Lyrics & Translation
Gloria Groove!
(Ruxell, the captivating charm)
It's midnight and the witch is loose
Ready to cast some spells at the dance
All the poison that comes from your mouth
Is sweet, red, and puts you in the vibe
Abracadabra, take a seat
A good smack you won't forget
I'm not Wednesday, nor am I Sabrina
This is Lady Leste’s dark world
Hey, young one, hot and burning
With a look that’s spellbound
Show up in my cauldron
Tonight I want to kiss a frog
Listen, get it together
I can be rough, so don’t be shocked
I’ll hit you with everything, you like the smack
This wildness, go on!
At midnight, this magic
Gives poison to your tongue
At midnight, I’m your fate
Run away with me and turn day into night
At midnight
At midnight
She flips her hair, she walks backwards
Walking backwards, the evil one loves
She flips her hair, she walks backwards
Walking backwards, the evil one loves
Full moon, itching to see you
I brought you a little gift
Your charm drives me crazy
Feelings, magic, and pleasure
Hey, young one, hot and burning
With a look that’s spellbound
Show up in my cauldron
Tonight I want to kiss a frog
Hey, young one, hot and burning
With a look that’s spellbound
Show up in my cauldron
Tonight I want to...
At midnight, this magic
Gives poison to your tongue
At midnight, I’m your fate
Run away with me and turn day into night
At midnight
At midnight
She flips her hair, she walks backwards
Walking backwards, the evil one loves
She flips her hair, she walks backwards
Walking backwards, the evil one loves
Did you like the hum... what?
At midnight
She flips her hair, she walks backwards
Walking backwards, the evil one loves (at midnight)
She flips her hair, she walks backwards (at midnight)
She flips her hair, she walks backwards
She flips her hair, she walks backwards (at midnight)
Walking backwards, the evil one loves...
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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bruxa /ˈbɾuʃɐ/ B1 |
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solta /ˈsɔwtɐ/ B1 |
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feitiçaria /fej.ti.saˈɾi.a/ B2 |
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veneno /veˈnenu/ B1 |
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doce /ˈdosi/ A2 |
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vibe /vajb/ B1 |
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toma /ˈto.mɐ/ A2 |
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sentada /senˈta.da/ B1 |
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surra /ˈsuʁɐ/ B1 |
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mundo /ˈmũdu/ A1 |
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sombrio /sõˈbɾiu/ B2 |
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quente /ˈkẽtʃi/ A2 |
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enfeitiçado /ẽ.fej.tiˈsa.du/ B2 |
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caldeirão /kawdeˈɾɐ̃w̃/ B1 |
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beijar /bejˈʒaɾ/ A1 |
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sapo /ˈsa.pu/ A2 |
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bruta /ˈbɾu.tɐ/ B1 |
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magia /maˈʒi.a/ B1 |
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língua /ˈlĩɡwɐ/ A2 |
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sina /ˈsi.nɐ/ B2 |
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lua /ˈlu.ɐ/ A1 |
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cheia /ˈʃej.a/ A2 |
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encanto /ẽˈkɐ̃.tu/ B2 |
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mágica /ˈma.ʒi.kɐ/ B1 |
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“bruxa, solta, feitiçaria” – got them all figured out?
⚡ Dive into vocabulary challenges in the app and lock in your knowledge right after jamming to "AMEIANOITE"
Key Grammar Structures
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Deu meia-noite e a bruxa tá solta
➔ Past Tense (Deu)
➔ The use of the past tense "Deu" (gave) to indicate that midnight has already occurred, setting the scene for the rest of the lyrics.
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Quer fazer feitiçaria no baile
➔ Infinitive (fazer)
➔ The use of the infinitive form "fazer" (to do) expresses intention or desire to perform the action of witchcraft.
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Todo veneno que sai da sua boca
➔ Relative Clause (que sai)
➔ The relative clause "que sai" (that comes out) modifies the noun "veneno" (poison), specifying where the poison originates from.
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Surra bem dada que você não esquece
➔ Relative Clause (que você não esquece)
➔ The relative clause "que você não esquece" (that you don't forget) modifies the noun phrase "surra bem dada" (a good spanking), describing the type of spanking it is.
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Não sou Wandinha, nem sou a Sabrina
➔ Negative statements with "sou"
➔ Using "não sou" (I am not) to negate identity. "Nem" is used to connect two negative elements, equivalent to 'neither...nor'.
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Brota no meu caldeirão Que hoje eu quero beijar sapo
➔ Relative clause with 'que' + Subjunctive mood (present)
➔ The 'que' introduces a relative clause. 'Quero beijar' uses the present subjunctive expressing desire.
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Te taco com tudo, tu gosta da coça
➔ Second person singular pronouns (te, tu) with informal verb conjugation
➔ "Te" is an object pronoun, and "tu" is a subject pronoun. The use of these forms indicates an informal and familiar relationship between the speaker and the listener.
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Ela joga o cabelo, ela vai de costa
➔ Repetition for emphasis
➔ The repetition of the phrase "Ela joga o cabelo, ela vai de costa" (She throws her hair, she goes backwards) is used for rhythmic effect and to emphasize the action.
