Lyrics & Translation
Dive into the vibrant world of Ellie Goulding's 'Something In The Way You Move' to experience a catchy electropop anthem that makes learning English both engaging and enjoyable. Its relatable lyrics about irresistible attraction and conflicting emotions offer a fantastic way to grasp conversational English and expressions of love and heartbreak in a modern pop context. The song's clear vocals and memorable chorus make it special for language learners, providing an accessible entry point to understanding contemporary English music.
Key Vocabulary
Vocabulary | Meanings |
---|---|
strange /streɪndʒ/ B1 |
|
feeling /ˈfiːlɪŋ/ A1 |
|
move /muːv/ A1 |
|
heal /hiːl/ B1 |
|
heartache /ˈhɑːrteɪk/ B2 |
|
bloodstain /ˈblʌdsteɪn/ C1 |
|
sleeve /sliːv/ B1 |
|
end /end/ A1 |
|
lose /luːz/ A1 |
|
fire /ˈfaɪər/ A1 |
|
fall /fɔːl/ A1 |
|
sink /sɪŋk/ B1 |
|
cannonball /ˈkænənbɔːl/ B2 |
|
kill /kɪl/ A2 |
|
evil /ˈiːvl/ B1 |
|
lie /laɪ/ B1 |
|
true /truː/ A1 |
|
break /breɪk/ A1 |
|
lonely /ˈləʊnli/ A2 |
|
pour /pɔːr/ B1 |
|
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Key Grammar Structures
-
It's the strangest feeling
➔ Superlative Adjective
➔ The superlative adjective "strangest" is used to describe the highest degree of a quality among three or more things, often preceded by "the." Here, it emphasizes that this feeling is more unusual than any other.
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Feeling this way for you
➔ Gerund as a Noun Complement
➔ The gerund "Feeling" acts as a noun, complementing the subject "It" (referring to the feeling itself) from the previous line. It describes the nature or type of the feeling.
-
There's something in the way you move
➔ "There is/are" construction with an implied relative clause
➔ The structure "There's something" indicates existence. "in the way you move" is a phrase implying "in the way *that* you move," where "that" (a relative pronoun) is omitted, which is common in informal English.
-
With you, I'm never healing
➔ Present Continuous with "never" for a continuous state or ongoing process
➔ The phrase "I'm never healing" uses the present continuous tense to express a continuous, ongoing state or process that is always happening or never happening in relation to the subject. It emphasizes a permanent or recurring lack of recovery.
-
Not one bone in your body good enough for me
➔ Adjective/Adverb "Enough"
➔ "Enough" is used after an adjective ("good") to indicate that the quantity or quality is sufficient or satisfactory. Here, "good enough" means sufficiently good or acceptable.
-
When our eyes meet, I can only see the end
➔ Adverbial Clause of Time + Modal Verb "Can"
➔ "When our eyes meet" is an adverbial clause of time, indicating when the action in the main clause ("I can only see the end") occurs. "Can" is a modal verb expressing ability or possibility, here limited by "only."
-
But tonight I'm gonna lose it all
➔ "Going to" for Future Plans or Predictions
➔ "I'm gonna lose" (a colloquial contraction of "I'm going to lose") expresses a future intention or a prediction based on current circumstances. It indicates a strong likelihood or a determined plan.
-
Playing with fire, I was the first to fall
➔ Participle Clause (Reduced Adverbial Clause)
➔ "Playing with fire" is a participle clause acting as an adverbial clause, providing background information or a condition for the main clause. It implies "While I was playing with fire..." or "Because I was playing with fire...".
-
There's nothing left for me to lose
➔ "Nothing left" + Infinitive Phrase
➔ The phrase "nothing left" indicates a complete absence of something remaining. It is followed by an infinitive phrase "for me to lose" which specifies what is no longer available or what action cannot be taken further.
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I can't sit back and take the lonely days
➔ Phrasal Verb "Sit back" and Compound Verb Phrase
➔ "Sit back" is a phrasal verb meaning to relax and not get involved, or to passively observe. It's combined with "and take" to form a compound verb phrase, describing a series of actions (or inactions) the speaker refuses to do.
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