SUPAHOOD – English Lyrics
Lyrics & Translation
Dive into the raw and confident world of "SUPAHOOD," a powerful track by K. Michelle featuring City Girls and Kash Doll. This R&B, trap, and crunk-infused anthem offers a unique lens into contemporary urban language and expressions of female empowerment. Explore its dynamic lyrics and learn how these artists convey their desires and perspectives with an unapologetic voice, making it a compelling song for language learners interested in modern American vernacular and cultural narratives.
Key Vocabulary
Vocabulary | Meanings |
---|---|
hood /hʊd/ B1 |
|
nigga /ˈnɪɡə/ B2 |
|
shoot /ʃuːt/ A2 |
|
fuck /fʌk/ C1 |
|
crazy /ˈkreɪzi/ A2 |
|
weed /wiːd/ B1 |
|
bitch /bɪtʃ/ B2 |
|
richer /ˈrɪtʃər/ A2 |
|
wetter /ˈwɛtər/ B1 |
|
super /ˈsuːpər/ A1 |
|
license /ˈlaɪsəns/ A2 |
|
stash /stæʃ/ B1 |
|
cabbage /ˈkæbɪdʒ/ A1 |
|
farmer /ˈfɑːrmər/ A1 |
|
control /kənˈtroʊl/ A2 |
|
wild /waɪld/ A2 |
|
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Key Grammar Structures
-
Sorry, I'm not 'bout to play wit' you (I'm so sorry)
➔ Contraction with present simple (I'm = I am)
➔ The verb "*am*" is contracted with the pronoun "*I*" to form "*I'm*".
-
If we fuckin', you fuck off, then I'ma shoot (Shoot, yeah, shoot)
➔ Zero conditional (if + present simple, ...)
➔ The clause "*if we fuckin'*" uses the present simple to talk about a general result: "*you fuck off*" then "*I'ma shoot*".
-
I may let him fuck and he ain't even gotta pay me
➔ Modal verb "may" + infinitive; negative contraction "ain't"; informal "gotta" = have to
➔ "*may*" expresses possibility, followed by the base verb "*let*". "*ain't*" is a colloquial negative for "is not/are not", and "*gotta*" is short for "*got to*" meaning "must".
-
He don't hesitate to shoot for a lady
➔ Subject‑verb agreement error (plural verb with singular subject) – colloquial usage
➔ In standard English the verb should be "*doesn't*"; the song uses "*don't*" for stylistic, informal effect.
-
I admit that I love this shit
➔ Verb + that‑clause (reporting verb)
➔ The reporting verb "*admit*" is followed by a *that‑clause* "*that I love this shit*" to express the content of the admission.
-
The richer the nigga, the pussy get wetter
➔ Comparative correlative structure (the ... the ...)
➔ "*The richer*" and "*the pussy get wetter*" are linked; the first clause sets a condition that the second clause follows.
-
I let him hold my car with no licence
➔ Verb + object + bare infinitive (let + object + base verb)
➔ "*let*" is followed directly by the object "*him*" and the bare infinitive "*hold*"; no "to" is used.
-
If I tell him "It's a go", he won't hit the brakes
➔ First conditional (if + present simple, will + base verb)
➔ "*If I tell him...*" uses the present simple to talk about a possible future situation, and "*he won't hit the brakes*" uses "will not" for the predicted result.
-
Went from movin' O's to fuckin' wit' CEO's
➔ Past simple verb "went" followed by a gerund phrase (moving, fuckin')
➔ "*Went*" is the simple past of "go". The phrase "*from movin' O's to fuckin' wit' CEO's*" uses gerunds to describe the transition.
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