Lyrics & Translation
Embark on a soulful linguistic journey with Natalia Lafourcade's 'De todas las flores.' This deeply personal song, rich with poetic metaphors and diverse Latin American musical traditions, offers a unique opportunity to immerse yourself in Spanish. Its evocative lyrics about love, loss, and self-renewal, combined with Lafourcade's captivating and emotional voice, make it a perfect piece for understanding nuanced emotions and cultural expressions in Spanish.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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sembramos semˈbɾamos A2 |
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encendidas enθenˈdiðas B1 |
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menguantes menˈɡwantes B2 |
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buganvilias buɣamˈbiljas B1 |
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borrachos boˈrra.tʃos A2 |
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rumbo ˈrumbo A1 |
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bailamos baiˈlamos A2 |
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perdimos perˈðimos A2 |
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comprendimos komprenˈðimos A2 |
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laberintos laβeˈrintos B1 |
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madrugadas maðruˈɣaðas A2 |
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clavando klaˈβando A2 |
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melancolía melankoˈli.a B1 |
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compartimos komparˈtimos A2 |
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sagradas saˈɣɾaðas B1 |
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Key Grammar Structures
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De todas las flores que sembramos
➔ Relative clause introduced by que
➔ The word "que" introduces a relative clause that describes "las flores".
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Solo quedan unas encendidas
➔ Impersonal construction with verb quedar + adjective
➔ The verb "quedan" is used impersonally; "solo" modifies the whole clause meaning "only remain".
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Cada mañana se preguntan cuándo llegarás para cantarles
➔ Indirect question introduced by cuándo
➔ The interrogative word "cuándo" starts an indirect question: "when you will arrive".
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Cuando nos reímos, cuando nos tuvimos
➔ Temporal clause with cuando + reflexive verb
➔ The conjunction "cuando" introduces a time clause; the verbs "reímos" and "tuvimos" are reflexive (nos).
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En las calles de Madrid borrachos fuimos sin un rumbo fijo
➔ Preposition sin + noun phrase (absence) and past simple with ser/ir (fuimos)
➔ The preposition "sin" means "without" and is followed by the noun phrase "un rumbo fijo"; "fuimos" is the past form of "ir" meaning "we went/ended up".
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Como tu caricia, dulce como amarga
➔ Comparative structure with como + adjective
➔ The word "como" introduces a comparison; the adjectives "dulce" and "amarga" are paired with "como" to mean "sweet as" and "bitter as".
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Sobre mares lloran lágrimas sagradas
➔ Poetic inversion: verb before subject, and preposition sobre + noun
➔ The verb "lloran" precedes the implied subject, creating a lyrical effect; "sobre" means "over" and governs "mares".
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En ese jardín de rosas buganvilias donde compartimos
➔ Relative clause with donde + verb, and noun phrase with multiple modifiers
➔ The relative adverb "donde" introduces a clause describing the place "where we shared"; "jardín de rosas buganvilias" stacks two nouns as modifiers.
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Las lunas menguantes que nos observaron
➔ Relative clause with que + past simple verb observaron
➔ The relative pronoun "que" links "las lunas menguantes" with the clause "nos observaron" (they observed us).
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