Display Bilingual:

Never feel too good in crowds 00:30
With folks around, when they're playing 00:34
The anthems of rape culture loud 00:40
Crude and proud creatures baying 00:45
All I've ever done is hide 00:50
From our times when you're near me 00:55
Honey, when you kill the lights and kiss my eyes 01:01
I feel like a person for a moment of my life 01:09
But you don't know what hell you put me through 01:18
To have someone kiss the skin that crawls from you 01:26
To feel your weight in arms I'd never use 01:35
It's the god that heroin prays to 01:44
It feels good, girl, it feels good 01:54
It feels good, girl, it feels good 01:57
It feels good, girl, it feels good 02:01
Oh, to be alone with you 02:05
There are questions I can't ask 02:50
Now at last, the worst is over 02:55
See the way you hold yourself 03:00
Reel against your body's borders 03:05
I know that you hate this place 03:10
Not a trace of me would argue 03:15
Honey, we should run away, oh, someday 03:21
Our baby and her momma 03:28
And the damaged love she made 03:32
But I don't know what else that I would do 03:38
Than try to kiss the skin that crawls from you 03:46
Then feel your weight in arms I'd never use 03:55
It's the god that heroin prays to 04:04
It feels good, girl, it feels good 04:14
It feels good, girl, it feels good 04:17
It feels good, girl, it feels good 04:21
Oh, to be alone with you 04:24
Feels good, girl, it feels good 04:57
Feels good, girl, it feels good 05:00
Feels good, girl, it feels good 05:04
Oh, to be alone with you 05:07
05:11

To Be Alone – English Lyrics

📲 "To Be Alone" is trending – don’t miss the chance to learn it in the app!
By
Hozier
Album
Hozier (Special Edition)
Viewed
13,026,904
Language
Learn this song

Lyrics & Translation

Learning a language through music is a powerful tool, and Hozier's “To Be Alone” offers a rich landscape of evocative and poetic English. The song's lyrical depth, which touches on themes of societal critique and intimate salvation, provides a unique opportunity to explore complex ideas and vocabulary. What makes this song special for learners is its raw, emotional delivery and the stark contrast between its gentle, intimate moments and its powerful, critical observations of the world.

[English]
Never feel too good in crowds
With folks around, when they're playing
The anthems of rape culture loud
Crude and proud creatures baying
All I've ever done is hide
From our times when you're near me
Honey, when you kill the lights and kiss my eyes
I feel like a person for a moment of my life
But you don't know what hell you put me through
To have someone kiss the skin that crawls from you
To feel your weight in arms I'd never use
It's the god that heroin prays to
It feels good, girl, it feels good
It feels good, girl, it feels good
It feels good, girl, it feels good
Oh, to be alone with you
There are questions I can't ask
Now at last, the worst is over
See the way you hold yourself
Reel against your body's borders
I know that you hate this place
Not a trace of me would argue
Honey, we should run away, oh, someday
Our baby and her momma
And the damaged love she made
But I don't know what else that I would do
Than try to kiss the skin that crawls from you
Then feel your weight in arms I'd never use
It's the god that heroin prays to
It feels good, girl, it feels good
It feels good, girl, it feels good
It feels good, girl, it feels good
Oh, to be alone with you
Feels good, girl, it feels good
Feels good, girl, it feels good
Feels good, girl, it feels good
Oh, to be alone with you
...

