going for the back of beyond
Nothing gonna stop you, there's nothing that strong
So close now, you're nearly at the brink
So, push it, ooh, yeah
...
Welcome to the limit (limit)
Take it, baby, one step more
The power game's still playing, so
You better win it
...
Push it to the limit (limit)
No one left to stand in your way
You might get careless, but you'll never be safe
While you're still in it
...
Welcome to the limit (limit)
Standing on the razor's edge
Don't look down, just keep your head
Or you'll be finished
Welcome to the limit
(The limit, the limit, the limit, the limit)
Push it to the limit
(The limit, the limit, the limit, the limit)
(The limit, the limit, the limit, the limit)
Push it to the limit
(The limit, the limit, the limit, the limit)
(The limit, the limit, the limit, the limit)
...
Vocabulary in this song:
Vocabulary | Meanings |
---|---|
push /pʊʃ/ A2 |
|
limit /ˈlɪmɪt/ B1 |
|
walk /wɔːk/ A1 |
|
edge /edʒ/ B1 |
|
head /hed/ A1 |
|
finished /ˈfɪnɪʃt/ A2 |
|
point /pɔɪnt/ A2 |
|
top /tɒp/ A1 |
|
wheel /wiːl/ A2 |
|
stakes /steɪks/ B2 |
|
throttle /ˈθrɒtl/ B2 |
|
crash /kræʃ/ B1 |
|
gates /ɡeɪts/ A2 |
|
beyond /bɪˈjɒnd/ B1 |
|
safe /seɪf/ A1 |
|
Grammar:
-
Push it to the limit
➔ Imperative sentence
➔ This is an imperative sentence, directly commanding someone to "push" something to its "limit". The verb is at the beginning of the sentence with no subject mentioned.
-
Walk along the razor's edge
➔ Imperative sentence
➔ Another imperative sentence, telling the listener to "walk" along the "razor's edge".
-
But don't look down, just keep your head
➔ Compound imperative sentences using conjunctions (but)
➔ This combines two imperative clauses with "but". "Don't look down" is a negative imperative (using "don't" + verb). "Keep your head" is another imperative.
-
Or you'll be finished
➔ Conditional sentence type 1 (zero conditional simplified). 'Or' as a conditional conjunction.
➔ This is a simplified type 1 conditional sentence. 'Or' here acts as 'if you don't'. It implies: 'If you don't keep your head, you'll be finished.' The structure is: *If + present simple, will + infinitive*
-
Past the point of no return
➔ Prepositional phrase modifying an implied noun.
➔ This is a prepositional phrase. The implied noun is something like 'You are'. So the full sentence (implied) is 'You are past the point of no return'.
-
You've reached the top but still you gotta learn
➔ Present perfect tense ('You've reached') connected to a modal verb construction ('gotta learn') with a conjunction ('but').
➔ "You've reached" uses the present perfect tense to indicate an action completed in the past that has relevance to the present. "Gotta learn" is a colloquial shortening of "got to learn," using "gotta" as a modal verb expressing obligation. The "but" shows a contrast between achieving the top and needing to continue learning.
-
Nothing gonna stop you, there's nothing that strong
➔ Double negative (informal): "Nothing gonna stop you" and using "that" as a demonstrative adjective (with relative clause implied)
➔ "Nothing gonna stop you" is a double negative, although in informal speech, it is often used for emphasis rather than literal negation. "Gonna" is a colloquial shortening of "going to." The sentence implies: 'There is nothing that is that strong [that could stop you].'
-
You might get careless, but you'll never be safe
➔ Modal verb of possibility ('might') combined with a future tense with 'will' showing certainty ('you'll never be safe') using a conjunction 'but' to show contrast.
➔ "Might get" expresses possibility or uncertainty. "You'll never be safe" uses 'will' to show a stronger degree of certainty about the future. The "but" connects these two contrasting ideas.