Lyrics & Translation
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
hurt /hɜːrt/ A2 |
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words /wɜːrdz/ A1 |
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cut /kʌt/ A2 |
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knife /naɪf/ A1 |
|
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breathe /briːð/ A1 |
|
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life /laɪf/ A1 |
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feeling /ˈfiːlɪŋ/ A2 |
|
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knees /niːz/ A1 |
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kisses /ˈkɪsɪz/ A1 |
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|
stitches /ˈstɪtʃɪz/ B1 |
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aching /ˈeɪkɪŋ/ B1 |
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flame /fleɪm/ A2 |
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pain /peɪn/ A1 |
|
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heart /hɑːrt/ A1 |
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|
touch /tʌtʃ/ A2 |
|
|
head /hed/ A1 |
|
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Key Grammar Structures
-
But no one's ever left me quite this sore
➔ Contraction & Comparative Adverb
➔ The contraction "no one's" combines "no one" and "has". "Quite" intensifies the adjective "sore", indicating a high degree of emotional pain. The phrase describes the depth of the emotional wound. "**quite**" modifies "sore"
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Your words cut deeper than a knife
➔ Comparative Structure
➔ This sentence uses the comparative structure "deeper than" to show that the impact of the words is greater than that of a physical wound. It's a metaphor. "**deeper**" is the comparative form of "deep".
-
If I quit calling you my lover
➔ First Conditional
➔ This is a first conditional sentence, expressing a likely outcome. The structure is "If + present simple, will + base verb". It suggests that stopping the speaker from referring to the other person as their lover will lead to a positive change. "**quit**" is the base verb.
-
Tripping over myself, aching
➔ Present Participles as Adjectives/Adverbials
➔ "Tripping" and "aching" are present participles functioning as adjectives describing the speaker's state. They create a vivid image of clumsiness and pain. "**tripping**" describes the action of stumbling.
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Just like a moth drawn to a flame
➔ Simile
➔ This line uses a simile, comparing the speaker's attraction to the person to a moth's fatal attraction to a flame. The word "like" signals the comparison. It highlights the self-destructive nature of the relationship. "**drawn**" is the past participle of 'draw'.
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