显示双语:

Look, if you had one shot or one opportunity 00:34
To seize everything you ever wanted in one moment 00:43
Would you capture it or just let it slip? 00:49
Yo 00:52
His palms are sweaty, knees weak, arms are heavy 00:53
There's vomit on his sweater already, mom's spaghetti 00:56
He's nervous, but on the surface, he looks calm and ready 00:59
To drop bombs, but he keeps on forgetting 01:02
What he wrote down, the whole crowd goes so loud 01:04
He opens his mouth, but the words won't come out 01:07
He's chokin', how? Everybody's jokin' now 01:10
The clock's run out, time's up, over, blaow 01:13
Snap back to reality, ope, there goes gravity 01:16
Ope, there goes Rabbit, he choked, he's so mad 01:19
But he won't give up that easy, no, he won't have it 01:21
He knows his whole back's to these ropes, it don't matter 01:24
He's dope, he knows that, but he's broke, he's so stagnant 01:27
He knows when he goes back to this mobile home, that's when it's 01:30
Back to the lab again, yo, this old rhapsody 01:33
Better go capture this moment and hope it don't pass him 01:36
You better lose yourself in the music 01:38
The moment, you own it, you better never let it go (go) 01:40
You only get one shot, do not miss your chance to blow 01:43
This opportunity comes once in a lifetime- 01:47
You better lose yourself in the music 01:49
The moment, you own it, you better never let it go (go) 01:52
You only get one shot, do not miss your chance to blow 01:55
This opportunity comes once in a lifetime- 01:58
You better- 02:00
His soul's escaping through this hole that is gaping 02:01
This world is mine for the taking, make me king 02:04
As we move toward a new world order 02:07
A normal life is boring, but superstardom's 02:10
Close to post-mortem, it only grows harder 02:12
Homie grows hotter, he blows, it's all over 02:15
These hoes is all on him, coast-to-coast shows 02:18
He's known as the Globetrotter, lonely roads 02:20
God only knows he's grown farther from home, he's no father 02:23
He goes home and barely knows his own daughter 02:26
But hold your nose 'cause here goes the cold water 02:29
These hoes don't want him no mo', he's cold product 02:32
They moved on to the next schmoe who flows 02:35
He nose-dove and sold nada, and so the soap opera 02:37
Is told, it unfolds, I suppose it's old, partner 02:40
But the beat goes on, da-da-dom, da-dom- 02:43
You better lose yourself in the music 02:45
The moment, you own it, you better never let it go (go) 02:48
You only get one shot, do not miss your chance to blow 02:51
This opportunity comes once in a lifetime- 02:54
You better lose yourself in the music 02:57
The moment, you own it, you better never let it go (go) 02:59
You only get one shot, do not miss your chance to blow 03:02
This opportunity comes once in a lifetime- 03:05
You better- 03:08
No more games, I'ma change what you call rage 03:08
Tear this motherfuckin' roof off like two dogs caged 03:11
I was playin' in the beginning, the mood all changed 03:14
I've been chewed up and spit out and booed off stage 03:16
But I kept rhymin' and stepped right in the next cypher 03:19
Best believe somebody's payin' the Pied Piper 03:22
All the pain inside amplified by the 03:25
Fact that I can't get by with my nine-to- 03:28
Five and I can't provide the right type of life for my family 03:31
'Cause, man, these goddamn food stamps don't buy diapers 03:34
And there's no movie, there's no Mekhi Phifer, this is my life 03:38
And these times are so hard, and it's gettin' even harder 03:41
Tryna feed and water my seed, plus teeter-totter 03:44
Caught up between bein' a father and a prima donna 03:47
Baby-mama drama, screamin' on her, too much for me to wanna 03:50
Stay in one spot, another day of monotony's gotten me 03:53
To the point I'm like a snail, I've got 03:56
To formulate a plot or end up in jail or shot 03:58
Success is my only motherfuckin' option, failure's not 04:01
Mom, I love you, but this trailer's got to go 04:05
I cannot grow old in Salem's Lot 04:07
So here I go, it's my shot 04:09
Feet, fail me not 04:11
This may be the only opportunity that I got 04:12
You better lose yourself in the music 04:15
The moment, you own it, you better never let it go (go) 04:17
You only get one shot, do not miss your chance to blow 04:20
This opportunity comes once in a lifetime- 04:23
You better lose yourself in the music 04:26
The moment, you own it, you better never let it go (go) 04:28
You only get one shot, do not miss your chance to blow 04:31
This opportunity comes once in a lifetime- 04:35
You better- 04:37
You can do anything you set your mind to, man 04:40
04:42

Lose Yourself

作者
Eminem
专辑
8 Mile
观看次数
288,945,394
学习这首歌

歌词:

[English]

Look, if you had one shot or one opportunity

To seize everything you ever wanted in one moment

Would you capture it or just let it slip?

