Perdido no Bosque – Bilingual Lyrics Portuguese/English
Lyrics & Translation
Discover the emotional depth of "Perdido no Bosque" by Filipe Gonçalves, a song that captures the universal feeling of being lost and searching for direction. Through its heartfelt Portuguese lyrics, you can explore themes of love, longing, and self-discovery, offering a unique way to connect with the language and its expressive power.
Key Vocabulary
Vocabulary | Meanings |
---|---|
perdido /pɨɾˈdiðu/ B1 |
|
bosque /ˈbɔʃkɨ/ B2 |
|
direções /di.ɾeˈsõɪ̯ʃ/ B1 |
|
coração /ku.ɾɐˈsɐ̃w̃/ A2 |
|
vida /ˈvi.dɐ/ A1 |
|
norte /ˈnɔɾtɨ/ A2 |
|
sul /ˈsuɫ/ A2 |
|
casa /ˈka.zɐ/ A1 |
|
rota /ˈʁɔ.tɐ/ B1 |
|
amor /ɐˈmoɾ/ A1 |
|
lado /ˈla.ðu/ A1 |
|
cima /ˈsi.mɐ/ A2 |
|
baixo /ˈbajʃu/ A2 |
|
noite /ˈnoj.tɨ/ A1 |
|
mapa /ˈma.pɐ/ A2 |
|
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Key Grammar Structures
-
Fomos em direções diferentes
➔ Pretérito Perfeito Simples (Simple Past)
➔ The use of the *Pretérito Perfeito Simples* (*fomos*) indicates a completed action in the past, emphasizing that the action of going in different directions is finished and distinct from the present.
-
Sem saber bem o que fazer
➔ Infinitive clause after a preposition
➔ The structure *sem saber* followed by *o que fazer* (infinitive) expresses a lack of knowledge about what action to take. *Sem* is the preposition.
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Mas porque é que eu nos sinto Pouco a pouco afastar?
➔ Emphatic question with cleft sentence structure and reflexive pronoun usage
➔ The phrase *porque é que* emphasizes the questioning. The verb *afastar* is used reflexively (*nos afastar*), meaning 'to distance ourselves'. *Sinto* takes 'nos' as the direct object in this case.
-
Ando pelo teu coração Agora sempre a lutar
➔ Gerund (*a lutar*) used in a periphrastic construction expressing continuous action.
➔ The construction *sempre a lutar* employs the gerund (*lutar*, to fight) with the preposition *a*, creating a periphrastic verb phrase meaning 'always fighting'. This emphasizes ongoing, continuous action.
-
Nunca pensei ficar assim baralhado
➔ Compound verb tense with auxiliary verb + infinitive, and past participle as adjective
➔ *Nunca pensei ficar* is a compound construction expressing a thought that did not occur. *Baralhado* is used as a past participle to describe the state of being confused.
-
Senão teu amor?
➔ Conditional conjunction *senão* (if not)
➔ *Senão* here means 'if not', creating a rhetorical question: 'Who am I, if not your love?'
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Já sei que és o meu norte
➔ Use of 'ser' to describe essential qualities
➔ The verb *ser* (*és*) is used to define a permanent characteristic. Here, *norte* (north) is being used metaphorically to represent guidance or direction.
-
Pois tu és o meu
➔ Simplified sentence with omitted noun; understood 'rumo' (path/direction)
➔ The full sentence would be *Pois tu és o meu rumo*, but *rumo* (path, direction) is omitted as it's already established in the prior line *Eu sou o teu rumo*. This demonstrates ellipsis for conciseness.
Album: Frozen II - O Reino do Gelo

Perdido no Bosque
Filipe Gonçalves

Some Things Never Change
Bárbara Lourenço, Cátia Moreira, Maria Camões, Ana Encarnação, Bruno Ferreira, Henrique Feist, Diogo Morgado, Filipe Gonçalves, Raquel Ferreira
Same Singer

Dança Joana
Filipe Gonçalves

Perdido no Bosque
Filipe Gonçalves

Some Things Never Change
Bárbara Lourenço, Cátia Moreira, Maria Camões, Ana Encarnação, Bruno Ferreira, Henrique Feist, Diogo Morgado, Filipe Gonçalves, Raquel Ferreira
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