Lyrics & Translation
Dive into the vibrant world of "MENINA" by Nathy Peluso and Lua de Santana, a song that's not just a banger but also a fantastic way to engage with Spanish and Portuguese. Through its compelling lyrics, you'll explore themes of strength, identity, and resilience, learning powerful vocabulary and expressions in a dynamic and culturally rich context. The blend of Spanish and Portuguese, especially in Lua de Santana's contributions, offers a unique bilingual experience, making it special for language learners eager to grasp the nuances of both languages through an empowering narrative.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
|
duele /ˈdwe.le/ B1 |
|
|
arde /ˈaɾ.ðe/ B1 |
|
|
pecho /ˈpe.t͡ʃo/ A2 |
|
|
pena /ˈpe.na/ B1 |
|
|
ojos /ˈo.xos/ A1 |
|
|
cuidar /kwiˈðaɾ/ A2 |
|
|
noche /ˈno.t͡ʃe/ A1 |
|
|
oro /ˈo.ɾo/ A1 |
|
|
sonría /sonˈri.a/ B1 |
|
|
brillo /ˈbɾi.ʎo/ B2 |
|
|
tarea /taˈɾe.a/ A2 |
|
|
ciudad /θjuˈðað/ A1 |
|
|
viejo /ˈbje.xo/ A2 |
|
|
gente /ˈxen.te/ A1 |
|
|
fiesta /ˈfjes.ta/ A1 |
|
|
carrera /kaˈre.ra/ B1 |
|
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Key Grammar Structures
-
Cómo duele, cómo arde cuando echan alcohol en una cicatriz
➔ Use of exclamatory 'cómo' + verb (emphasis on intensity)
➔ 'Cómo duele' means 'how much it hurts', emphasizing pain or intensity.
-
Yo te juro que si fuera por mí me fugo en helicóptero a la chingada
➔ Conditional clause using past subjunctive 'fuera' + conditional meaning
➔ The use of 'si fuera por mí' (if it were up to me) introduces a hypothetical situation.
-
Para que cada vez que yo sonría se refleje mi brillo
➔ Subjunctive 'se refleje' after purpose clause 'para que'
➔ 'Para que' introduces a purpose, requiring the subjunctive form 'se refleje'.
-
Me fugué de la oscuridad
➔ Use of reflexive verb 'fugarse' in preterite tense
➔ 'Me fugué' literally means 'I escaped myself', showing reflexive action.
-
No hay un Velázquez en toda la fiesta que pinte esta Menina
➔ Relative clause with subjunctive 'pinte' after negative antecedent
➔ Because 'no hay' implies nonexistence, the verb 'pintar' takes the subjunctive form 'pinte'.
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Si lo necesito, con la cuchara yo lo meneo
➔ Real conditional with 'si' + present indicative
➔ The use of 'si' with present tense expresses a real possibility or fact.
-
Hay un jurado que quiere mi grasa en el Coliseo
➔ Relative clause with indicative verb for known/real antecedent
➔ The clause 'que quiere mi grasa' describes a real existing 'jurado', so indicative is used.
-
El apellido bordado, los cachetes colorados
➔ Elliptical structure omitting verbs (nominal description)
➔ The lack of verbs focuses on vivid imagery rather than full sentences.
-
No te confíes que la verdad nunca entera la han contado
➔ Negative imperative 'no te confíes' with reflexive verb
➔ 'No te confíes' warns someone not to trust too much.
-
Lo domino dominado
➔ Wordplay with participle 'dominado' to emphasize control and contrast
➔ Repetition of 'domino' (I dominate) and 'dominado' (dominated) highlights both power and vulnerability.
Album: GRASA
Aprender a amar
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CORLEONE
Nathy Peluso
REAL
NATHY PELUSO
TODO ROTO
NATHY PELUSO, CA7RIEL, Paco Amoroso
Escaleras de Metal
Nathy Peluso
ENVIDIA
NATHY PELUSO
MENINA
Nathy Peluso, Lua de Santana
IDEAS RADICALES
NATHY PELUSO
MANHATTAN
Nathy Peluso, Duki
EL DÍA QUE PERDÍ MI JUVENTUD
Nathy Peluso, Blood Orange
LA PRESA
Nathy Peluso
LA MENTIRA
Nathy Peluso
Remedio
Nathy Peluso
MAMÁ
Nathy Peluso
MENINA
Nathy Peluso, Lua de Santana
Same Singer
NATIKILLAH
Nathy Peluso
La Sandunguera
Nathy Peluso
Aprender a amar
Nathy Peluso
CORLEONE
Nathy Peluso
REAL
NATHY PELUSO
TODO ROTO
NATHY PELUSO, CA7RIEL, Paco Amoroso
Escaleras de Metal
Nathy Peluso
ENVIDIA
NATHY PELUSO
MENINA
Nathy Peluso, Lua de Santana
IDEAS RADICALES
NATHY PELUSO
MANHATTAN
Nathy Peluso, Duki
EL DÍA QUE PERDÍ MI JUVENTUD
Nathy Peluso, Blood Orange
LA PRESA
Nathy Peluso
LA MENTIRA
Nathy Peluso
Remedio
Nathy Peluso
MAMÁ
Nathy Peluso
Menina
Nathy Peluso, Mura Masa
MENINA
Nathy Peluso, Lua de Santana
Ateo
C. Tangana, Nathy Peluso
Ateo
C. Tangana, Nathy Peluso
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