Yo

His palms are sweaty, knees weak, arms are heavy

There's vomit on his sweater already, mom's spaghetti

He's nervous, but on the surface, he looks calm and ready

To drop bombs, but he keeps on forgetting

What he wrote down, the whole crowd goes so loud

He opens his mouth, but the words won't come out

He's chokin', how? Everybody's jokin' now

The clock's run out, time's up, over, blaow

Snap back to reality, ope, there goes gravity

Ope, there goes Rabbit, he choked, he's so mad

But he won't give up that easy, no, he won't have it

He knows his whole back's to these ropes, it don't matter

He's dope, he knows that, but he's broke, he's so stagnant

He knows when he goes back to this mobile home, that's when it's

Back to the lab again, yo, this old rhapsody

Better go capture this moment and hope it don't pass him

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

His soul's escaping through this hole that is gaping

This world is mine for the taking, make me king

As we move toward a new world order

A normal life is boring, but superstardom's

Close to post-mortem, it only grows harder

Homie grows hotter, he blows, it's all over

These hoes is all on him, coast-to-coast shows

He's known as the Globetrotter, lonely roads

God only knows he's grown farther from home, he's no father

He goes home and barely knows his own daughter

But hold your nose 'cause here goes the cold water

These hoes don't want him no mo', he's cold product

They moved on to the next schmoe who flows

He nose-dove and sold nada, and so the soap opera

Is told, it unfolds, I suppose it's old, partner

But the beat goes on, da-da-dom, da-dom-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

No more games, I'ma change what you call rage

Tear this motherfuckin' roof off like two dogs caged

I was playin' in the beginning, the mood all changed

I've been chewed up and spit out and booed off stage

But I kept rhymin' and stepped right in the next cypher

Best believe somebody's payin' the Pied Piper

All the pain inside amplified by the

Fact that I can't get by with my nine-to-

Five and I can't provide the right type of life for my family

'Cause, man, these goddamn food stamps don't buy diapers

And there's no movie, there's no Mekhi Phifer, this is my life

And these times are so hard, and it's gettin' even harder

Tryna feed and water my seed, plus teeter-totter

Caught up between bein' a father and a prima donna

Baby-mama drama, screamin' on her, too much for me to wanna

Stay in one spot, another day of monotony's gotten me

To the point I'm like a snail, I've got

To formulate a plot or end up in jail or shot

Success is my only motherfuckin' option, failure's not

Mom, I love you, but this trailer's got to go

I cannot grow old in Salem's Lot

So here I go, it's my shot

Feet, fail me not

This may be the only opportunity that I got

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better lose yourself in the music

The moment, you own it, you better never let it go (go)

You only get one shot, do not miss your chance to blow

This opportunity comes once in a lifetime-

You better-

You can do anything you set your mind to, man

...

这首歌中的词汇:

词汇 含义

shot

/ʃɒt/

A2
  • noun
  • - 尝试做或实现某事。
  • verb
  • - 从枪里发射子弹

capture

/ˈkæptʃər/

B2
  • verb
  • - 通过武力占有或控制。

slip

/slɪp/

B1
  • verb
  • - 无意中滑动短距离。
  • noun
  • - 无意中滑倒的行为

heavy

/ˈhevi/

A2
  • adjective
  • - 重量大;难以提起或移动。

nervous

/ˈnɜːrvəs/

B1
  • adjective
  • - 容易激动或惊慌。

calm

/kɑːm/

A2
  • adjective
  • - 不表现出或感受到紧张、愤怒或其他情绪。

drop

/drɒp/

A2
  • verb
  • - 让或允许(某物)掉落或松散地悬挂。

crowd

/kraʊd/

A2
  • noun
  • - 聚集在公共场所的大量人群。

choke

/tʃoʊk/

B2
  • verb
  • - 因为某物堵塞了喉咙或气管而呼吸困难。

gravity

/ˈɡrævəti/

B2
  • noun
  • - 将物体吸引到地球中心或吸引到任何其他具有质量的物理物体的力。

mad

/mæd/

A2
  • adjective
  • - 生气; 狂怒。

dop

/doʊp/

B2
  • adjective
  • - (俚语) 很好; 优秀的

stagnant

/ˈstæɡnənt/

C1
  • adjective
  • - (水体或大气)不流动或移动。

rhapsody

/ˈræpsədi/

C1
  • noun
  • - 一种热情奔放或欣喜若狂的感情表达。

soul

/soʊl/

B1
  • noun
  • - 被认为是永生的人或动物的精神或非物质部分。

gape

/ɡeɪp/

B2
  • verb
  • - 张着嘴凝视,通常是惊讶或惊奇。

bore

/bɔːr/

B1
  • adjective
  • - 因缺乏兴趣而使人感到疲倦和烦躁。

rage

/reɪdʒ/

C1
  • noun
  • - 暴力,无法控制的愤怒。

rhyme

/raɪm/

B1
  • verb
  • - (单词,音节或行)具有或以与另一声音相对应的声音结尾。

fail

/feɪl/

A2
  • verb
  • - 未能成功实现自己的目标。

语法:

  • If you had one shot or one opportunity To seize everything you ever wanted in one moment

    ➔ 第二条件句

    ➔ **第二条件句** (If + 过去式, would + 动词原形) 用于谈论现在或将来不真实或不太可能的情况。 在这里,这是假设性的 - 他实际上还没有*拥有*一次机会。

  • Would you capture it or just let it slip?

    ➔ 使用'Would'的条件问题

    ➔ 这行使用 'would' 来形成关于假设行为的问题。 'Would you capture it' 表达了在想象的场景中*会*发生什么。 "let it slip" 中的动词 "let" 意味着允许某事物丢失或浪费。

  • He's nervous, but on the surface, he looks calm and ready To drop bombs, but he keeps on forgetting What he wrote down

    ➔ 对比连接词 (but), 现在进行时强调习惯性动作 (keeps on forgetting)

    ➔ 'But' 显示了他的内在紧张和外在表现之间的对比。 'He keeps on forgetting' 使用现在进行时来强调他反复忘记的性质,这使它更加令人沮丧。 'Keep on + verb+ing' 是一个表示坚持的习语。

  • Snap back to reality, ope, there goes gravity Ope, there goes Rabbit, he choked, he's so mad

    ➔ 祈使语气 (Snap back), 一般现在时 ('there goes' - 用于强调和即时性)

    ➔ 'Snap back to reality' 是一种祈使语气,一种直接命令。 'There goes gravity' 和 'There goes Rabbit' 以一种不同寻常的方式使用一般现在时。 通常,'there goes' 表示某物正在远离,但在这里,它表示情况迅速失控。 使用它会增加场景的影响和即时性。

  • He knows his whole back's to these ropes, it don't matter He's dope, he knows that, but he's broke, he's so stagnant

    ➔ 非正式缩写 ('back's', 'don't')、对比连接词 ('but')

    ➔ 这行使用非正式缩写,如 'back's' (back is) 和 'don't' (does not) 来反映对话式的街头风格。 'But' 再次在他的才华 ('dope') 和他目前的状况 ('broke', 'stagnant') 之间形成了对比。

  • You better lose yourself in the music The moment, you own it, you better never let it go (go)

    ➔ 'Better' (had better) + 动词原形 (lose),祈使语气。

    ➔ 'You better lose yourself' 是一个强烈的建议或警告。 'Had better' 在非正式场合通常缩写为 'better'。 它表达了紧迫感。 祈使语气提供了方向。

  • No more games, I'ma change what you call rage Tear this motherfuckin' roof off like two dogs caged

    ➔ 非正式缩写 ('I'ma'), 名词性从句 ('what you call rage'), 明喻 ('like two dogs caged')

    ➔ 'I'ma' 是 'I am going to' 的非常非正式的缩写。 'What you call rage' 是一个名词性从句,充当动词 'change' 的宾语。 'Like two dogs caged' 是一种明喻,将他强烈的愤怒与被囚禁的动物的愤怒进行比较。

  • Best believe somebody's payin' the Pied Piper All the pain inside amplified by the Fact that I can't get by with my nine-to-Five and I can't provide the right type of life for my family

    ➔ 省略 ('best believe' - 应该是 'you best believe')、被动语态 ('amplified by')、关系从句 ('that I can't get by...')

    ➔ 'Best believe' 是省略号的一个例子,其中省略了单词以使其简洁且具有影响力。 'amplified by the fact' 中的被动语态用于强调正在作用的痛苦,而不是行动者。 'That I can't get by...' 是一个修饰单词 'fact' 的关系从句。