Lyrics & Translation
Dive into the language of passionate longing with “Besos Moja2,” an unforgettable reggaeton track. This song is perfect for learning Spanish vocabulary related to romance, desire, and nostalgia. What makes it special is the fusion of classic reggaeton from the 'Duo de la Historia' (Wisin & Yandel) with ROSALÍA’s modern, flamenco-infused Spanish delivery, offering a rich exposure to different styles of Latin music and vernacular.
Key Vocabulary
| Vocabulary | Meanings |
|---|---|
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besos /ˈbe.sos/ A1 |
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mojados /moˈxa.ðos/ A2 |
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devorar /de.boˈɾaɾ/ B1 |
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noche /ˈno.tʃe/ A1 |
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cuarto /ˈkwaɾ.to/ A1 |
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luna /ˈlu.na/ A1 |
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calor /kaˈloɾ/ A1 |
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cuerpo /ˈkweɾ.po/ A1 |
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olvidar /ol.biˈðaɾ/ A1 |
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deseo /deˈse.o/ B1 |
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piel /ˈpjɛl/ A2 |
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mente /ˈmen.te/ A2 |
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labio /ˈla.βjo/ A2 |
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error /eˈʁɔɾ/ A2 |
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mami /ˈma.mi/ A2 |
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jarabe /xaˈɾa.βe/ B1 |
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suave /ˈswa.βe/ A1 |
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infinito /in.fiˈni.to/ B2 |
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básica /ˈba.si.ka/ A2 |
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testigo /tesˈti.ɣo/ A2 |
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What does “besos” mean in the song "Besos Moja2"?
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Key Grammar Structures
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Hace tiempo que no sé nada de ti (eh-eh)
➔ Present perfect
➔ The phrase uses the present perfect to describe an action that started in the past and is relevant to the present, emphasizing the duration since the last contact.
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Admite que yo soy la única (Eh-eh)
➔ Present tense imperative
➔ The verb 'admite' is in the imperative mood, used to give a direct command or request, here demanding acknowledgment.
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No puedo olvidar tus besos mojados
➔ Present tense with negation
➔ The phrase uses the present tense with 'no' to express an ongoing inability to forget, emphasizing a continuous state.
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Tú siempre vuelves porque sabes que eres pa' mí
➔ Present tense with 'sabes' as a subordinating conjunction
➔ The present tense is used with 'sabes' to introduce a reason or explanation for the main clause, showing a logical connection.
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Hazme el amor y que se empañen los cristales de la nave
➔ Imperative mood with subjunctive
➔ The imperative 'hazme' is paired with a subjunctive clause 'que se empañen' to express a desired outcome or condition.
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Como tú no hay ninguna, mami, yo extraño tu piel
➔ Comparative construction with 'como'
➔ The phrase uses 'como' to introduce a comparative statement, emphasizing uniqueness or superiority.
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Si las gana' ya están en el tope
➔ Conditional clause with 'si'
➔ The conditional clause with 'si' introduces a hypothetical situation, expressing a condition that may or may not be true.
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Conmigo, aquello que hicimo' no lo olvido
➔ Pronoun 'aquello' and negation
➔ The pronoun 'aquello' refers to something previously mentioned, and the negation 'no lo olvido' emphasizes the action of not forgetting.
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