Lyrics & Translation
Discover the global phenomenon of 'Stereo Love' and immerse yourself in the emotive Romanian-English lyrics that explore the universal feelings of love and heartbreak. Learning the lyrics to this song can be a great way to practice English pronunciation and vocabulary related to emotions, set to an unforgettable dance beat. What makes this song special is its unique fusion of Eastern European accordion hooks with a classic Eurodance rhythm, creating a sound that transcended cultural boundaries.
Key Vocabulary
Vocabulary | Meanings |
---|---|
break /breɪk/ A2 |
|
pay /peɪ/ A1 |
|
touch /tʌtʃ/ A1 |
|
blow /bloʊ/ B1 |
|
control /kənˈtroʊl/ A2 |
|
lose /luz/ A1 |
|
promise /ˈprɑmɪs/ A2 |
|
real /riːl/ A1 |
|
deny /dɪˈnaɪ/ B1 |
|
fix /fɪks/ A2 |
|
run /rʌn/ A1 |
|
hide /haɪd/ A2 |
|
smile /smaɪl/ A1 |
|
beautiful /ˈbjuːtɪfəl/ A2 |
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dream /driːm/ A1 |
|
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Key Grammar Structures
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When you're gonna stop breaking my heart?
➔ Future with 'gonna' + Continuous Infinitive
➔ The use of 'gonna' is informal for 'going to', indicating a planned future action. The continuous infinitive ('breaking') emphasizes the ongoing nature of the action causing pain. The sentence asks about the *continuation* of a negative action.
-
You can't deny you've blown my mind.
➔ Present Perfect Tense + Modal Verb 'can't'
➔ The Present Perfect ('blown') indicates an action completed at an unspecified time in the past with relevance to the present. 'Can't deny' expresses strong inability to contradict a statement. The effect of 'blowing someone's mind' is still felt now.
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I can fix all those lies.
➔ Modal Verb 'can' + Infinitive
➔ The modal verb 'can' expresses ability or possibility. Here, it indicates the speaker's capability to resolve the 'lies'. It's a statement of potential, not necessarily a completed action.
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But baby, when I run I'm running to you
➔ Present Continuous Tense for Repeated Action/Emphasis
➔ Using the present continuous ('running') twice emphasizes the speaker's consistent and determined action. It's not just a single instance of running, but a habitual or emphatic movement *towards* the person they are addressing.
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