Key Vocabulary

Start Practicing
Vocabulary Meanings

feel

/fiːl/

A1
  • verb
  • - to experience an emotion or sensation

good

/ɡʊd/

A1
  • adjective
  • - of high quality; pleasing

kiss

/kɪs/

A2
  • verb
  • - to touch with the lips as a sign of love
  • noun
  • - an act of kissing

lights

/laɪts/

A1
  • noun
  • - sources of illumination

person

/ˈpɜːrsən/

A1
  • noun
  • - a human being

life

/laɪf/

A1
  • noun
  • - the condition that distinguishes organisms from inorganic matter

skin

/skɪn/

A2
  • noun
  • - the outer covering of the body

crawls

/krɔːlz/

B1
  • verb
  • - to move on hands and knees

weight

/weɪt/

A2
  • noun
  • - a body's relative mass or the quantity of matter contained by it, giving rise to a downward force; the heaviness of a person or thing.

arms

/ɑːrmz/

A1
  • noun
  • - upper limbs of the human body

god

/ɡɒd/

A2
  • noun
  • - a superhuman being or spirit worshipped as having power over nature or human affairs

heroin

/ˈheroʊɪn/

B2
  • noun
  • - a highly addictive analgesic drug derived from morphine, often used illicitly as a narcotic

prays

/preɪz/

B1
  • verb
  • - to address a solemn request or expression of thanks to a deity or other object of worship.

alone

/əˈloʊn/

A2
  • adjective
  • - having no one else present; lonely

hate

/heɪt/

A2
  • verb
  • - to feel intense dislike for

damaged

/ˈdæmɪdʒd/

B1
  • adjective
  • - physically harmed or injured

hide

/haɪd/

A2
  • verb
  • - to put something out of sight

🧩 Unlock "To Be Alone" – every sentence and word gets easier with the app!

💬 Don’t let tough words stop you – the app’s got your back!

Key Grammar Structures

  • Never feel too good in crowds

    ➔ Adverb "too" modifying adjective "good"

    ➔ The adverb "too" intensifies the adjective "good", indicating an excessive degree of feeling good, implying the speaker is *never* completely comfortable in crowds. It's a common structure to express negative feelings about situations: "It's too hot", "I'm too tired."

  • The anthems of rape culture loud

    ➔ Ellipsis (omission) of verb 'are' or 'being'; adjective "loud" modifying the noun phrase.

    ➔ The line is grammatically incomplete but stylistically effective. It's implied that "The anthems of rape culture *are* loud." This omission creates a more direct and impactful statement. The adjective "loud" emphasizes the pervasiveness and obnoxiousness of these anthems.

  • All I've ever done is hide

    ➔ Present perfect tense ("have done") combined with infinitive without "to" after "done".

    "All I've ever done is hide" is a common construction where the infinitive verb (hide) following 'done' doesn't require 'to'. This shortened form is typical in everyday speech and song lyrics. The present perfect emphasizes that hiding has been a constant throughout the speaker's life.

  • But you don't know what hell you put me through

    ➔ Embedded question using "what" as an interrogative pronoun and the verb "put through" as a phrasal verb.

    ➔ This is an example of an embedded question, where a question is included within a statement. "What hell you put me through" acts as the object of the verb "know". "Put through" is a phrasal verb meaning to cause someone to experience something difficult or unpleasant.

  • To have someone kiss the skin that crawls from you

    ➔ Infinitive of purpose ('To have someone kiss...') indicating the reason or goal. Relative clause using "that" ('the skin *that* crawls from you'). Causative verb 'have' (to *have* someone kiss...).

    ➔ The phrase "To have someone kiss..." expresses a purpose or result. "That crawls from you" is a relative clause modifying "the skin". The causative verb "have" signifies that the speaker is causing or allowing someone to perform the action of kissing.

  • Than try to kiss the skin that crawls from you

    ➔ Comparative structure using "than"; infinitive "to try" indicating purpose or intent. Relative clause with "that".

    ➔ This line uses 'than' in a comparative sense, implying a preference or lack of alternative. The infinitive "to try" indicates the speaker's intention or effort. "That crawls from you" is a relative clause modifying "the skin."

  • It's the god that heroin prays to

    ➔ Use of "that" as a relative pronoun to introduce a defining relative clause; metaphoric language.

    "That heroin prays to" is a defining relative clause specifying which god is being referred to. The entire line is a metaphor, comparing the feeling described to the addictive power of heroin and the devotion it inspires.