Lyrics & Translation
Learning a language through music is a powerful tool, and Hozier's “To Be Alone” offers a rich landscape of evocative and poetic English. The song's lyrical depth, which touches on themes of societal critique and intimate salvation, provides a unique opportunity to explore complex ideas and vocabulary. What makes this song special for learners is its raw, emotional delivery and the stark contrast between its gentle, intimate moments and its powerful, critical observations of the world.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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feel /fiːl/ A1 |
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good /ɡʊd/ A1 |
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kiss /kɪs/ A2 |
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lights /laɪts/ A1 |
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person /ˈpɜːrsən/ A1 |
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life /laɪf/ A1 |
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skin /skɪn/ A2 |
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crawls /krɔːlz/ B1 |
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weight /weɪt/ A2 |
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arms /ɑːrmz/ A1 |
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god /ɡɒd/ A2 |
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heroin /ˈheroʊɪn/ B2 |
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prays /preɪz/ B1 |
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alone /əˈloʊn/ A2 |
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hate /heɪt/ A2 |
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damaged /ˈdæmɪdʒd/ B1 |
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hide /haɪd/ A2 |
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Key Grammar Structures
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Never feel too good in crowds
➔ Adverb "too" modifying adjective "good"
➔ The adverb "too" intensifies the adjective "good", indicating an excessive degree of feeling good, implying the speaker is *never* completely comfortable in crowds. It's a common structure to express negative feelings about situations: "It's too hot", "I'm too tired."
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The anthems of rape culture loud
➔ Ellipsis (omission) of verb 'are' or 'being'; adjective "loud" modifying the noun phrase.
➔ The line is grammatically incomplete but stylistically effective. It's implied that "The anthems of rape culture *are* loud." This omission creates a more direct and impactful statement. The adjective "loud" emphasizes the pervasiveness and obnoxiousness of these anthems.
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All I've ever done is hide
➔ Present perfect tense ("have done") combined with infinitive without "to" after "done".
➔ "All I've ever done is hide" is a common construction where the infinitive verb (hide) following 'done' doesn't require 'to'. This shortened form is typical in everyday speech and song lyrics. The present perfect emphasizes that hiding has been a constant throughout the speaker's life.
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But you don't know what hell you put me through
➔ Embedded question using "what" as an interrogative pronoun and the verb "put through" as a phrasal verb.
➔ This is an example of an embedded question, where a question is included within a statement. "What hell you put me through" acts as the object of the verb "know". "Put through" is a phrasal verb meaning to cause someone to experience something difficult or unpleasant.
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To have someone kiss the skin that crawls from you
➔ Infinitive of purpose ('To have someone kiss...') indicating the reason or goal. Relative clause using "that" ('the skin *that* crawls from you'). Causative verb 'have' (to *have* someone kiss...).
➔ The phrase "To have someone kiss..." expresses a purpose or result. "That crawls from you" is a relative clause modifying "the skin". The causative verb "have" signifies that the speaker is causing or allowing someone to perform the action of kissing.
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Than try to kiss the skin that crawls from you
➔ Comparative structure using "than"; infinitive "to try" indicating purpose or intent. Relative clause with "that".
➔ This line uses 'than' in a comparative sense, implying a preference or lack of alternative. The infinitive "to try" indicates the speaker's intention or effort. "That crawls from you" is a relative clause modifying "the skin."
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It's the god that heroin prays to
➔ Use of "that" as a relative pronoun to introduce a defining relative clause; metaphoric language.
➔ "That heroin prays to" is a defining relative clause specifying which god is being referred to. The entire line is a metaphor, comparing the feeling described to the addictive power of heroin and the devotion it inspires.
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Work Song
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To Be Alone
Hozier
First Time
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Bullseye
Lucy Dacus, Hozier
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