Lyrics & Translation
Dive into the vibrant world of J-pop with IZ*ONE's 'Buenos Aires'! This energetic track offers a unique blend of Japanese, French, English, and Spanish phrases, making it an exciting way to pick up new words and understand cultural fusions in music. Its catchy melody and compelling theme of escape provide an engaging listening experience for language learners.
Key Vocabulary
Vocabulary | Meanings |
---|---|
marvelous /ˈmɑːrvələs/ B2 |
|
heaven /ˈhɛvən/ B1 |
|
envy /ˈɛnvi/ B2 |
|
tango /ˈtæŋɡoʊ/ B1 |
|
paradise /ˈpærədaɪs/ B1 |
|
fantastico /fæntæˈstɪkoʊ/ B2 |
|
desire /dɪˈzaɪər/ B1 |
|
hopelessness /ˈhoʊplɪsnɪs/ B2 |
|
eternity /ɪˈtɜːrnɪti/ B2 |
|
escape /ɪˈskeɪp/ B1 |
|
future /ˈfjuːtʃər/ A2 |
|
love /lʌv/ A1 |
|
map /mæp/ A2 |
|
track /træk/ B1 |
|
ocean /ˈoʊʃən/ B1 |
|
sky /skaɪ/ A1 |
|
radio /ˈreɪdioʊ/ A2 |
|
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Key Grammar Structures
-
What are you gonna do?
➔ Future arrangement using 'gonna' (going to)
➔ 'gonna' is a colloquial contraction of 'going to' used to express plans or intentions in the near future.
-
Let’s find a marvelous heaven
➔ Use of 'Let's' to make a suggestion or proposal
➔ 'Let's' is used to suggest that we do something together.
-
To that envious city
➔ Use of 'to' indicating movement towards a place
➔ 'to' is a preposition used to show direction or movement towards a destination.
-
Have you ever been there?
➔ Present perfect tense for experiences
➔ 'Have you ever been there?' uses the present perfect tense to ask about someone's experience up to now.
-
Nothing will chase us
➔ Future simple tense with 'will' for certainty
➔ 'Nothing will chase us' indicates certainty that nothing in the future will pursue us.
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Love is all that matters we can’t fake it
➔ Use of 'can't' for inability or impossibility
➔ 'we can’t fake it' means that love cannot be feigned or fabricated.
-
Set our goal only based on the name of the place
➔ Preposition 'based on' indicating foundation or origin
➔ 'based on' is a prepositional phrase used to indicate the foundation or starting point of something.
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