SUPAHOOD – English Lyrics
Lyrics & Translation
Dive into the vibrant world of contemporary R&B and Hip-Hop with K. Michelle's "SUPAHOOD"! This song is a fantastic way to grasp modern English slang and cultural expressions, particularly those related to urban relationships and female empowerment. Featuring explicit and bold lyrics from K. Michelle, City Girls, and Kash Doll, it offers an authentic look into current vernacular and what makes a song truly special and 'fun' from the artists' perspective.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
hood /hʊd/ B1 |
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nigga /ˈnɪɡə/ B2 |
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shoot /ʃuːt/ A2 |
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fuck /fʌk/ C1 |
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crazy /ˈkreɪzi/ A2 |
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weed /wiːd/ B1 |
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bitch /bɪtʃ/ B2 |
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richer /ˈrɪtʃər/ A2 |
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wetter /ˈwɛtər/ B1 |
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super /ˈsuːpər/ A1 |
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license /ˈlaɪsəns/ A2 |
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stash /stæʃ/ B1 |
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cabbage /ˈkæbɪdʒ/ A1 |
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farmer /ˈfɑːrmər/ A1 |
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control /kənˈtroʊl/ A2 |
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wild /waɪld/ A2 |
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“hood, nigga, shoot” – got them all figured out?
⚡ Dive into vocabulary challenges in the app and lock in your knowledge right after jamming to "SUPAHOOD"
Key Grammar Structures
-
Sorry, I'm not 'bout to play wit' you (I'm so sorry)
➔ Contraction with present simple (I'm = I am)
➔ The verb "*am*" is contracted with the pronoun "*I*" to form "*I'm*".
-
If we fuckin', you fuck off, then I'ma shoot (Shoot, yeah, shoot)
➔ Zero conditional (if + present simple, ...)
➔ The clause "*if we fuckin'*" uses the present simple to talk about a general result: "*you fuck off*" then "*I'ma shoot*".
-
I may let him fuck and he ain't even gotta pay me
➔ Modal verb "may" + infinitive; negative contraction "ain't"; informal "gotta" = have to
➔ "*may*" expresses possibility, followed by the base verb "*let*". "*ain't*" is a colloquial negative for "is not/are not", and "*gotta*" is short for "*got to*" meaning "must".
-
He don't hesitate to shoot for a lady
➔ Subject‑verb agreement error (plural verb with singular subject) – colloquial usage
➔ In standard English the verb should be "*doesn't*"; the song uses "*don't*" for stylistic, informal effect.
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I admit that I love this shit
➔ Verb + that‑clause (reporting verb)
➔ The reporting verb "*admit*" is followed by a *that‑clause* "*that I love this shit*" to express the content of the admission.
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The richer the nigga, the pussy get wetter
➔ Comparative correlative structure (the ... the ...)
➔ "*The richer*" and "*the pussy get wetter*" are linked; the first clause sets a condition that the second clause follows.
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I let him hold my car with no licence
➔ Verb + object + bare infinitive (let + object + base verb)
➔ "*let*" is followed directly by the object "*him*" and the bare infinitive "*hold*"; no "to" is used.
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If I tell him "It's a go", he won't hit the brakes
➔ First conditional (if + present simple, will + base verb)
➔ "*If I tell him...*" uses the present simple to talk about a possible future situation, and "*he won't hit the brakes*" uses "will not" for the predicted result.
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Went from movin' O's to fuckin' wit' CEO's
➔ Past simple verb "went" followed by a gerund phrase (moving, fuckin')
➔ "*Went*" is the simple past of "go". The phrase "*from movin' O's to fuckin' wit' CEO's*" uses gerunds to describe the transition.
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