AMEIANOITE
Lyrics:
Vocabulary in this song:
Vocabulary | Meanings |
---|---|
bruxa /ˈbɾuʃɐ/ B1 |
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solta /ˈsɔwtɐ/ B1 |
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feitiçaria /fej.ti.saˈɾi.a/ B2 |
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veneno /veˈnenu/ B1 |
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doce /ˈdosi/ A2 |
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vibe /vajb/ B1 |
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toma /ˈto.mɐ/ A2 |
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sentada /senˈta.da/ B1 |
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surra /ˈsuʁɐ/ B1 |
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mundo /ˈmũdu/ A1 |
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sombrio /sõˈbɾiu/ B2 |
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quente /ˈkẽtʃi/ A2 |
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enfeitiçado /ẽ.fej.tiˈsa.du/ B2 |
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caldeirão /kawdeˈɾɐ̃w̃/ B1 |
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beijar /bejˈʒaɾ/ A1 |
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sapo /ˈsa.pu/ A2 |
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bruta /ˈbɾu.tɐ/ B1 |
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magia /maˈʒi.a/ B1 |
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língua /ˈlĩɡwɐ/ A2 |
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sina /ˈsi.nɐ/ B2 |
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lua /ˈlu.ɐ/ A1 |
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cheia /ˈʃej.a/ A2 |
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encanto /ẽˈkɐ̃.tu/ B2 |
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mágica /ˈma.ʒi.kɐ/ B1 |
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Grammar:
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Deu meia-noite e a bruxa tá solta
➔ Past Tense (Deu)
➔ The use of the past tense "Deu" (gave) to indicate that midnight has already occurred, setting the scene for the rest of the lyrics.
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Quer fazer feitiçaria no baile
➔ Infinitive (fazer)
➔ The use of the infinitive form "fazer" (to do) expresses intention or desire to perform the action of witchcraft.
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Todo veneno que sai da sua boca
➔ Relative Clause (que sai)
➔ The relative clause "que sai" (that comes out) modifies the noun "veneno" (poison), specifying where the poison originates from.
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Surra bem dada que você não esquece
➔ Relative Clause (que você não esquece)
➔ The relative clause "que você não esquece" (that you don't forget) modifies the noun phrase "surra bem dada" (a good spanking), describing the type of spanking it is.
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Não sou Wandinha, nem sou a Sabrina
➔ Negative statements with "sou"
➔ Using "não sou" (I am not) to negate identity. "Nem" is used to connect two negative elements, equivalent to 'neither...nor'.
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Brota no meu caldeirão Que hoje eu quero beijar sapo
➔ Relative clause with 'que' + Subjunctive mood (present)
➔ The 'que' introduces a relative clause. 'Quero beijar' uses the present subjunctive expressing desire.
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Te taco com tudo, tu gosta da coça
➔ Second person singular pronouns (te, tu) with informal verb conjugation
➔ "Te" is an object pronoun, and "tu" is a subject pronoun. The use of these forms indicates an informal and familiar relationship between the speaker and the listener.
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Ela joga o cabelo, ela vai de costa
➔ Repetition for emphasis
➔ The repetition of the phrase "Ela joga o cabelo, ela vai de costa" (She throws her hair, she goes backwards) is used for rhythmic effect and to emphasize the action.