Lyrics & Translation
Explore the unique blend of Japanese and Korean in '2' by Gen Hoshino and Lee Youngji. This song is a fantastic opportunity to see how two languages can creatively intertwine to express a universal message of unity and love. By listening, you can pick up on the different cadences of Japanese and Korean rap and singing, making language learning a musical and joyful experience.
Key Vocabulary
Vocabulary | Meanings |
---|---|
愛 /a.i/ A1 |
|
瞳 /çi.tomi/ A1 |
|
笑う /waɾaɯ̟ᵝ/ A1 |
|
魔法 /mahoː/ A2 |
|
戦い /tata̠kai/ B1 |
|
無限大数 /mu̞ɡe̞n da̠i̯ sɯ̽ː/ B2 |
|
間違ってる /ma̠t͡ɕiɡatːeɾɯ̟ᵝ/ A2 |
|
強力 /kʲoːɾʲokɯ̟ᵝ/ B1 |
|
秘密 /çimi̥tsɯ̟ᵝ/ A2 |
|
熱い /a̠t͡sɯ̥i/ A1 |
|
危険 /kʲi̥keɴ/ A2 |
|
稲妻 /i̥na̠zɯ̟ᵝma/ B1 |
|
永遠 /e̞i̥e̞ɴ/ B2 |
|
無敵 /mu̞te̞ki/ C1 |
|
壁 /ka̠be̞/ A1 |
|
異星 /i̥se̞i/ B1 |
|
祈り /i̥no̞ɾi/ B2 |
|
難しい /mɯ̟ᵝdzɯ̟ᵝkaɕiː/ B1 |
|
🚀 "愛", "瞳" – from “2” still a mystery?
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Key Grammar Structures
-
1+1 is not just **2**
➔ Emphasis using 'just'
➔ The use of "just" highlights that the number 2 is not the only possible outcome. It is an adverb of degree, indicating the restriction or limitation.
-
It could be minus or
➔ Use of "could be" to express possibility
➔ "Could be" indicates a possibility or hypothetical situation, suggesting an alternative outcome.
-
It could be 無限大数
➔ Use of "could be" for possibility, and the noun phrase "無限大数 (mugendai-suu)" (infinity) from Japanese
➔ This sentence incorporates a Japanese noun, demonstrating a blending of languages and concepts. "Could be" sets up the possibility that the result could be infinity.
-
1人の2人が集まって 強力な独りになるということ
➔ Relative clause, "ということ" for expressing 'the fact that'
➔ The phrase "ということ" functions as a nominalizer, turning the preceding clause into a noun phrase that represents the fact or idea being expressed. It is used to emphasize the result or conclusion.
-
言葉にするには手に余る
➔ Grammar for "too...to" - "too hard to put into words"
➔ This sentence uses the structure similar to "too...to" - it's too difficult to express it in words. "手に余る" literally means 'too much to handle,' metaphorically indicating something that is beyond one's capacity to express.
-
君と私の秘密を全部取り出して
➔ Use of "全部 (zenbu)" for emphasis, and the imperative form of a verb "取り出して" (take out)
➔ This line uses "全部 (zenbu)" (all/everything) to emphasize that *all* of the secrets are being taken out. It also features the imperative form of the verb, adding a sense of directness and urgency.
-
笑う僕らに 勝てる者などいないのに
➔ Sentence ending with "のに" (though/even though)
➔ "のに (no ni)" is a conjunction that expresses contrast or concession, meaning 'although' or 'even though'. The speaker acknowledges that no one can win, yet the reality is still happening.
-
止められないほど難しいLOVE
➔ Structure of "...ほど... (hodo)", the adverbial phrase "止められない (tomerarenai)" (cannot stop)
➔ This sentence uses "...ほど..." to express the degree. "止められない" (tomerarenai) is the negative potential form of the verb, meaning 'cannot stop'. The love is described as being so difficult that it cannot be stopped.
-
惹かれて歌い合う様に
➔ Use of "様に (yō ni)" meaning "in a way that" or "like"
➔ "様に (yō ni)" is used to describe the manner or way something is done. In this sentence it expresses how they are drawn to each other and sing together.
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